rile* is a bookshop and project space for publication and performance. rile* is into poetry, theory, choreography, artist writing and various other text based experiments. rile* organizes performances, meetings, launches, readings... rile* is the base word for silence in Láadan, a feminist constructed language developed by Suzette Haden Elgin in 1982. The language was included in her science fiction Native Tongue series. Láadan contains a number of words that are used to make unambiguous statements that include how one feels about what one is saying. According to Elgin, this is designed to counter language's limitations to those who are forced to respond I know I said that, but I meant this.
Our bookshop is open on Wednesday and Thursday from 11h to 17h, and from Friday to Sunday from 11h to 18.30h.
If you are interested to stock with us, get in touch, we are open for conversation and new friendships.
Hosted by Chloe Chignell & Sven Dehens
contact : firstname.lastname@example.org
Supported by VGC-
Site by Sven Dehens
A Hypocritical Reader is your emancipation, reader. Want to lose yourself in your favourite genre? This book is for you. Want to question the influence of modernist experimentalism on the short story form? This book is also for you. Want to explore that unspeakable Barthesian dictum? Okay? You want to psychoanalyse the (female) writer? Hmmm. Follow the book's emotional arc, or pick your own path by choosing which pages to turn to. Hell, you can even clip out the individual words and collage your way into exciting new worlds. Just don't tell the author. This book is Calvino, with an attitude.
Rosie Snajdr is an author, editor, and academic. Her work has appeared in The Cambridge Literary Review, Liberating the Canon: An Anthology of Innovative Literature (Dostoyevsky Wannabe), and is forthcoming in TOTAL CANT (Cant Books).
Exit Ambition is a catalogue of practices, documents, videos, and other projects - virtual & actual. The book operates as an incomplete index of a series of installations, instructions, anti-plays, performance scores, descriptions, etc.
Jake Reber lives and works in Buffalo, NY, where he co-curates hystericallyreal.com.
Queen Mob's Teahouse is an online literary magazine. Queen Mob's Teahouse: Teh Book is this volume. All new, no doubts.
"Everyone has come for tea! Poets, robots, literary critics, essayists, philosophers and clouds, beamed in from around the world to think about a new order and remind you that literature really is the cure for what ails you. A humane and diverse collection of voices getting to grips with their human condition, and yours, and the end of the world, too." - Octavia Bright, co-host of Literary Friction
Queen Mob's Teahouse: Teh Book was edited by Russell Bennetts and features work by the following authors.
Setsuko Adachi, Rion Amilcar Scott, Russell Bennetts, Gem Blackthorn, Robert Boucheron, M. Soledad Caballero, Caroline Cabrera, S Cearley, Dorothy Chan, Trinie Dalton, Dana Dawud, Amanda Earl, Icess Fernandez Rojas, Jeremy Fernando, Claire Rudy Foster, SJ Fowler, Patricia Garcia, Mark Gluth, Eloise Grills, Allison Grimaldi-Donahue, Brinda Gulati, Judson Hamilton, Susan Harlan, Heather Hughes, Erik Kennedy, Naveen Kishore, Rauan Klassnik, Virginia Konchan, Keith Kopka, Nate Lippens, Reb Livingston, Marissa Maciel, Scott Manley Hadley, rob mclennan, Jasminne Mendez, Lupe Mendez, Calliope Michail, Thomas Molander, Deborah D.E.E.P. Mouton, Jason Novak, Emily O’Neill, Elizabeth Onusko, Robyn Maree Pickens, Whiskey Radish, Colin Raff, Reyes Ramirez, Christina M. Rau, Raquel Salas Rivera, Vlad Savich, Michael J Seidlinger, Medha Singh, George Szirtes, Eileen R. Tabios, Chris Tse, Leah Umansky, Nadia de Vries and Kimmy Walters.
Cover design and finishing touches on the typesetting by Shuwei Bennetts and Dostoyevsky Wannabe. Cover photo of Julia Frakes by Kathryn LeSoine.
