Periodicals

The Posthumanist #1 Sleep / Schlaf
The Posthumanist (eds.)
The Posthumanist - 12.00€ -

The Posthumanist is a bi-annual English and German magazine featuring art, design, technology and writing. Each issue presents one theme from various more-than-human perspectives, inviting readers to imagine what living together on planet earth is and could be. 

The idea for the publication emerged from a desire to discuss concepts and expressions of critical posthumanism and feminist new materialism in public contexts and to explore what inclusive futures could feel like. 

CENSORED 09 - It's About Time!
Apolline et Clémentine Labrosse
Censored Magazine - 20.00€ -  out of stock

"Vous rappelez-vous de la dernière fois où vous vous êtes ennuyé·e ? Comment le temps maintient-il les structures du pouvoir en place ? Pourquoi la génération “working girl” ne fait-elle plus rêver ? Pourrions-nous imaginer d’autres temporalités, plus féministes et queer ? Dans son numéro “IT’S ABOUT TIME!” sous forme d’enveloppe géante, la revue Censored examine le concept du temps d’un point de vue féministe. Elle explore la manière dont le rythme de la vie est régi par des exigences sociales normées en abordant notre relation au travail, à la maternité, à la lutte et à la notion de liberté."

À travers des dialogues entre différentes époques, il explore des thèmes tels que la performance, les amitiés créatives et le repos et le divertissement. L’édition inclut des archives, dont un entretien entre Angela Davis et Toni Morrison, des lettres de plusieurs auteurices et poét-esses contemporain·es, des analyses, séries de photos ainsi que cinq cartes blanches à des artistes.

nY52 — sex negativity
Persis Bekkering, Marija Cetinic, Stefa Govaart, Tessel Veneboer (eds.)
Tijdschrift nY - 15.00€ -

Geïnspireerd door recente ontwikkelingen in queer en trans theory, het academisch discours in de traditie van de psychoanalyticus Jacques Lacan, en black studies, presenteert en lanceert nY met dit nummer het begrip ‘seksnegativiteit’, dat wijst op het destabiliserend, desoriënterend potentieel van seksualiteit, zonder er een nieuwe, gedroomde status quo tegenover te stellen.

How to Become The Daughters of Darkness
How To Become (eds.)
How To Become - 20.00€ -  out of stock

Ce numéro explore un thème croisé, l'histoire du cruising lesbien et la figure de la vampire (qui cruise partout pour se nourrir :)

Avec Felix Kazi-Tani, Nelle Gevers & Giulia Longoni, Lorca Coquelicot, Terri de la Peña, La Chocha, Lætitia Paviani, sabrina soyer, Mélanie Blaison, Dodie Bellamy, Martha Salimbeni, Joyce Rivière, Barbara Sirieix, Samuel R. Delany, slalomé·e, Sophie T. Lvoff, Lou·a, Növi Jacquet, Rachel Schenberg, Eleanor Arnasson, Estelle Benazet Heugenhauser.

Designé par la dandy des arts du caractère The graphiste Martha Salimbeni.

mnemotope issue 001
bog bodies (eds.)
Bog Bodies Press - 6.00€ -  out of stock

Mnemotope is a community magazine, published by bog bodies press. Mnemotope magazine takes this as its inspiration-it acts as a place in which lots of stories from across timelines and borders can sit together, and cultural memories can interact. It exists to create and hold the expression and knowledge of its diverse community, because of this, the contents of the magazine are wonderfully varied; some confessional poetry, some hastily notated recipes, some fiction, some history, lots of other things, all submitted during an open call. The format put spreads together of contributions that seem to somehow be in dialogue with one another.

The name of the magazine comes from a term that's used in writings about archaeological finds - it's a little complex when we speak about it abstractly, so take, for example, a bog body. A bog body is an object, but when we look at one it takes on another function as an image. This image is the part beyond the physicality of the object-it's what makes us think about what the world must have been like when this person was walking on it, what they looked like, what they did, who found them, how much the area they were found in must have changed and so on and so on and so on. A mnemotope is something that compresses time, and allows you to be in the bog two thousand years ago and in the museum looking at the body and at home reading about it all at once.

