Periodicals

Lovett/Codagnone; Sabrina Tarasoff on Diego Marcon; Ikechúkwú Onyewuenyi on JJJJJerome Ellis; Cally Spooner and Hendrik Folkerts; Himali Singh Soin; Wendy Vogel interviews pioneering art historian, curator, and founder of Performa biennial RoseLee Goldberg; Shanzhai Lyric; Amelia Jones on queer feminist literary critic Eve Kosofsky Sedgwick; Dani Blanga Gubbay; Amanda van Hesteren by Olamiju Fajemisin; Thibault Lac by Skye Arundhati Thomas; Mira Mann by Nicholas Tammens; Claudia Pagès Rabal by Övül Ö. Durmuşoğlu; Binta Diaw by Camilla Paolino; Christine Sun Kim and Johanna Hedva discuss "mainstreaming," ableism, and the perils of "care"; books by Georgia Sagri...

Mousse is a bimonthly contemporary art magazine. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format.

Reportage, new writing, photography and art from Palestine and Lebanon.

Contributors include Adam Rouhana, Ahmad Alaqra, Alaa Mansour, Areej Mahmoud, Elissa Sophia Assaf, Farrah Berrou, Hala Alyan, Lara Sheehi, Mariam Barghouti, Myriam Boulos, Nada Homsi, Nader Bahsoun, Noa Avishag Schnall, Wahaj Bani Moufleh, Yasmin Huleileh, and Yazan Al-Saadi.

Mousse celebrates its 90th issue with a collectible edition, with a special design and format, entirely focused on fiction.

Bringing together a cohort of writers and artists, Mousse #90 – The Fiction Issue stems from the eponymous Fiction column that has dwelled in our pages for five years, and expands its scope. It was developed together with Rosanna McLaughlin, Skye Arundhati Thomas, and Izabella Scott, who collectively coedited the art and literature quarterly The White Review between 2021 and 2023.

Here you'll find reprints from both Mousse and The White Review as well as new stories and translations we have jointly commissioned. Seven interludes, intended to open up other worlds through images, feature portfolios of drawings by Atelier dell'Errore, Michael E. Smith, Camille Henrot, Michael Landy, Simone Forti, Adelaide Cioni, and Evelyn Taocheng Wang.

The Anarchist Review of Books publishes intelligent, non-academic writing with an anti-authoritarian perspective. We are dedicated to transforming society through literature and through open, incisive critique of the media, politics, history, art and writing that shape our world.

Cover image: Fever by David Wojnarowicz 1988-89. Gelatin silver prints. Courtesy of the Estate of David Wojnarowicz and P·P·O·W, New York

Het nieuwe winternummer van GLEAN is er. We gaan in gesprek met Sharon Van Overmeiren, Mostafa Saifi Rahmouni, Willem Oorebeek en Paule Josephe; staan stil bij de indrukwekkende carrière van Luc Deleu, de 'radicaalste urbanistische denker die België ooit heeft voortgebracht'; tippen expo's van Luc Tuymans in Beijing en Pieter Vermeersch in New York; duiken in het archief van Pieter Van Bogaert en een merkwaardige fotoboek van de Nederlandse filmmaker en fotograaf Johan van der Keuken; bezoeken de tentoonstelling 'The Last Place They Thought Of' in Kunsthal Mechelen; en veel meer...

Spike is turning twenty with a special double issue. Featuring: Rita Vitorelli on 20 Years of Spike; Post-Cool Berlin; Whitney Mallett, What Happened to New York?; Love-Hate Vienna, with musician Bibiza, curator Frederike Sperling, gallerist Dawid Radziszewski, and theatre director Milo Rau; Rose Wylie, Forensic Architecture, Amalia Ulman, Martin Herbert, Brian Dillon, Jeppe Ugelvig, Alex Mackin Dolan, Benjamin Hirte, Martti Kalliala, Adina Glickstein, Ivo Dimchev, Maria Hassabi, Florian Malzacher, Jason Dodge, Travis Diehl, Tea Hačić-Vlahović; Best-of-Spike reprints by Chris Kraus, Bruce Hainley, Ella Plevin, Sean Monahan, Gavin Brown & Daniel Baumann; poster: "A Radically Condensed History of Life Under the Sign of Spike: 2004–24"...