Gaudy Bauble stages a glittering world populated by GoldSeXUal StatuEttes, anti-drag kings, Gilbert-&-George-like lesbians, maverick detectives, a transgender army equipped with question-mark-shaped helmets, and birds who have dyke written all over them. Everyone interferes with the plot. No one is in control of the plot. Surprises happen as a matter of course: A faux research process produces actual results. Hundreds of lipstick marks reanimate a dying body. And the Deadwood-to-Dynamo Audience Prize goes to whoever turns deadestwood into dynamost.
Gaudy Bauble stages what happens when the disenfranchised are calling the shots. Riff-raff are running the show and they are making a difference.
"I'm besotted with this beguiling, hilarious, rollocking, language-metamorphosing novel. The future of the queer avant-garde is safe with Isabel Waidner." - Olivia Laing
On a street of jacarandas in Santiago de Chile, a scientist in her laboratory analyses an intriguing set of data. Storms in the city are not only meteorological events, but generate a certain force that permits the dead to intervene in human lives before definitively passing on. Now the poet Neruda has appeared on the machine's radar, and the scientist is compiling a dossier dedicated to the writer. Her documentation includes Neruda's visits to Santiago as well as other fragments of his consciousness produced by the storm - lost memoirs, an erotic dream, impressions of the poet from the afterlife.
From beyond the grave Neruda helps his followers, observes a budding romance, comforts a grieving hotel owner and sends literary enemies on a wild goose chase to the south of the country. The title A Furious Oyster comes from a line in Neruda's poem 'El desenterrado' [The unburied], in which the poet imagines the Spanish Count of Villamediana rising from his tomb to visit the earth, the 'furious oyster' of his ear once more able to hear the living.
JESSICA SEQUEIRA was born in San Jose, California and currently lives in Santiago de Chile. Her works include the collection of stories Rhombus and Oval (What Books) and the collection of essays Other Paradises: Poetic Approaches to Thinking in a Technological Age (Zero). Her translations include Adolfo Couve's When I Think of My Missing Head (Snuggly), Sara Gallardo's Land of Smoke (Pushkin), Liliana Colanzi's Our Dead World (Dalkey Archive), Hilda Mundy's Pyrotechnics (We Heard You Like Books) and Maurice Level's The Gates of Hell (Black Coat).
After a moment of possible eye contact at a gig, my attraction to the band's drummer - Curt - snowballed into limerent obsession. The unsent letters documenting my crush form the basis of overlove: a non-fiction novella concerned with love, boundaries, leaky jars and the female gaze in today's context of digital communication, millennial malaise and searching online for something 'more'.
Liberating the Canon is an edited anthology capturing the contemporary emergence of radically innovative and nonconforming forms of literature in the UK and US. Historically, sociopolitical marginalisation and avant-garde aesthetics have not come together in UK literature, counterintuitively divorcing outsider experience and formal innovation. Bringing together intersectional identity and literary innovation, LTC is designed as an intervention against the normativity of literary publishing contexts and the institution 'Innovative Literature' as such. More widely, if literature, any literature, can act as a mode of cultural resistance and help imagine a more progressive politics in Tory Britain and beyond, it is this.
Contributors are Mojisola Adebayo, Jess Arndt (US), Jay Bernard, Richard Brammer, Victoria Brown, SJ Fowler, Juliet Jacques, Sara Jaffe (US), Roz Kaveney, R. Zamora Linmark (US), Mira Mattar, Seabright D.Mortimer, Nat Raha, Nisha Ramayya, Rosie Snajdr, Timothy Thornton, Isabel Waidner, Joanna Walsh and Eley Williams.
Isabel Waidner is a writer and cultural theorist. She is the author of three books of innovative fiction, most recently Gaudy Bauble (Dostoyevsky Wannabe, 2017), which is currently longlisted for the Republic of Consciousness Prize for "hardcore literary fiction and gorgeous prose". Her articles and short fictions have appeared or are forthcoming in journals including 3: AM, Berfrois, Configurations, The Happy Hypocrite, The Quietus and Minor Literature[s]. She is also the editor of Liberating the Canon: An Anthology of Innovative Writing (Dostoyevsky Wannabe, 2018) which explores the relationship between identity, intersectionality and innovation in literature. As part of the indie band Klang, Waidner released records on UK labels Rough Trade (2003) and Blast First (2004). She is a lecturer in English and Creative Writing at Roehampton University, London, UK.