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Cover of Image Storage Containers

Gevaert Editions

Image Storage Containers

Jeff Weber

€34.00

Ostensibly as documentarian as his work on The Family of Man, Image Storage Containers (2012) does something closely related in intention to the latter and yet very different. On one level, it can be described as condensing, as Marie Muracciole has noted, two moments in the myth of photography as a “universal language”: the first involving The Family of Man as imperial project; the second, photography’s sheer technicity as a mechanical means of reproduction, with all its attendant connotations ofobjectivity and scientificity.

Atop this interfolding of meanings one can discern two additional layers: the Image Storage Container as a kind of “thought experiment,” an auto-pedagogical exercise to schematize the human nervous system, and, a more polemical read, as a proposition about the present conditions for viewing photographs within today’s networked image regime—at a moment when computer technologies, themselves predicated upon neuroscience findings on human perception and cognition, have precipitated a mass transformation of psycho-social behavior.

With contributions by Michael Baers.

Published in 2023 ┊ 112 pages ┊ Language: English

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Cover of the she

Gevaert Editions

the she

Asger Taiaksev, Sylvie Eyberg

‘the she’ compares texts by Virginia Woolf with their French translation, reproducing parts of the novelles ‘The String Quartet' & ‘Blue and Green’ and the novel ‘The Years’. Of the novellas, she kept only the articles the in English and le, la, les in French, exactly as they appear in the editions. Of the novel, only the pronouns she in English and elle in French remain.

The publication includes identical two booklets, one bound and one unbound, both uncut, referring to old books which were often sold bound but uncut.

Offset printing. Printed by Cultura, Wetteren

Edition of 123 numbered copies

Cover of Wind & De wilgen - Wind & The Willows

Gevaert Editions

Wind & De wilgen - Wind & The Willows

Lawrence Weiner

Wind & De Wilgen (English/Dutch) was designed by Lawrence Weiner and published on the occasion of the execution of his work Wind & The Willows in the Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerp.

Lawrence Weiner was an American artist and one of the central figures in the formation of conceptual art in de 60s. His work was strongly language-based and often took form in typographic texts, also visible in this artist book. 

Edition of 1000 copies

Cover of Tout geste est renversement – Every gesture is reversal

Gevaert Editions

Tout geste est renversement – Every gesture is reversal

Chloe Chignell, Laurianne Bixhain

Tout geste est renversement – Every gesture is reversal is a publication by artist Laurianne Bixhain comprising an imahe captured and silkscreen printed by Bixhain and a text written by Chloe Chignell. The work addresses the potential for mutual transformation between language and materials, whether human or non human. How does language traverse the body? What are its resonances? How does it shape physical presence, gestures or thoughts? 

A2 silkscreen printed poster
Designed by Morgane Le Ferec.
Printed in 300 Copies. 

Cover of bruit

Gevaert Editions

bruit

Hugo Bonamin

Hardcover, offset printing, 508 p., 31.8 x 25 cm.  Printed by Cultura, Gent
Edition of 265 copies. A deluxe edition, accompanied by an original work numbered n/508  (oil pastel on paper A3), has been produced in 35 copies signed and numbered by the artist .

Cover of Pyre

Spiral Editions

Pyre

Michael Cavuto, Astrid Terrazas

Poetry €20.00

"From this moment / and hence backwards / a visitation / echoes thru the apparent opening / to the tomb / the narrow passage is the mind's reasoning / in clarity / as she moves like a shadow / having lived her life before " — Joanne Kyger, from Places to Go (Black Sparrow, 1970)

"All processes measured as form are traceable in curved decay. Seemingly unmeasurable, unquenchable, the heart stone harbors its own native entropy. The evolution of organs is not ours to decipher. We’re drawn slanting toward the stone in helices of approaching circles. Our movements throw shadows, our bodies ring haloes." — Michael Cavuto, "Isis Theses"

"In the dual work of Isis Theses & Pyre I-V, living, death, language’s work of remembrance, place & poetic lineage all take part in shifting throughlines of recombinant forms, as a spiral spirals back on itself, changed over time. Early on, here, Cavuto writes “There is not enough wood for coffins. There is wood enough for a boat.” a Pyre then is a boat, a burning that is going somewhere, not death-as-end but as an upward & outward movement into collectively shared air, an archeology of connection. “Kyger wrote that memory is a weird dimension carried around invisibly in the ‘mind’’ Cavuto writes, in one of those moments that feels like a key, “Writing, she said, gives history back to you.” But it is not only history that Cavuto is carrying forward in these poems, it is something more spatially complex, enlivened & embodied in the dance of the words, & in the vital breakdown of the words themselves. The poems in Pyre I-V enact their answer to the question ‘what essence is left us when no words are left,’ & leave us, after the ritual process, dazzled with the true sense that something is left, something important of resonance & remembrance, in the atomized language-space; the air around the dis-integrating morphemes shimmering on the page as dissipative, potentiate sparks. —Cody-Rose Clevidence

Michael Cavuto is a poet based in Brooklyn, New York. His books include Country Poems (Knife Fork Book, 2020) and Pyre (Spiral Editions, 2025). With the poets Dale Smith and Hoa Nguyen, he publishes the Slow Poetry in America Newsletter. Along with Tessa Bolsover, he publishes hand-bound poetry books through auric press.