What does it mean to do culture Post-Cool? Launching the same year as The Facebook (now an AI auto-spam singularity), Berghain (subject to boycott), and the first EP by Kanye West (need we say more?), how do we retrain the spotlight on art that deals productively with the world?

Spike is celebrating 20 years of bringing this same generosity to art with a special double issue. Cultural protagonists in Berlin, Vienna, and New York piece together momentous changes in Spike's home cities, while founding publisher Rita Vitorelli narrates running the mag as an artist to Dean Kissick, underscored by reprints of seminal essays by the likes of Chris Kraus and Bruce Hainley. Further highlights are Taylor Swift as a millennial paracetamol; Silicon Valley optimizing the body for forever; video games as escapeways back into reality; and white-cube presentations of handicrafts, slot machines, and the choreographic turn.

Plus! A poster timeline of art's defining moments since 2004

In its very first issue, Bebe Magazine offers a broad constellation of possibilities for queer understandings, beyond identity-based reduction. Using the prefix trans- (across, beyond, through), each of our eight co-curators chose a term and formed mini collectives to destabilise its accompanying pre-established, societally accepted, conceptions—from transversal lines to transactions.

Exutoire: Paul-Antoine Lucas, Bùi Quý Sơn, ba-bau: Đinh Thảo Linh, Kiều-Anh Nguyễn, Cao Việt Nga / Evgeniia Skvortsova, Zip Group + Borya Pospelov, Slaystans Collective / Ina Schürmann, La Bouche Cabaret, represented by Leo, 90mil radio, Queer Analog Darkroom / Bích Đào, Myrto Vogiatzi, Laia Ros, Queers on the Move / Teodora Roșu, Stol Collective: Ioana, Marco, Anio, Mara / Martina Lattuca, Vittoria Torsello, Chiron Floris / Bernadetta Budzik, Rachel Rouzaud, Tomasz Burek / Henellis Notton, Anita Kodanik, Bohdana Korohod, Greta Štiormer / Silvia Bicelli / Elizabeth Patiño / Darius Dolatyari-Dolatdous / Ákos Boros / Lucile Claudia Eerie, Babbyccino / Madonna Lenaert, Joppe De Campeneere / Mayim Frieden

Bebe Magazine is a publication born out of the Ghent-based collective Bebe Books, focusing on collaborative and experimental approaches to cultural production. It provides a space for contributors to work together in exploring fresh perspectives and questioning established norms.

With a strong emphasis on collective creation, Bebe Magazine brings together curators, artists, and thinkers to navigate complex ideas and reflect on the shifting boundaries of contemporary culture. Each issue is shaped by the diverse voices and shared efforts of its contributors, making it a dynamic and evolving platform.

Guest Editor: Collectif Picha, Lumbumbashi Biennale, City Report Athens, Andrei Molodkin, Maryam Najd, Andrien Lucca, Valérie Mannaerts, Kendell Geers, Gabi Ngcobo, Maja Daniels, Zhang Yunyao, Wim Delvoye, Larissa Sansour, Dome Wood

Issue #13 of DIK Fagazine is dedicated to queer history of Ukraine.

DIK Fagazine is the first arts publication from Central and Eastern Europe with a focus on homosexuality and masculinity. Founded in 2005 by artist Karol Radziszewski, the magazine combines queer archival research with contemporary art contributions.

Issue #14 takes a look at the city of Vienna throughout the past 150 years and its specific geography as a bridge between East and West, connecting queer histories and figures from different countries including Austria, Hungary, Albania, Poland, and Serbia.

DIK Fagazine is the first arts publication from Central and Eastern Europe with a focus on homosexuality and masculinity. Founded in 2005 by artist Karol Radziszewski, the magazine combines queer archival research with contemporary art contributions.

Featuring new fiction from Mark Leckey, Reinier de Graaf, Amalia Ulman, Lynne Tillman, Bud Smith, Hannah Regel, Ada Antoinette, Mark von Schlegell, Claude Balls, Riska Seval, & Sarah Thomas.

The fifth issue of Rab-Rab: Journal of Political and Formal Inquiries in Art includes stories about nation traitors, fierce masses, socialist women struggles, love-forms, psychedelic counter-revolutionaries, workers unions, Brecht fiddlers, jazz surrealism, Soviet trains, and anti-fascism.

Among the contributors to the fifth issue are Anna Thew, Yehuda Safran, Peter Gidal, Cana Bilir-Meier, David Black, Marjo Liukkonen, Alejandro Pedregal, Peter Hallward, Minna Henriksson, and Jyrki Siukonen.

