A young writer has his heart set on his aunt's large apartment. With this seemingly simple conceit, the characters of The Planetarium are set in orbit and a galaxy of argument, resentment, and bitterness erupts. Telling the story from various points of view, Sarraute focuses below the surface, on the emotional lives of the characters in a way that surpasses even Virginia Woolf. Always deeply engaging, The Planetarium reveals the deep disparity between the way we see ourselves and the way others see us.

The author of eleven novels, three works of criticism, a collection of plays, and an autobiography, Nathalie Sarraute (1900-1999) is well-known as one of the prime proponents of the New Novel, alongside Alain Robbe-Grillet, Robert Pinget, and Claude Simon. Among her books are Do You Hear Them?, Martereau, Portrait of a Man Unknown, Between Life and Death, and Tropisms.

A collection of writings by members of the group known as the Oulipo (OUvroir de LItterature POtentiale), this anthology includes, among others, Italo Calvino, Harry Mathews, Georges Perec, Jacques Roubaud, and Raymond Queneau. Founded in Paris in 1960, the Oulipo views imaginative writing as an exercise dominated by the method of "constraints." 

A book about romantic love, Eros the Bittersweet is Anne Carson's exploration of the concept of "eros" in both classical philosophy and literature. Beginning with, "It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her," Carson examines her subject from numerous points of view, creating a lyrical meditation in the tradition of William Carlos Williams's Spring and All and William H. Gass's On Being Blue.

In My Paris, a Canadian woman keeps an extraordinary journal of her time in a Parisian studio. Not a typical tourist, she prefers indoor spaces, seeing Paris go by on TV or watching from her window the ever-changing displays of men's designer clothing across the boulevard. Or she roams the streets, caught between nostalgia and a competing sense of the present day, between Paris's rich cultural traditions and the realities of Western imperialism. Disillusioned by her inability to reconcile these contradictions and by her own part in perpetuating them, she assembles in her journal pieces of the present, past, of art, philosophy, of herself, and of the world outside her.

Gail Scott is a writer and translator. She has been short-listed twice for the QSPELL (Québec English-language fiction) award. A former journalist who has worked for Canada's leading newspapers, she is also a founding editor of the Montreal French-language cultural journal Spirale, and the bilingual journal of women's writing, Tessera. Her translations include France Thoret's Laurence, and The Sailor's Disquiet, and Helen with a Secret, both by Michael Delisle.