Pyre, Michael Cavuto. Illustrations by Astrid Terrazas. 52p, 8.5" x 6.75", hand sewn with red linen thread. Covers letterpressed on a 1963 Vandercook proof press with Strathmore Premium Grandee paper. Copy text and illustrations printed both offset and digitally on Mohawk felt paper in a first edition of 275. Printed, assembled, and bound in “Kingston, New York,” the unceded and currently occupied lands of the Haudenosaunee, Mohican, Munsee Lenape, and Schaghticoke. With thanks to Vladimir Nahitchevansky and the various friends who helped assemble.

Cover of Pasts, Futures, and Aftermaths: Revisiting the Black Dada Reader

DABA

Pasts, Futures, and Aftermaths: Revisiting the Black Dada Reader

Adam Pendleton

Essays €40.00

The sequel to Pendleton's acclaimed Black Dada Reader, compiling an anti-canon of radical experimentation and thought.

In 2011, artist Adam Pendleton (born 1984) assembled Black Dada Reader, a compendium of texts, documents and positions that elucidated a practice and ethos of Black Dada. Resembling a school course reader, the book was a spiral-bound series of photocopies and collages, originally intended only for personal reference, and eventually distributed informally to friends and colleagues. The contents - an unlikely mix of Hugo Ball, W.E.B. Du Bois, Adrian Piper, Gertrude Stein, Sun Ra, Stokely Carmichael, Gilles Deleuze -formed a kind of experimental canon, realized through what Pendleton calls radical juxtaposition. In 2017, Koenig Books published the Reader in a hardcover edition, with newly commissioned essays and additional writings by the artist. A decade later, Pendleton has composed another reader, building upon the constellation of writers, artists, filmmakers, philosophers and critics that emerged in the first volume.

Source texts by Sara Ahmed, Mikhail Bakhtin, Toni Cade Bambara, Amiri Baraka, Augusto de Campos, Hardoldo de Campos, and Décio Pignatari, Angela Davis, Gilles Deleuze, Julius Eastman, Adrienne Edwards, Clarice Lispector, Achille Mbembe, Philippe-Alain Michaud, Charles Mingus, Piet Mondrian, Leslie Scalapino, Leonard Schwartz and Michael Hardt, Juliana Spahr, Cecil Taylor and Malcolm X.

Cover of Reality (Dark) Fragments (Light)

Château de Montsoreau

Reality (Dark) Fragments (Light)

Art & Language

This monograph covers more than fifty years of creation by Art & Language, whose artists are at the origin of conceptual art. Through unpublished texts by Matthew Jesse Jackson and Art & Language, a transcript of their opera libretto Victorine, and an interview with the artist collective, this publication questions their journey, and more broadly, the relationship between contemporary art and conceptual art.

The permanent collection of the Château de Montsoreau – Museum of Contemporary Art has grown to include 800 works from Art & Language. To celebrate this event, the museum produced a major exhibition and a publication titled Reality (Dark) Fragments (Light). The monograph and exhibition look back at 50 years of creation by these critical, provocative, subversive, punk art collective. They question the main issues involved in Art & Language's work: conversation as an artwork, description, transdiciplinarity, crisis in the relationship between the artist, the museum and the art gallery.

Edited by Marie-Caroline Chaudruc.
Foreword by Marie-Caroline Chaudruc.
Text by Matthew Jesse Jackson, interview with Art & Language by Victorine Meurent.

Cover of Noa & Snow – Poem #9

Bom Dia Books

Noa & Snow – Poem #9

Alix Eynaudi

This book/catalogue is published on the occasion of the final event of Noa & Snow, a gentle experiment between the everyday and the event, at the Volkskundemuseum, Vienna.

Publication Concept Alix Eynaudi, Goda Budvytytė
Design Goda Budvytytė
Printing Robstolk, Amsterdam
Edition 600 copies
Proofreading Bella Marrin

ENVELOPE Pattern design based on the Lila Dress and its signature cording by An Breugelmans

LE VESTIAIRE
Costumes & objects An Breugelmans Tapestries & trompe-l’oeil Cécile Tonizzo Weaves Lydia McGlinchey Photos taken inside of Jason Dodge’ show Cut a Door in the Wolf at Macro Museum by Carlotta Pierleoni Photos in Vienna Samuel Feldhandler

THEM, PROTEXTIONS
Han-Gyeol Lie, Mette Edvartsen, Lydia McGlinchey, Clara Amaral, Ujjwal Kanishka Utkarsh, Jennifer Lacey, Cécile Tonizzo, Sabina Holzer, Alice Chauchat, Jason Dodge, Joachim Hamou, Quim Pujol, Litó Walkey, Serena Lee, Mihret Kebede

PUBLIC MEDITATIONS
Anne Faucheret, Elizabeth Ward, Kirsty Bell, Tony Just, Sabina Holzer, Samuel Feldhandler, Frida Robles

TEXTURAGES Paula Caspão VIGNETTES Alix Eynaudi

Poster picture of Claire Lefèvre’s Grimoire/Giant Notebook/Bison Book Rasa Juškevičiūtė

INSTITUTE OF REST(S)
Alix Eynaudi, Paula Caspão, Quim Pujol
Back side A thread for Alix Eynaudi, woven as a table placement by Genė Janušauskaitė in 1936, out of the flax she had sawn and harvested herself. Photographed by Kristien Daem in 2022, after Aldona Malašauskienė revealed the placement to her son Raimundas.