001 contributors:

kostek konopinski, zoé bruhat, pati fixl, franz, lucy hodge-sellers, mathieu kelhetter, nancy martin, åsa yli-luoma, lilou angelrath, camille, mahaut bonnel-emerand, alba ala-pietilä, réiltin o'hagan, joely lorenzen, tom shaw, weronika grec, sarah agerbæk, luca monnerjan, aleksandra fixl, lara, jonas dannacher, lucas garvey, iseult o'hagan, cami, sara blosseville, anwyn howarth, viivi yli luoma, alicja wawryn, kiki astner, boye leborg, melissa-poupouille and anonymous.

 

Initiales #05 — Andrea Fraser
Emmanuel Tibloux & Claire Moulène (Eds.)
École nationale supérieure des beaux-arts de Lyon - 15.00€ -

Le cinquième numéro de la revue d'art et de recherche « rétro-prospective » est consacré à l'artiste et performeuse Andrea Fraser, figure clé de l'art des années 1990 et 2000 et du courant de la « critique institutionnelle » (une monographie complétée par une grande enquête sur l'espace critique réalisée auprès d'une cinquantaine d'artistes, critiques et philosophes internationaux).

Avec contributions de Kader Attia, Eva Barto, Sophie Bonnet-Pourpet, Marie de Brugerolle, Gregory Buchert, Daniel Buren, Marie Canet, Gregory Castéra, Inès Champey, Thierry Chancogne, Claire Fontaine, François Cusset, Judith Deschamps, Paul Devautour, Philippe Durand, Joao Enxuto & Erica Love, Andrea Fraser, Nicolas Frespech, Dora García, Romain Grateau, Emmanuel Guez, Thomas Hirschhorn, Aliocha Imhoff & Kantuta Quirós, Béatrice Josse, Franck Larcade, Ju Huyn Lee, Sven Lütticken, Fabrice Mabime, Bartomeu Mari, Chus Martínez, Gwenael Morin, Claire Moulène, Jean-Luc Moulène, Yan Moulier Boutang, Vincent Normand, François Pain, Gerald Petit, Anne Querrien, Thierry Raspail, Sinziana Ravini, Delphine Reist & Laurent Faulon, Christophe de Rohan Chabot, Phillippe Roux, Jean-Baptiste Sauvage, Thomas Schlesser, Ida Soulard, Fabien Steichen, Michel Surya, Emmanuel Tibloux, Vier 5, Ulf Wuggenig, Italo Zuffi.

Worms #7 'Artists who Write and Writers who Art'
Clem Macleod (Ed.)
Worms Magazine - 24.00€ -  out of stock

The ‘Artists who Write and Writers who Art’ Issue. For Worms 7 we’ve looked to our visual counterparts for some soil nutrients. We’ve wormed our way into the psyche of the artist, to bring you the ‘Artists That Write, and Writers That Art’ issue. Many of our subjects in the past have come into writing via non-traditional routes (filmmaking, curation, art, performance, podcasting, and so on), so it only felt right to cast a spotlight over those who have inspired our experimental literary practices so far. Not only those that use words within their visual practice, but those who use images to inform their writing. The reader, the writer, the artist, the activist, the poet and performer; they’re all here and they’re all worms. 

In this mega worm (which is fittingly pink, for the first time somehow) you are in for a feast. Clem interview Helen Marten, Martine Syms and Diamond Stingily, Caitlin interviews actual art-writing icon Olivia Laing, Pierce talks to the profound Dr. Joy James, Philippa Snow gives us her thoughts on the act of writing art criticism (spoiler: it’s out her ass), and we have enough Derek Jarman content to keep you going for the rest of the year. We have some hilarious/insightful/weird/wonderful contributions from some of your favourite regulars too; including Jess Cole, Isabelle Bucklow, Sam Moore, Haydée Touitou, Estelle Hoy and many others.

