by Self-Published

The (Fair) Kin Arts Almanac
Self-Published - 20.00€ -

The Fair Kin Arts Almanac is made with the voices of more than 130 artists, writers, and activists spinning their thoughts and experiences into 12 chapters around a year. Surprising perspectives, recipes, sound practices, and reflections around ecology, parenthood, the need to rest in a life that never stops, the urgency for space and infrastructure for artists, redistribution of resources, accessibility of the sector, artistic involvement in politics and much more.

The FAIR KIN ARTS ALMANAC is a circular book, filled with perspectives, recipes, astrological wisdom, ideas, games, proposals and in depth reflections around topics of social political relevance. For the Arts and beyond.

The book was edited by a team of 13 editors that in turn each worked with artists, art workers, writers and academics. Chapters range from politics, making space, education, parenthood, accessibility, ecology, mutuality, rest, migration, redistribution, property & open source and relationality.

Practical Performance Magic
Maija Hirvanen
Self-Published - 18.00€ -

What if, when a performance is described as “nothing short of magical,” it is not just a metaphor? Maija Hirvanen and Eva Neklyaeva wrote a book together exploring the techniques involved in creating and curating contemporary performances through practical magic.

Like feminist magic, performance magic is not inherited or exclusive, but learned and inclusive. Anyone can practice it.

This is a book of recipes and spills, based on lived experience, observations and bewilderments of both writers.

Concept and writing by Maija Hirvanen and Eva Neklyaeva Design: POMO Publisher: Friends of Physical Contemporary Art, in the frame of Performing Portals project Editing: Leah Whitman-Salkin Funded by Art Promotion Centre Finland

Teeth Surrounding a Flower in the Meanings
Reinier Vrancken
Self-Published - 40.00€ -

In ‘Teeth Surrounding a Flower in the Meanings’ a compilation of texts from the critical discourse surrounding his work, written by various authors between 2016 and 2023, serves as source material for a series of erasures.

Through retro- and introspectively reading into the works and the practice at large from poetic angles, these poems investigate the relation between art and its discourse, the words used, and their edges.

A take away cup and a cloud
Oda Brekke
Self-Published - 10.00€ -

A take away cup and a cloud is an essay written alongside the dance performance Seems to be by Denise Lim and Stina Ehn. It plays with a variety of containers–the list form being one. By mixing a personal with a historical gaze it traces the trajectory of mundane commodities and  the replacement of material with imaterial objects brought about to the everyday by technical progress. 

Knut Stahle
Self-Published - 20.00€ -

Lavskrift is an edition written using signs collected from script lichen (graphis scripta). The species grows in shady deciduous forest and has small, black structures that resemble writing characters.

In the book Stahle explores asemic writing: writing where the signs have no reference to a known sound or meaning.

Edition: 300 numbered copies
Printed in Sweden by ByWind
Letterpress printed cover
Open spine binding with black thread

Basic Mechanics
Cristina Emmel, Maud Gyssels, Isabelle Weber
Self-Published - 10.00€ -

Basic Mechanics is a hold-loose collection of words as findlings and carriers, that hold or lose meaning. Consequently, a description of this work will never simply come out of one’s mouth. The narrative will seem tied together with loose threads. As Ursula K. Le Guin writes in The Carrier Bag Theory of Fiction, we know the story of the hero with the spear and the violence and the teleological progression. But isn’t the story that can be told by all, one of carrying and being carried? Isn’t language a wrapping for all those contradictory and wondrous thoughts and feelings? And can they be captured on paper, for a while, and set free again to counterbalance the killer story?

Confessing secrets and desires to each other became a method of sharing. Accompanied by giggles, we somatically connected the stories we carry, which we (dare to) place with another, which move from the inside out. This publication spills, soaks, opens and closes to confessions, poems and drawings in looping motifs. A shell swimming in a sea of words.

“1 2 3 2 1”
Yao Yuan
Self-Published - 88.00€ -

“1 2 3 2 1” is a 304-page photo novel by Yao Yuan, that juxtaposes images created during and after Nagakura Nami’s pregnancy and the birth of her child, across 2017-2019. In parallel with images of Yuan’s personal life and journeys between Japan and China, “1 2 3 2 1” contemplates ancient allegories and worldings within the contemporary condition through a queer intimate vision.

