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Cover of Twenty Terrifying Tales from our Techno Feudal Tomorrow

Arcadia Missa

Twenty Terrifying Tales from our Techno Feudal Tomorrow

William Kherbek

€12.00

William Kherbek’s Twenty Tales from our Technofeudal Tomorrow are of course twenty tales from our technofeudal today. From the software company to the art gallery to the prison to the nature park, here is our scary, scary world as seen through the Kherbekian filter: colors pushed to full saturation, soundtrack ramped up to eleven, video played at 1.1x speed. Luckily, the terror of true realism is laced with wild insights, and the acerbic critique is mercifully cut with Kherbek’s signature raucous hilarity.

"Read this book for its political sagacity and wit, but also for its linguistic extravagance, its jubilant play on every word you thought you knew — down to the last punctuation mark. It’s the kind of funny that makes you smack yourself on the forehead. (But as always, as one character reminds, “keep one hand free for rose.”) We can only hope that some CEO does not pick this book up and take it as an instruction manual." – Elvia Wilk, author of Oval

"Kherbek’s ruthless, dystopian future bears an uncanny resemblance to present-day office politics. Twenty Terrifying Tales from Our Technofeudal Tomorrow is a book that, in true Swiftian style, is written “to vex the world rather than divert it.” – Susan Finlay, author of My Other Spruce and Maple Self

Published in 2021 ┊ 105 pages ┊ Language: English

recommendations

Cover of Gravity Road: A Rollercoaster Reader

Arcadia Missa

Gravity Road: A Rollercoaster Reader

Jesse Darling, Heinrich Dietz and 2 more

Constructed in Pennsylvania in 1827, Gravity Road was a precursor to the modern roller coaster; a sloping stretch of railroad used to cart coal out of mines. With passenger rides on offer soon afterwards, the rapid descent became an attraction and the technology was appropriated for thrill rides in amusement parks.

Jesse Darling’s sculptures, drawings and installations address the fallibility, fungibility and mortality of living beings, systems of government, ideologies and technologies – nothing is too big to fail. For his exhibition at Kunstverein Freiburg in 2020, Darling created a sculpture of a dysfunctional roller coaster, broken down to a child-like scale, becoming an anti-monument to a modernity that celebrates progress, acceleration and mastery and produces violence.

Exploring the entangled history of labour, leisure, extraction and entertainment, Gravity Road: A Rollercoaster Reader was commissioned in response to Darling’s 2020 exhibition, bringing together new texts by artist and Darling-collaborator Joe Highton and writer Sabrina Tarasoff along with a correspondence between Darling and the Kunstverein’s director Heinrich Dietz.

FEATURING TEXTS BY:
Jesse Darling
Heinrich Dietz
Joe Highton
Sabrina Tarasoff

Cover of How to Sleep Faster 1

Arcadia Missa

How to Sleep Faster 1

Various

Periodicals €10.00

How to Sleep Faster is published as part of the collaborative discussion that form the critical direction of the gallery. and sits alongside the first two exhibitions – Sleep Faster (February), and How to Carve Totem Poles (March). It has been put together as an open ended continuation of this dialogue through which we seek to understand the contradictions / complexities that define and form our experience, existence and participation in a contemporary digital-analogue creative environment.

Arcadia Missa Publications; Rozsa Farkas, Tom Clark, Jammie Nicholas, Laura Farley (eds).

Cover of How To Sleep Faster 9

Arcadia Missa

How To Sleep Faster 9

Various

Periodicals €10.00

The platform, free speech and contempt

Cover of How to Sleep Faster 5

Arcadia Missa

How to Sleep Faster 5

Various

Periodicals €12.00

What are our politics of refusal? Sleep? Catatonia? Hedonism? Transgression even? #hustle? 

[Can refusal can be performed as resistance and not operate as preemptively fucked. . .]

Arcadia Missa Publications; Rózsa Farkas, Holly Childs, Leila Kozma, Tom Clark (eds)

Cover of hatefuck the reader

Arcadia Missa

hatefuck the reader

Penny Goring

“This book is about damage and violence, about the ramifications of channeling intensity at all costs. It is a text that is utterly compelling, that you tumble into and cannot escape from. I fucking loved it.” — Dodie Bellamy

Cover of Pervert or Detective?