(Note from the publisher)

FEATURING:

DIAMOND STINGILY, HELEN MARTEN, NICOLE RUDICK, NIKI DE SAINT PHALLE, MARTINE SYMS, OLIVIA LAING, DR. JOY JAMES, JORDAN WEITZMAN, WU TSANG, DEREK JARMAN, SABINE MIRLESSE, MISHA HONCHARENKO, CHANTAL AKERMAN, JOANNA NOVAK, ANNIE ERNAUX, DAISY SANCHEZ, JENNA SUTELA, ANICKA YI, TUOMAS A. LAITINEN, STEPHANIE COMILANG & SIMON SPEISER, VALERIE SOLANAS

CONTRIBUTORS:

HAYDEÉ TOUITOU, L SCULLY & LUCAS RESTIVO, LEE RAE WALSH, JESS COLE, ESTELLE HOY, PHILIPPA SNOW, SAMANTHA ROSENWALD, ISABELLE BUCKLOW, MONA GLASSFIELD, CLEM MACLEOD, SARAH WHITE, CAITLIN MCLOUGHLIN, PAVIELLE GARCIA, IONE SAIZAR, CHANTAL JOFFE, SOPHIE DAVIDSON, PIERCE ELDRIDGE, VIOLET CONROY, ELLE PÉREZ, PAUL MPAGI SEPUYA, JACQUELINE ENNIS-COLE, MARY ADETURINMO, STEPH FRANCIS-SHANAHAN, SAM MOORE, BUG SHEPHERD-BARRON, DONNA MARCUS DUKE, SAM HOLTON BRADLEY, KITTY GRADY, FELIX PILGRIM, CICI PENG, HOLLY MILLS, THEA MCLACHLAN, ERICA GOULD, PAULA DUCAY AND INÉS GARCÍA, ELVIRA GARCIA, INÊS GERALDES CARDOSO, JODIE HILL, JEMIMA SKALA, MAURA SAPPILO, DELIA RAINEY

Fieldnotes: Issue 4
Bella Marrin (ed.)
Fieldnotes Journal - 15.00€ -  out of stock

The fourth issue of FIELDNOTES contains new work by:

Adeola Titiloye, ajw, Fanny Howe, Will Alexander, Michael O’Mahony, Agnieszka Szczotka, Renee Gladman & Isabel Mallet, Can Xue, Karen Gernant & Chen Zeping, Tony Brooks, Nwuguru Chidiebere Sullivan, Mat Jenner, Alba Schloessingk, Camille Roy, Pete Segall, Johanna Hedva, Beihua Guo, Cedar Sigo, KP Culver

FIELDNOTES is an artist-run publishing project based in Newham in east London, aiming to promote and support non-conforming creative practices that pioneer new cultural forms.

Spike #75 – Closed due to Colonialism, Elitism, and a Private Dinner – The Museum Issue
Rita Vitorelli (ed.)
Spike Magazine - 18.00€ -  out of stock

Spike #75 fêtes the museum in all its stuffy, messy, showy, old-timey glory, as a home-away-from-home, the address of solace and astonishment.

Featuring William Pope.L, Simon Wu, Louise Lawler, Ben Davis, Ann Demeester, Anthony Hudek, Meschac Gaba, Bernadette Van-Huy, Ghislaine Leung, Estelle Hoy, Tea Hacic-Vlahovic, and many more.

This issue is a guestbook to be leafed through at half-light, to be reminded among all the petitions to should of what the museum already is: a trove of our symbols and the histories they shift for; a stubborn beauty mark amid everything's turning smoother; an agora and a target and a legacy of timeless becoming. If it is a half-light of dawn, let it be a new chapter; and if dusk, then a eulogy of many voices.
 
Founded by the artist Rita Vitorelli in 2004, Spike (Spike Art Quarterly) is a quarterly magazine on contemporary art published in English which aims at sustaining a vigorous, independent, and meaningful art criticism. At the heart of each issue are feature essays by leading critics and curators on artists making work that plays a significant role in current debates. Situated between art theory and practice and ranging far beyond its editorial base in Vienna and Berlin, Spike is both rigorously academic and stylishly essayistic. Spike's renowned pool of contributing writers, artists, collectors and gallerists observe and reflect on contemporary art and analyse international developments in contemporary culture, offering its readers both intimacy and immediacy through an unusually open editorial approach that is not afraid of controversy and provocation.