It has also two extensive dossiers. One dedicated to Franklin Rosemont is presented by Joe Feinberg and is introducing some unpublished and difficult to find texts parallel with writings of T-Bone Slim and Joe Hill. The other dossier on Robert Linhart is presented by Tevfik Rada, and it includes a translation of a chapter from Linhart's book on productivism, an article against Western bourgeois dissidents, and an interview with him.

BUTT's thick 35th issue packs in pleasures from shameless queers the world over. Between the splashy covers, catch popstar Troye Sivan stripped for a motel quickie, house-spinning icon Honey Dijon dish with Jeremy O. Harris, and the last-ever interview with literary legend Gary Indiana – R.I.P. Plus, find cum-dripped fantasies by Sadao Hasegawa, Pierre the Farmer naked, and the scoop on trans stripping in NYC. On the cover – Giorgi Kikonishvili, a gay-about-Tblisi organizing everything from parties and protests. And, of course, a lot more.

TROYE SIVAN, poppers-sniffing stadium star - By Zak Stone and Clifford Prince King

LALO SANTOS, OnlyFansero spills Revolutionary load - By Alberto Bustamante and Gustavo García-Villa

HONEY DIJON, house-spinning icon - By Jeremy O. Harris and Alasdair McLellan

SADAO HASEGAWA, cum-dripped fantasies from Japan - By Yasuyuki Shinohara and Sadao Hasegawa

GARY INDIANA, R.I.P. to a literary mastermind - By Michael Bullock and Reynaldo Rivera

GIORGI KKONISHVILI, gay-about-Tbilisi organizes parties and protests - By Anton Shebetko

STRIP, illegal trans strip nights in NYC - By Ruby Zarsky and Lia Clay ]

PIERRE THE FARMER, handsome French fairy milks cow naked - By Daniel Jack Lyons

DEAN SAMESHIMA, conservator of the stickiest corners of gay culture - By Evan Moffitt and Paul Mpagi Sepuya

CARLOS SÁEZ, mechanophilic artist from Valencia - By Andrew Pasquier and Raphaël Chatelain

UNFUCKWITHABLE, on the benefits of club sex - By Kay Gabriel and Sam Clarke

CAN HOST, Berlin allotment garden is fuck-friendly paradise - By Thyago Sainte

The third issue of Le Chauffage is an inquiry into the relationship between the practices of artists/ writers and their day jobs. This subject stems from a question fundamental to the existing mandate of Le Chauffage: 'how do you keep warm?' and subsequently, 'how do you pay the bills?' As these perennial concerns occupy our everyday lives, we ask artists/writers to consider the influence that their day jobs, side hustles, creative or non- creative forms of employment have on their respective practices.

This issue tries to account for the significant ways in which complex economic realities come to shape the art we produce, look at, and discuss. How do we deal with limited time and resources? How do we reclaim and steal time back? How do our day jobs shape and influence what we make? How do we subvert the means of production of the workplace? Can the constraint of a day job also be a way to alleviate the pressure of professionalising?

With contributions by Daniel Bozhkov, Nathan Crompton Pippa Garner, Chauncey Hare Marisa Kriangwiwat Holmes, Garrett Lockhart, Jannis Marwitz Reba Maybury, Tiziana La Melia, Dan Miller, Ragen Moss, Jean Luc Moulène, Jean Katambayi Mukendi Paul Niedermayer, Sophie Nys, Megan Plunkett, Chris Reinecke, Jacquelyn Zong Li Ross On Gabrielle L Hirondelle Hill Margaux Schwarz, Eleanor Ivory Weber James Welling, Werker, The Wig.

Without intending it to be this way, Becoming’s magazine always appears when something big is changing for us. The first came at the very beginning, as a magazine published by our old record label, the second came just before we opened our Publishing House. Now, as we enter a new era, this magazine, the fruit of the Becoming Tree, is ripe enough to fall. 

This issue is dedicated to the first-born of Becoming, a record label named Eternal/Return. We are using ÊT/RE to return to our centre, Music. Yet, we have a specific take on music that we wish to dedicate ÊT/RE to: we want to view music as a matter of world- building, of utterance, invocation— music is the second fire of Prometheus, we must carry it into the dark as we would a flame. Music is arcane; it is a ritual of summoning, of calling a forth a future—it is with sound that we create new spacetimes, and with music we create new worlds. It is hard to talk about music without talking about everything else. So that's what we did. 

