by Diaphanes

Qu'est-ce que le sexe ?
Alenka Zupančič
Diaphanes - 20.00€ -

La sexualité comme un problème proprement philosophique de la psychanalyse.

La satisfaction de parler contient en soi une clé de la satisfaction sexuelle (et non l'inverse) – une clé de la sexualité et de ses propres contradictions. Alenka Zupančič aborde la question de la sexualité comme un problème proprement philosophique de la psychanalyse – celle de Freud et de Lacan – et non celle des praticiens cliniciens tels que décrits par Lacan « orthopédistes de l'inconscient ». Que se passe-t-il, comme l'affirme Lacan, si nous pouvons obtenir exactement la même satisfaction que le sexe par la parole, l'écriture, la peinture, la prière ou autres activités ? Il ne s'agit pas d'expliquer la satisfaction que procure la parole en indiquant son origine sexuelle, mais bien de souligner que la satisfaction de parler est elle-même sexuelle.

Alenka Zupančič soutient que la sexualité est à la limite d'un « circuit court » entre ontologie et épistémologie. La sexualité et le savoir sont structurés autour d'une négativité fondamentale qui les unit au point de l'inconscient. L'inconscient (en tant que lien avec la sexualité) est le concept d'un lien inhérent entre l'être et la connaissance dans leur négativité même.
Alenka Zupančič est une philosophe lacanienne, spécialiste renommée de Nietzsche, professeure à l'European Graduate School / EGS et à l'Université de Nova Gorica, Slovénie. Elle est également research advisor et professeure à l'Institut de philosophie du Centre de recherche de l'Académie slovène des Sciences et des Arts. Avec Slavoj Žižek et Mladen Dolar, Alenka Zupančič est l'une des figures les plus incontournables de l'Ecole de psychanalyse théorique de Ljubljana dont les travaux s'intéressent aux relations entre sexualité, ontologie et inconscient, à la critique de la théorie du sujet et à l'exploration théorique du concept lacanien du Réel.

I Was More American than the Americans
Sylvère Lotringer, Donatien Grau
Diaphanes - 15.00€ -  out of stock

A personal take on French Theory by one of the people who invented it. 

In the mid-1970s, Sylvère Lotringer created Semiotext(e), a philosophical group that became a magazine and then a publishing house. Since its creation, Semio-text(e) has been a place of stimulating dialogue between artists and philosophers, and for the past fifty years, much of American artistic and intellectual life has depended on it. The model of the journal and the publishing house revolves around the notion of the collective, and Lotringer has rarely shared his personal journey: his existence as a hidden child during World War II; the liberating and then traumatic experience of the collective in the kibbutz; his Parisian activism in the 1960s; his time of wandering, that took him, by way of Istanbul, to the United States; and then, of course, his American years, the way he mingled his nightlife with the formal experimentation he invented with Semiotext(e) and with his classes. Since the early 2010s, Donatien Grau has developed the habit of visiting Lotringer during his trips to Los Angeles; some of their dialogs were published or held in public. This book is an entry into Lotringer's life, his friendships, his choices, and his admiration for some of the leading thinkers of our times. The conversations between Lotringer and Grau show bursts of life, traces of a journey, through texts and existence itself, with an unusual intensity. 

Anarchy – In a Manner of Speaking
David Graeber
Diaphanes - 18.00€ -

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

David Graeber's influential thinking was always at odds with the liberal and left-wing mainstream. Drawing on his huge theoretical and practical experience as an ethnologist and anthropologist, activist and anarchist, Graeber and his interlocutors develop a ramified genealogy of anarchist thought and possible perspectives for 21st-century politics.

Diverging from the familiar lines of historical anarchism, and against the background of movements such as Occupy Wall Street and the Gilets Jaunes, the aim is to provide new political impulses that go beyond the usual schemata of unavoidableness. The spontaneous and swift-moving polylogue shows Graeber as a spirited, unorthodox thinker and radical activist for whom the group can always achieve more than the individual.

David Graeber (1961-2020) was an American anthropologist, anarchist, political activist, the author of several books, and a leading figure in the Occupy Wall Street movement. Until 2007 he was assistant and associate professor of anthropology at Yale University, until 2013 a reader for Social Anthropology at Goldsmiths, University of London, and until last a professor of anthropology at the London School of Economics.

L'anarchie – pour ainsi dire
David Graeber
Diaphanes - 18.00€ -  out of stock

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

Also available in English edition.

David Graeber (1961-2020) was an American anthropologist, anarchist, political activist, the author of several books, and a leading figure in the Occupy Wall Street movement. Until 2007 he was assistant and associate professor of anthropology at Yale University, until 2013 a reader for Social Anthropology at Goldsmiths, University of London, and until last a professor of anthropology at the London School of Economics.

Papillon de verre
Raphaëlle Milone
Diaphanes - 15.00€ -

Raphaëlle Milone's first novel, a dive into the heart of desires, acclaimed by Simon Liberati as well as by Jean-Luc Nancy.

Raphaëlle Milone (born 1991 in Riom) is a French writer.

Radio Works – 1946-48
Antonin Artaud
Diaphanes - 15.50€ -  out of stock

The translated transcripts of two radio broadcasts by Artaud: To have done with the judgement of god (1947-48) and Madness and Black Magic (1946). Correspondences from that period are also included.

In the last two years of his life, following his release from the Rodez asylum, Antonin Artaud decided he wanted his new work to connect with a vast public audience, and chose to record radio broadcasts in order to carry through that aim. That determination led him to his most experimental and incendiary project, To have done with the judgement of god, 1947-48, in which he attempted to create a new language of texts, screams, and cacophonies: a language designed to be heard by millions, aimed, as Artaud said, for “road-menders”. In the broadcast, he interrogated corporeality and introduced the idea of the “body without organs”, crucial to the later work of Deleuze and Guattari. The broadcast, commissioned by the French national radio station, was banned shortly before its planned transmission, to Artaud's fury.

This volume collects all of the texts for To have done with the judgement of god, together with several of the letters Artaud wrote to friends and enemies in the short period between his work's censorship and his death. Also included is the text of an earlier broadcast from 1946, Madness and Black Magic, written as a manifesto prefiguring his subsequent broadcast. Clayton Eshleman's extraordinary translations of the broadcasts activate these works in their extreme provocation.

Antonin Artaud (1896-1948) was a French dramatist, poet, essayist, actor, and theater director, widely recognized as one of the major figures of twentieth-century theater and the European literary avant-garde.

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