Apocalypticotrashecocidocious - Censored 08
Apolline et Clémentine Labrosse
Censored Magazine - 20.00€ -  out of stock

« Apocalypticotrashecocidocious », l’édition Censored 08, parle d’écologie et de luttes anticapitalistes, de vivant et d’humilité

Ses recherches, textes et productions artistiques mènent à une conclusion : l’urgente nécessité de faire front commun pour quitter les logiques d’exploitation hyperviolentes envers la terre, les espèces, les femmes, minorités de genre et personnes racisées. Politiser le rapport que nous entretenons à nos territoires mutilés, qu’ils soient urbains ou ruraux. Comprendre comment le capitalisme s’est érigé en culte quasi religieux fondé sur la dépossession des savoirs, le déracinement des émotions, l’anti-spiritualité et l’individualisme. Il est alors question de militances joyeuses et du refus de la fatalité, de relations inter-espèces, de spiritualités noires, d’écologie au quotidien, de culture white trash et de futurs possibles.

Comment penser l’écologie lorsque c’est notre propre mode d’existence qui parasite le vivant ? Qu’apprendre des mammifères marins ou des espèces invertébrées ? Quels arts, récits et spiritualités pour aller au-delà des imaginaires dystopiques féministes et engendrer l’action ? Comment s’organiser collectivement tout en apprenant à rester à sa place et sans hiérarchiser ?

F.R. David - Zeros And Ones
K. Bentele, A. Gritz, W. Holder, G. Leung (eds.)
uh books - 10.00€ -

Riffing off the title, this volume includes an interview with Carolyn Lazard – an artist whose conceptual and often spare videos, sculptures, installations, and performances explore the full amplitude of relation – by Catherine Damman, plus a feature on New York-based contemporary artist Tishan Hsu, whose practice examines the “embodiment of technology”, and contributions by time-based media artist Silvia Kolbowski, for whom political resistance, the unconscious, and structures of spectatorship are a central concern of all her projects; choreographer and dancer Yvonne Rainer; and science fiction author Octavia Butler.

Retroactively compiled from the curators*’ footnotes to the exhibition handout of the 2021 exhibition Zeros and Ones, at KW Berlin.

Dedicated to the Sadie Plant book of the same name (Zeros + ones: digital women + the new techno culture, 1997), the issue embodies a (cybernetic) reading & writing machine, as it co-authors artists’ work.

* Edited with Kathrin Benthele, Anna Gritz, and Ghislaine Leung - the edition has 180 pages, 4 colour plates, two bookmarks, an otherwise unavailable postcard donated by the Stanley Brouwn estate, and… SIXTEEN possible covers, reproducing a work by Lutz Bacher.

Girls Like Us #14 - Letters of Disappointment
Jessica Geysel, Sara Kaaman, Katja Mater, Marnie Slater (eds.)
Girls Like Us - 10.00€ -  out of stock

Considered an ‘ugly feeling’ by society’s norm, we’re not supposed to vocalize what and who is letting us down. We’re supposed to stay positive, get organized and act, instead of lingering in negative emotions. We’re supposed to be productive. But making space for disappointment can be a strategy of dissensus. Instead of wallowing in impotence, to make explicit what is not meeting expectations for this world can be an act of renouncing and making cracks in the status quo, while not giving up allegiance that another world is possible.

In Living a Feminist Life, Sara Ahmed writes: ‘we might think of how becoming feminist put us in touch with all that sadness, all those emotions that represent a collective failure to be accommodated to a system as the condition of possibility for living another way.’

In this issue we hope to plant the seeds of this rebellion by collecting a larger body of letters of disappointment. No matter how vague, impersonal, unimportant, futile, banal, or contingent these memories may seem; when shared and brought into a wider collective context, political desire may slip out from between the lines and build a corpus of transfeminist inheritance.

While spending some time with a tarot deck in preparation for this issue we obviously pulled the card of disappointment. In this deck, the illustration shows a beautiful drought: five crystal cups, which in the other cards overflow with fresh water, are shown here empty and dry.

‘The Five of Cups stands for an emotional crisis. It might be that unconscious fears come true, it could tell that feelings are disrupted or wasting away, the soul is empty and unfulfilled. In the sequence of the cups, the Five is the logical consequence of the Four. The grey tristesse that was lurking behind the luxury’s glamour is now exposed, the ‘truth is out’. The Five of Cups implies the loss of illusion, the realization of a deception. It hurts, but is necessary when we don’t want to spend the rest of our lives with our heads in the sand.’