Featuring Charles Mudede, Female Wizard, Mystiki Fleva, Rose Laurel, Ibrahim Alfa Jnr, IOLI, Palais Sinclaire & 0nty 

Contributors to Starship № 20:

Rosa Aiello, Terry Atkinson, Tenzing Barshee, Gerry Bibby, Mercedes Bunz, David Bussel, Jay Chung, Eric D. Clark, Caleb Considine, Hans-Christian Dany, Albert Dichy, Nikola Dietrich, Martin Ebner, Ruth Angel Edwards, Stephanie Fezer, Jean Genet, Simone Gilges, Julian Göthe, Michèle Graf, Selina Grüter, Ulrich Heinke, Toni Hildebrandt, Beatrice Hilke, Karl Holmqvist, Stephan Janitzky, G. Peter Jemison, Charlotte Johannesson, Julia Jost, Julia Jung, Jakob Kolding, Nina Könnemann, Lars Bang Larsen, Anita Leisz, Norman Lewis, Elisa R. Linn, Sebastian Lütgert, Vera Lutz, Chloée Maugile, Robert McKenzie, Ariane Müller, Christopher Müller, Robert M. Ochshorn, Henrik Olesen, Kari Rittenbach, Nina Rhode, Ulla Rossek, Cameron Rowland, Mark von Schlegell, Ryan Siegan Smith, Philipp Simon, Valerie Stahl Stromberg, Josef Strau, Vera Tollmann, Eleanor Ivory Weber, Camilla Wills, Amelie von Wulffen and Florian Zeyfang.

"This is the 20th issue of Starship and we are proud and very happy to present it, and mainly want to thank all the artists, the contributors, the columnists, and the people who helped us gather images of exhibitions past, and gave us texts from books not yet published. Starship never starts with a clear concept about its future content, or what could be called a theme, but always with a sort of attentive interest. The theme may develop through its columnists—we now think it is easy to distinguish lines of thoughts, images, and texts answering each other. But it surely does so out of this editorial interest that wanders, and finds, and collects, is enthusiastic about artworks, and texts, and people, and then, well, brings this all together in a magazine. This was our working mode during the past year, and the responsiveness of those who regularly write for Starship (the columnists) has shown us that out there others are involved in thoughts that run very much in parallel. It is a strange form, a magazine like this, not getting funded, appearing irregularly, but still following a sort of conventional form that shows its consistency. It is at its core an excess of producing something that might prove itself valuable and liberating in the future."
—Ariane Müller, Henrik Olesen

Sore is a serial anthology that brings together authors whose writing practices oscillate between the genres of diary keeping and fiction. For the second issue of Sore, ten contributors – both authors and visual artists – were invited to collectively develop their work through a series of informal critiques over the course of five months.

In the first issue of Sore, observations of everyday life intertwined with memories and cultural references to denote the significance of a certain soreness we each carry within us as we negotiate the various challenges of social existence. In this second ensemble, seven new authors widen our understanding of the term ‘sore’ by underlining a need to orient one’s gaze towards what’s hidden underneath, to enter the anatomy of all these necessary contortions and u-turns one performs in order to escape the grip of expected compliance.

With contributions from: Mathilde Heuliez, Lisa Lagova, Muyeong Kim, Nour Ben Saïd, Masha Ryabova, Adrienne Chung, Richard Dmitri Hees, Oscar Le Merle, Morra Kozlitina, Tindra Eliason, Helmer Stuyt, Ilya Stasevich, Kristina Stallvik.

Published by cover crop, Mathilde Heuliez & Lisa Lagova.

Guest editor: Orla Barry, City Report Brussels: Maxime Fauconnier and Natural Contract Lab, Kasper König, Kendell Geers, Lucy McKenzie, Nástio Mosquito, Lisa Vlaemminck, Paloma Bosquê, Joar Nango, Sandrine Colard, Wu Tsang, Busan Biennale

This third print issue contains Pinko's editorials on trans eradication and Palestinian survival, essays about black lesbian sex writing, consent and its limits, the end of sexual liberalism, and a presentation of imbrication theory, plus a roundtable on political violence, an interview from Pinko's book After Accountability, and a memorial to the gay socialist publisher Jeffrey Escoffier. Illustrations by the artist KT Pe Benito grace this issue.