The book portrays multitudes of cinematic cityscapes and natural sceneries, vigorous colors and mundane daily moments, containing the coexistence of rough emotions and banal transience. It ponders on an array of subjects such as time, memories, gender, borders, identity, spirituality, nature, healing, care, reality and mystery.

Yao Yuan (1988, CN) is a non-binary artist born in Sichuan, China. With their camera they engage with bodies, spaces and rituals to reflect on the fabric of identity. Their photographic work expresses an intrinsic curiosity for intersectionality and spirituality. Their investigations explore the power of storytelling and dramaturgy, to rethink the binary framework of dominant norms, particularly those that relate to gender and sexuality. The focus of Yuan’s work touches upon topics of non-normative narratives surrounding motherhood, nature, queer intimacy and representation.

Emilie De L'arbre
Self-Published - 32.00€ -

ἔξωκοῖτος is a journey through languages, a voyage through time and space. From Latin to Persian, Inuktitut, English, Dutch and French. This project is based on the idea of suppression in language; in particular on the different elements that compose writing systems, their functions and their potential persistance in our daily lives.

The publication gathers at the same time poetic, theoretical, experimental texts and typographic sketches. It is composed of 3 parts and the first one contains 9 chapters. Its title 'ἔξωκοῖτος' - from the ancient Greek, 'who comes out of his abode' and the Latin exōcoetus or 'a fish that sleeps on the shore'. The book is a form of palindrome, which means that it can be read in both directions.

[WOMEN] Portrait Series
Kristien Daem
Self-Published - 10.00€ -

"I spent some time looking for this quote in Moyra Davey’s Index Cards: “To do without people is for photography the most impossible of renunciation.” When I found it, I realized Davey was quoting “George Baker quoting Walter Benjamin.” Later on, I came upon the same quote again in Quinn Latimer’s Woman of Letters, where Latimer also talks about the way “critics adopt Davey’s unique literary style when writing about her work.” For writing to do without repeating the words of others is clearly an impossible renunciation.

Davey, who had internalized the critique of representation in the 1980s, describes the set of circumstances and coincidences that led her to photograph people in the subway after years of self- imposed restraint. For photography to do without people is not impossible, but merely hard and conceivably lonely. Until recently, Kristien Daem’s photographs mostly did without people. It took the beginning of the coronavirus pandemic and social distancing obligations for her to feel the urge to photograph fellow artists. Daem has most often aimed the lens of her camera towards the quiet architecture of her native Belgium. She spent time researching and unearthing the unrealized works or forgotten projects of artists such as Fred Sandback. And when documenting the work of others, she tries to turn the task into a trade of her own."

R.S.V.P. Portrait Series II
Kristien Daem
Self-Published - 10.00€ -

"Considering their practice within the art world addresses the issue of how art is (re)presented or how art can be seen, I asked Yves Gevaert,Tom Engels, Raimundas Malašauskas, Kasper Bosmans, Felipe Dmab, Dirk Snauwaert, Olivier Vandervliet, Bas Hendrikx and HC (Friedemann Heckel & Lukas Müller) in this second series of the portraits. The profile of these men is very diverse. They work as publisher, curator, critic, gallerist, or artist, thus each of them is dealing in a different and sometimes personal way within the system of the art world. 

The portrayed are sitting in front of a black velour background, a light absorbing surface. High-quality equipment and professional lighting, bring life to the smallest detail in the razor-sharp photographs. The portrait series expresses the objectification of and the fascination for the other, two aspects that are historically linked with portrait photography."

Fiction: The Function
Hrefna Hörn
Self-Published - 10.00€ -  out of stock

'Fiction' is an ongoing series of works that place themselves between performance props, functional accessories and sculptural objects - an attempt to fuse multiple ready-mades into a cluster that successfully intergrades all three at once.

Fiction: The Function, was the first physical display of these objects, of these handbags, these vessels: meant to carry stories and secrets, as well as depositories of junk from everyday life. They reference the feminist theory of Ursula K. Le Guin, The Carrier Bag of Fiction which opposes the dominant theories claiming the first man-made invention to be the penetrating sword or spear and argues for the alternative that carrier bags are more likely to have been the earliest human tool.

