This publication presents research conducted by Berlin-based choreographer and performer Jule Flierl over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). This text manages to maintain a sense of orality, of vocality, within a written format. It is at once a description, an analysis, a score, a piece of music, a voice, etc.
Jule Flierl is an artist from Berlin who works with choreography and the voice. Using choreography and somatic singing methods, her scores unsettle the relationship between seeing and hearing: What you see is not always what you hear, and what you hear is not always what you see. Through her work and practices, she proposes that the voice itself is dancing.
Contributions by Anne Kerzerho, Christian Rizzo, Rostan Chentouf, Alix de Morant, Laurent Pichaud, Myrto Katsiki, Jocelyn Cottencin.