This second print issue contains an interview with the abolitionist organizer Stevie Wilson, essays about nineties nightlife in support of queer intimacies in Santiago, Chile, Barbz against pinkwashing, a translation of the communization theorist Gilles Dauvé’s latest work on the reactionary tendencies in the sexual liberation movement in Weimar Germany, a missive by Samuel R. Delany, a ritual script by Lou Cornum, a meditation on intersex experiences as the untheorized marrow of trans liberation, and more. There are also world-building drawings by the artist Chitra Ganesh throughout.

This special, limited-edition issue of Plaster celebrates Akomfrah’s commission for the British Pavilion at the 60th International Art Exhibition, La Biennale di Venezia. The linen presentation box contains: an essay by Akomfrah’s long-time friend and collaborator, the BAFTA-winning film curator June Givanni; an interview with Akomfrah by Harriet Lloyd-Smith; original portraits by photographer Siam Coy and a fold-out poster featuring an exclusive still from Akomfrah’s film installation, Listening All Night To The Rain, now screening in the British Pavilion at the Venice Biennale.

With creative direction by Constantine // Spence and design by Emma Ralph.

What sparked off this issue of as a Journal was the clear evidence of poetry’s growing presence in the field of contemporary art. Rather than ‘Poetry’ in general, and even less so the figure of the ‘Poet’, it’s the poem that has our full attention: I find it in the title of an exhibition by Jason Dodge, on the invitation card sent out by artist Ida Ekblad, and then again in the form of an exhibition, in the display and arrangement of works within a space by Ian Kiaer, Elena Narbutaitė or Wolfgang Tillmans. Hence this open-ended question, ‘What is poetry for you today?’, placed like a probe among various art world players, in a sort of vox populi.

And so rises the confirmation of an intuition: in an art field driven by the market, where artworks are becoming luxury accessories for the jet set, poetry, with its poverty and economy of means, appears at the opposite end of the spectrum, as a pole of resistance.

Dolce Stil Criollo’s fifth issue, "Extraordinarily Apotropaic," aims to rethink reality in its current ordinary form by discovering and creating charms and rituals for changing it into one where there is less harm. The issue features poems in multiple languages; a map of dreams; a video game-turned-manga; a section that functions as a kineograph; a collaboration with the Huni Kuin people; and more. We also curated a collective project, “Cinema of Hope,” which brings together 11 moving image artists in search of the apotropaic moment, caught on film. 

The cover of our fifth issue features one of five “santinho” inserts. Designed like prayer cards, they contain a collaged portrait of a musical artist (Pivaratu, Pivete Nobre, Iya, Swatch, Devil Gremory) on the recto and the rap lyrics they wrote in response to our theme on the verso.

Contributors include Andrés-Monzón Aguirre, Aykan Safoğlu, Azul Caballero Adams, Belinda Zhawi, Daniel Machado, Daniel Moura, Devil Gremory, Enorê, Esvin Alarcón Lam, Gabriel Massan, Hick Duarte, Itamar Alves, Iya, Jennifer Pérez, Jesse Cohen, Johan Mijail, Juan Pablo Villegas, Kasra Jallilipour, Kent Chan, Keratuma (Mileidy Domicó), Laura Huertas Millán, Lucía Melií, Lucía Reissig & Bernardo Zabalaga, Maria Thereza Alves, Masha Godovannaya, Mayada Ibrahim, Najlaa Eltom, NIna Djekić, Ophelia S. Chan, Pivaratu, Pivete Nobre, Ricardo Pinheiro (Ganso), Roberto Tejada, Sofía Córdova, Sofía Gallisá Muriente, Swatch, Thales Pessoa, and Thiago Martins de Melo.

Languages: Spanish, 
Portuguese, English, Japanese and Arabic

Lip Magazine was self-published by women in Melbourne from 1976 to 1984 and stood as a lightning rod for Australian feminist artistic practice throughout the Women’s Liberation era. The art and ideas expressed over Lip’s lifetime track groundbreaking moves in performance, ecology, social-engagement and labour politics—all at an intersection with local realities. Collecting and presenting the materials of Lip for the first time since their original appearance, The Lip Anthology, edited by Vivian Ziherl, privileges the range and dynamism of contesting feminisms that comprised the Lip project.

Designed by: Marc Hollenstein