As proper ”carriers of fiction” themselves the sculptures exhibited were accompanied by a publication including scans of found and collected objects combined with original poems.

Designed by Atelier Brenda

Monsieur Dubois, dont on fait les flûtes
Self-Published - 25.00€ -

Imprimé par Élie Partouche à l'Association Presse Offset à Paris et sur internet. Couverture dessinée par Traduttore, tradiore, repiquée sur presse typographique par Grégorie Sourice à Marseille. Le tout relié au bar à bious. Une publication à l'initiative de Louka Butzbach et soutenue par le complexe bancaire Art Majeur, 2022.

Sonic Meditations
Pauline Oliveros
Self-Published - 20.00€ -  out of stock

Pauline Oliveros (1932-2016) Pauline Oliveros' life as a composer, performer and humanitarian was about opening her own and others' sensibilities to the universe and facets of sounds. Her career spanned fifty years of boundary dissolving music making. In the '50s she was part of a circle of iconoclastic composers, artists, poets gathered together in San Francisco. In the 1960's she influenced American music profoundly through her inclusive work with improvisation, meditation, electronic music, myth and ritual.

She founded 'Deep Listening(R), ' which came from her childhood fascination with sounds and from her works in concert music with composition, improvisation and electro-acoustics. She described Deep Listening as a way of listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, of one's own thoughts as well as musical sounds. 'Deep Listening is my life practice, ' Oliveros explained, simply. Oliveros founded Deep Listening Institute, formerly Pauline Oliveros Foundation, now the Center For Deep Listening at Rensselaer, NY. Her creative work is currently disseminated through Pauline Oliveros Publications and the Ministry of Maåt, Inc

Studies on Fantasmical Anatomies
Anne Juren
Self-Published - 20.00€ -  out of stock

Studies on Fantasmical Anatomies is an ongoing transdisciplinary artistic research, which encompasses the spectrum of experiences and practices that Anne Juren has developed as a choreographer, dancer and Feldenkrais practitioner. Her interest in anatomy and somatic practices grew out of multiple shoulder dislocations. The last dislocation happened in 2014 and, in retrospect, it functioned as a catalyst for this PhD and as one of its main methodologies. With the notion of “anatomies”, the interest sits more in operations on the body, than defining the body itself.

Stop Being Straight - Edition
Anouchka Oler Nussbaum
Self-Published - 25.00€ -  out of stock

T-shirt edition by Anouchka Oler Nussbaum (aka Drama More) as seen in their exhibition and performance series Des Fins, Des Mondes (2022) at Kantine in Brussels, among many other spaces. Inspired by Paris Hilton, this t-shirt is a great conversation starter for an heteronormative-free world and everything that follows.

Edition of 50

More about Des Fins, Des Mondes:

Mamma Rassise n°4
Marine Forestier
Self-Published - 9.00€ -  out of stock

Fanzine de poésie à tendance médiévo-queer et son assortiment de goodies: encart BD et planche de stickers.

Avec : 
@trobairitz_lactans @guillaumeseyller @matricule.mouche @ricardoakajohan
@sarahkorzec @constanceburgerleenhardt #HaroldBarme @touche_moulin #GraceGrenadine @estelle.coppolani @ninoa.andre @annesarah_huet @selibkide

Gossiping is Not (Just) Bitching
Auriane Preud'homme
Self-Published - 9.00€ -  out of stock

Gossiping is Not (Just) Bitching is a zine transcribing a performance revolving around the clichés attributed to gossip, addressing the oppression exerted on women and queer voices. Informal discussions, defined as futile, are discredited as marginal, practised by people who don’t always have access to public speech. The performance deconstructs different uses of gossip, exploring its political significance through the interpretation of sources from sociology, literature, chick-flicks and reality TV. 

More images at

How to Become Irrésistibles
sabrina soyer (ed.)
Self-Published - 12.00€ -  out of stock

How to become Irrésistibles est une édition de l'école supérieure des beaux-arts de Bordeaux réalisée avec la maison d'édition How to Become.