We leave it up to you to imagine the possibilities or boundaries of what spending time with disappointment can make happen, for you, in your community, in the world.

Contributors: Pelumi Adejumo, Clara Balaguer, Dagmar Bosma, Staci Bu Shea, Alba Clevenger, Athena Farrokhzad, Sharona Franklin, Maike Hemmers, Calla Henkel, Sara Kaaman, Alena Kolesnikova, Maoyi (Peixuan Qiu), Katja Mater, Yelena Moskovich, Djuwa Mroivili, Sands Murray-Wassink, Raoni Muzho, Iarlaith Ni Fheorais, Ashley Nkechi Igwe, Milica Trakilović, Shola von Reinhold, Selma Selmani, Terre Thaemlitz, Yin Yin Wong, Anna Zvyagintseva, Sophie Zwertbroek, Joanna Walsh, Rosa Luxemburg, Yoyes Maria Dolores Gonzalez Katarain, Clara Zetkin, Alexandra Kollontai and Audre Lorde

Girls Like Us #5 - Play
Jessica Geysel, Sara Kaaman, Katja Mater, Marnie Slater (eds.)
Girls Like Us - 8.00€ -

In a world with too many choices and too little time to explore, play is an excellent strategy. Objects, roles, bodies, settings – anything can be transformed in play. Playing across time, space, architecture, beds, houses, lives, papers. Suddenly a chair is a plane is a stroy is an animal is an avatar is a new reality. Making up worlds, filming them. Surfing warm and cold waves. Playing with identities. Playing en masse. Playing to be free.

A digital conversation with performance artist boychild, writer Chris Kraus on beer brewing and BDSM, music producer and artist Fatima Al Qadiri on her 1989 haircut, Californian surfers by Eve Fowler & Mariah Garnett, curator Annick Kleizen recapturing the artist residency circuit from a hammock in Brazil, artist Jesse Darling paraphrasing Drake, musicians The Knife dissecting their communal experiment ‘Shaking The Habitual’ through the eyes of their collaborators.

Featuring Boychild, Chris Kraus, Wu Tsang, Jesse Darling, Fatima Al Qadiri, Jam Rostron, Marit Östberg, Hanne Lippard, Kapwani Kiwange, Maroussia Rebecq, Kenji Minogue, Mariah Garnett, Eve Fowler, Lily van der Stokker, Rachel de Joode, Mademoiselle Yulia, Katja Mater, Sarah Forbes Keough, Annick Klezine, Emily Roysdon, Analisa Teachwroth, Jess Arndt, Martin Falck, Laura Davis, Mandy Pernell, Amy Sillman and Jesper Strombäch Eklund.

Girls Like Us #9 - Dance and dancing
Jessica Geysel, Sara Kaaman, Katja Mater, Marnie Slater (eds.)
Girls Like Us - 8.00€ -  out of stock

DANCE AND DANCING explores the New York dance scene – past, present and future. It’s our first ever guest-edited issue compiled by New York based writer and artist Emma Hedditch.

Featuring: Mariana Valencia, Cynthia Oliver, Marlies Yearby, Laurie Carlos, Chrysa Parkinson, devynn emory, the skeleton architecture, Discwoman, Svetlana Kitto, Jonah Groeneboer, Dona Ann McAdams, Lydia Okrent, Kim Brandt, kara lynch, Effie Bowen, Mary Manning, Res, Leah Gilliam, Amelia Bande, Luciana Achugar, Emily Wexler, Ayo Janeen Jackson, Suzan D. Polat, Mina Nishimura, Ursula Eagly, Emmakate Geisdorf, Angie Pittman, Lerato Khathi, Yvonne Meier and Aunts.

Girls Like Us #2 — Issue 2
Jessica Geysel, Sara Kaaman, Katja Mater, Marnie Slater (eds.)
Girls Like Us - 8.00€ -  out of stock

The second issue of the Amsterdam lesbian arts quarterly with newly appointed co-editor Vela Arbutina at the helm.