No Place Press

Pervert or Detective?

Reba Maybury, Lucy McKenzie

Artists Reba Maybury and Lucy McKenzie dissect power and desire in a provocative conversation that probes the material erotic, appropriation, and sex. 

In Pervert or Detective?, artists Reba Maybury and Lucy McKenzie dissect power, desire, and subversion in a provocative conversation. Maybury, who integrates her work as a political dominatrix into her artistic practice, manipulates dynamics of control, compelling her male submissives to create art under her direction, only to claim it as her own. Through confession and humiliation, she dismantles notions of authorship, masculinity, and labor. McKenzie, known for her intricate trompe l’oeil paintings and conceptual installations, similarly blurs boundaries—between art and commerce, and authenticity and illusion. Her work challenges power structures and exposes the unstable nature of representation.

Maybury and McKenzie, through an expansive discussion with French art critic Marie Canet, interrogate the logic of seduction and domination, pushing against rigid binaries to probe the material erotic, appropriation, and transformation. With an introduction by curators Fredi Fischli and Niels Olsen, an afterword by writer Susan Finlay, and extensive reading and viewing lists, Pervert or Detective? offers a compelling exchange between artists committed to unsettling the familiar and redefining artistic agency.

Introduction by Fredi Fischli and Niels Olsen
Afterword by Susan Finlay

Cover of Responses to Untitled (eye with comet) By Paul Thek

Pilot Press

Responses to Untitled (eye with comet) By Paul Thek

Richard Porter

Poetry €19.00

Responses to Untitled (eye with comet) (c.1985) by Paul Thek is the sixth and final anthology in a series that gathered responses to works of art made during a period of the ongoing AIDS Crisis, from the identification of the virus in 1981 to the introduction of life-saving drugs in 1996.  

In this sixth iteration, responses were sought to the painting Untitled (eye with comet) by Paul Thek. The work was found in his storage after his death from AIDS in 1988. 

List of contributors in order of appearance:

E.R. De Siqueira
Ben Estes
João Motta Guedes
Lucy Swan
Jon Rainford
Louis Shankar
Amy Evans Bauer
Hattie Morrison
Sammy Paloma
AN Grace
James Horton
Nick Wood
Sophie Paul
Jae Vail
Elizabeth Zvonar
Lars Meijer
Clay AD
Michel Kessler
Pablo Miguel Martínez
Emma Harris
Dylan McNulty-Holmes
Kitya Mark
Katherine Franco
Ainslie Templeton
Alistair McCartney
John Brooks
Jesse Howarth
jimmy cooper
Felix Pilgrim
Nicholas Chittenden Morgan
Murphy O’Neir
Rachel Cattle
Isabel Nolan
Susan Finlay
Ted Simonds
Brooke Palmieri
Kate Morgan
Ashleigh A. Allen
Diogo Gama
JP Seabright
Hugo Hagger
Amanda Kraley
Brendan Cook
Matt Bailey
Charlotte Flint
Rodney Schreiner
Lucy Price
Morgan Melhuish
Jordan Weitzman
Jaakko Pallasvuo
Alex Fiorentino
Harald Smart
Marguerite Carson
loll jung
Richard Porter
Nicholas Kalinoski
Hedi El Kholti
Edmund Francis English
Ted Bonin

Cover of Pure Fiction

Doubleyoutee Publishing

Pure Fiction

Lisa Lagova, Manon Fraser

Fiction €15.00

Pure fiction is a reader that examines how fiction-based writing and narrative building functions in contemporary artistic context.

Edited by Lisa Lagova and Manon Fraser with contributions by Susan Finlay, Manon Lutanie, Kristina Stallvik, Jonathan Blaschke, Nadia de Vries, Lisa Lagova, Ivan Cheng, Fadi Houmani, Nour Ben Saïd, Chris Kraus and Manon Fraser.