Cette édition est née de l'énergie d'un groupe d'autrices étudiantes de l'école des beaux arts de Bordeaux. Elles (car il s'agit d'une majorité de femmes) se rassemblent dans les séminaires Irrésistibles – briser les cases (art-femmes-territoires) dirigés par Marie Legros, artiste et professeure. Ce séminaire a été créé par cette dernière en 2016 afin d'encourager les pratiques féministes dans l'écriture. Qu'est-ce que c'est ? Des façons autres d'écrire le genre (l'identité) et les genres (littéraires), la langue (nationale) et de faire entrer du commun dans l'écriture (en arrêtant d'en exclure les femmes, les homos, les personnes racisées, les prolos). Les étudiantes qui participent à ce séminaire, issues de nationalités différentes, s'en sont saisis pour tordre la généalogie poétique franco-française masculiniste. L'autrice et éditrice sabrina soyer (éditions How to become), invitée à prendre part aux recherches dans ce séminaire, a coordonné cet ouvrage en l'axant sur des échanges de traduction entre autrices et l'usage du français comme langue étrangère. Le livre explore – c'est à dire donne de la valeur à – différentes formes de contacts entre auteurices : traductions, réponses adressées, écriture sous influence ou fan fiction... Chaque langue et voix se tisse en écho à une autre, pas de poèmes isolés, un grand texte comme un grand corps amassé par rebonds et frottements.

Avec : Hani Yikyung Han, Nayun Eom, Charles Dauphinot, Layan Qarain, Viktoria Oresho, Samuel R. Delany, Seobin Park, Jie Liang, Rami Karim, Yu-Wen Wang, Ching-Chuan Kuo, Mélanie Blaison, Barbara Sirieix, sabrina soyer, Yan Tong Liu, Jessica Guez Karen Johanns, Marie Legros M, Esther Sauzet, Mira Mattar.

Press & Fold — Notes on making and doing fashion
Hanka van der Voet
Self-Published - 18.00€ -  out of stock

This Press & Fold issue on Resistance presents conversations, propositions and imaginations of fashion and resistance outside of fashion’s industrial context. For protest and resistance to become effective, it depends on community to generate, support and further it: with this issue we think further on these ideas of protest, activism and resistance in and around fashion, and not only in terms of clothing, and how it is portrayed in (fashion) imagery, but also in terms of how fashion is structured and organized: is fashion only able to thrive within a capitalist structure, or are there other possibilities as well? What ideas, initiatives and structures can be developed for fashion to become inclusive and generous to all participants? What needs to be resisted and what needs to be embraced? In that sense this issue of Press & Fold, as well as the previous issues, is a world-building exercise, and wants to show what we can do without, and what we need to move fashion towards becoming a generous to all participants involved?

— Note from the publisher

Suckcess Magazine 1 — Winter 2021-22
Kevin Desbouis (ed.)
Self-Published - 10.00€ -

Drama, careers, sabotage, compromises... The first issue of Suckcess Magazine begins with a selection of poems by the flamboyant Rene Ricard, edited with the help of Editions Lutanie, and continues with contributions from Miriam Laura Leonardi, Fabienne Audéoud, Camille Aleña, Gabi Losoncy, David Lieske, Sylvie Fanchon, Won Jin Choi, Estelle Hoy, and Bunny Rogers. Cartoons and tennis players are also on the program.

Poster Edition (bundle)
etaïnn zwer
Self-Published - 30.00€ -

4 poèmes-affiches, format A3, impriméx en risographie au studio Colorama (Berlin), sur papiers variés, tirage à 150 exemplaires

«GASOLINE, Apocalypse 1998», «the category is: phone sex», «zona nudista», «(fête) sentimental-e-s» : étés d'apocalypse, émojis banane, cruising transocéanique, SMS en short, sales coeurs, baraques à frissons et grand-huit sentimental... ces poèmes courent toustes ~ à genoux, à nu ou en solex ~ après la question du désir, après l'amour aussi, avec une tendre obsession

Design graphique signé Auriane Preud’homme, Enz@ Le Garrec, Roxanne Maillet & Martha Salimbeni, avec des dessins de Gaëlle Loth

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