Features include Vava Dudu and Theo Mercier, Tavi Gevinson and Diane Pernet, Keren Cytter and Dafna Maimon, Lauren Flax and Lauren Dillard, Kaisa Lassinaro, Matthew Lutz-Kinoy, Leilah Weinraub, Benjamin A. Huseby, Eline McGeorge, Janis Pönisch, Anie Stanley, Andrea Ferrer, Devrim Bayar.

HOOT nr. 9 — Moyra Davey & Sophie T. Lvoff
Moyra Davey & Sophie T. Lvoff
GUFO - 8.00€ -  out of stock

The 9th HOOT pops up for the winter 2022-23, but the conception of this issue started well over a year ago at our beloved Plage Avant (Traduttore, traditore’s studio, Marseille). 

We met Sophie T. Lvoff at many openings and art related events in Marseille these last few years, having a practice that appears mainly as photography, Gufo got curious about all the processes that she uses which involve sound, installation, writing… and more. She welcomed us in her studio of the city of Marseille where she recently settled.

We found out about the “trompe-l’œil” of this iconic checkered table, witnessed the installations of translucid and colored objects evolving on the sunny wall, and looked through her photographic chamber it’s called a large-format camera, but this is funny… For this issue, Sophie suggested to interview another artist, Moyra Davey, who also works in photography and writing, and appeared to have shared experiences too.

The topics of everyday life, intimacy that images embody in both their works, take another dimension as soon as their thoughts, voices and writing expand and express the entirety of their gestures.

This issue is the first interview between two native English-speaking artists, who have ties to the French language from childhood.

The penpals are the main characters of that encounter where we are very welcome to join in their very generous conversations. This is only an excerpt of a long and well referenced correspondence.

BRAIDS
Natalia Irena Nikoniuk, Gabriela Galeao Batres (ed.)
beuys bois collective - 15.00€ -

BRAIDS is a 130 pages-long publication that features both visual and written works of 20 young creatives. The desire of BRAIDS is to expand the idea of queerness beyond the borders of identity. The journal exists to host bodies that deny framing and dare to expose the vulnerability of their difference. The publication is thus a woven story of the contemporary globalised queer, insecure but daring, honey-glazed yet continuously aching. 

DAISYWORLD MAGAZINE #5
Zazie Stevens (ed.)
Daisyworld Magazine - 22.50€ -

DANGEROUS DEPTHS

DAISYWORLD MAGAZINE is an independent art publication questioning antrhopocentrism.

Contributions by:
Zazie Stevens (ed.) with Heleen Blanken, Brackish, Fiona Glen, Carolin Gieszner, X Arias, Annika Kappner, Eszter Koncz, Hattie Morrison, Maria Naidich, Michaela Spiegel, Jenna Sutela, Timaeus, Stef Veldhuis, Hedwich Rooks, Hannah Rose Whittle

Revue Phylactere n°2 - Oh là là !
Auriane Preud'homme, Roxanne Maillet
immixition books - 25.00€ -

Phylactère est une revue annuelle à voix multiples, née du désir d’explorer l’écriture de l’oralité et les possibilités de retranscription de performance, à travers des visions authentiques, subjectives et spontanées. Donnant la parole à des amateur·ice·s, artiste·s, designer·s et penseur·se·s, la revue Phylactère regroupe des écrits de transition, assumant tous les glissements entre un script, l’action réalisée et sa traduction, avec une attention extrême et aventureuse pour la manière dont les contextes, gestes, émotions et espaces sont mis en jeu lors de cette retranscription.

Initiée par Roxanne Maillet et Auriane Preud’homme à l’invitation de Camille Videcoq lors de la résidence Entrée Principale (Marseille), Phylactère conjugue pratique graphique et éditoriale et démarche curatoriale en intégrant au processus de publication l’organisation de différents événements. 

Pour son deuxième numéro, Phylactère prend pour titre l’onomatopée Oh là là !

Avec les contributions de : Anne Lise Le Gac, Benoît Le Boulicaut, Camille Videcoq, Cecil Serres, Claudia Pagès, Considered to be Allies (Margaux Parillaud & Mie Frederikke Fischer Christensen), Ghita Skali, Giuliana Zefferi, Lauren Tortil, Loreto Martínez Troncoso, Louise Hervé & Clovis Maillet, Mona Gérardin-Laverge, Nygel Panasco, pauline l. boulba, Sarah Browne, Susie Green (with Kim Coleman, Simon Bayliss & Rory Pilgrim), Tahnee, L’autre and Tiziana La Melia.

Conception graphique : Auriane Preud'homme et Roxanne Maillet.

The Afterimage Reader
Mark Webber (ed.)
The Visible Press - 30.00€ -

The independent British film journal Afterimage published thirteen issues between 1970 and 1987. International in scope, it surveyed the many forms of radical cinema during an extraordinary period of film history.

Having emerged in the wake of post-1968 cultural and political change, Afterimage charted contemporary developments with special issues on themes such as the avant-garde, Latin American cinema and visionary animation, and also looked back at early film pioneers. It published many of the leading critics of the period and vitally provided a forum for filmmakers’ writings and manifestos.

This indispensable collection includes texts by scholars Noël Burch, Roger Cardinal, B. Ruby Rich and Peter Wollen, filmmakers Jean Epstein, Jean-Luc Godard, Derek Jarman and Jan Švankmajer, plus extended interviews with Hollis Frampton and Raúl Ruiz, and more.

The Afterimage Reader is edited by Mark Webber and features new contributions from two of the journal’s editors, Simon Field and Ian Christie.

How to Become Irrésistibles
sabrina soyer (ed.)
Self-Published - 12.00€ -  out of stock

How to become Irrésistibles est une édition de l'école supérieure des beaux-arts de Bordeaux réalisée avec la maison d'édition How to Become.

Cette édition est née de l'énergie d'un groupe d'autrices étudiantes de l'école des beaux arts de Bordeaux. Elles (car il s'agit d'une majorité de femmes) se rassemblent dans les séminaires Irrésistibles – briser les cases (art-femmes-territoires) dirigés par Marie Legros, artiste et professeure. Ce séminaire a été créé par cette dernière en 2016 afin d'encourager les pratiques féministes dans l'écriture. Qu'est-ce que c'est ? Des façons autres d'écrire le genre (l'identité) et les genres (littéraires), la langue (nationale) et de faire entrer du commun dans l'écriture (en arrêtant d'en exclure les femmes, les homos, les personnes racisées, les prolos). Les étudiantes qui participent à ce séminaire, issues de nationalités différentes, s'en sont saisis pour tordre la généalogie poétique franco-française masculiniste. L'autrice et éditrice sabrina soyer (éditions How to become), invitée à prendre part aux recherches dans ce séminaire, a coordonné cet ouvrage en l'axant sur des échanges de traduction entre autrices et l'usage du français comme langue étrangère. Le livre explore – c'est à dire donne de la valeur à – différentes formes de contacts entre auteurices : traductions, réponses adressées, écriture sous influence ou fan fiction... Chaque langue et voix se tisse en écho à une autre, pas de poèmes isolés, un grand texte comme un grand corps amassé par rebonds et frottements.

Avec : Hani Yikyung Han, Nayun Eom, Charles Dauphinot, Layan Qarain, Viktoria Oresho, Samuel R. Delany, Seobin Park, Jie Liang, Rami Karim, Yu-Wen Wang, Ching-Chuan Kuo, Mélanie Blaison, Barbara Sirieix, sabrina soyer, Yan Tong Liu, Jessica Guez Karen Johanns, Marie Legros M, Esther Sauzet, Mira Mattar.

Spike #73 – Vulnerability
Rita Vitorelli (Ed.)
Spike Magazine - 18.00€ -  out of stock

To live means to be exposed, to be vulnerable, and seek safety. But what if we give up control and don't try to cover the wounds any more? Could we ultimately transcend to openness? This is one of the core questions Spike asks in its autumn issue. From the imperfections of the body to automated text generators, from poor images to pop stars. Spike #73 is about art's soft underbelly, why writing in first person is a risk, why humans fear each other, and grappling with grief, paranoia, and intoxication. Let's find out what happens if we take off our shells.

With contributions by: McKenzie Wark, Marlene Dumas, Tosh Basco, James Richards, Raimundas Malašauskas, Joanna Walsh, Kandis Williams, Mire Lee, Gustav Metzger, Rob Horning, Tea Hacic-Vlahovic, Constance Debré, Luca Lo Pinto, Simone Forti...

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