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Cover of The Elder Femme and Other Stone Writings

pântano books

The Elder Femme and Other Stone Writings

Odete

€16.00

The Elder Femme and Other Stone Writings is Odete’s first poetry collection. What starts as an essayistic archaeology searching for traces of transgender lives in mythical Antiquity soon branches off into myriad poetic and visual forms, from intimate free verses and scribbled notes to historical reports, earthy speculations, and magical enchantments. Weaving both English and her native Portuguese, there is a porosity and impermanence to Odete’s language. Equally evocative and testimonial, the book offers, in Odete’s own words, a “paranoid archaeology” that dilutes the borders between the personal and the collective. The Elder Femme works as portal, voicing those that came before and those still to come, as in its opening poem: “one day/ i’ll thank her/ my mother/ for teaching me/ how to glue/ shattered vases”. 

Odete is a multidisciplinary artist working between the fields of music, visual arts, writing, performance, and theatre, born in Porto in 1995. Her writings have previously appeared in Trains Magazine, Tranfeminist Zine, and others. Her work in music includes the edited EPs and albums THE CONSEQUENCES OF A BLOOD LANGUAGE (Genome 6.66 Mbp, 2021); Water Bender (New Scenario, 2020); For those who are bored paranoid(Self-release, 2019); Mooring (Rotten: Fresco, 2019); and Matrafona(Naivety, 2018). Her performances have been presented at Teatro São Luiz (Lisbon), CTM Festival (Berlin), BOCA Biennial of Contemporary Arts, MAAT Museum (Lisbon), Galeria Municipal do Porto (Porto), and Teatro Municipal Campo Alegre (Porto). In 2020 she won the ReXform Award for performing arts, from which resulted the project On Revelations and Muddy Becomings on which her first book is based. 

Published 2021.
150 copies, first edition, original in English and Portuguese bilingual

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Cover of The Moon is Reading us a Book

pântano books

The Moon is Reading us a Book

Serubiri Moses

Poetry €16.00

THE MOON IS READING US A BOOK is the debut collection of poetry from a writer who displays a wide-ranging palette for storytelling and folklore in a suite of narrative poems. The collection is built around an ensemble of characters that range from known to unknown, through which Serubiri crafts visually-inspired poems that combine the photographic, the intensely personal, and the scholarly. In his book, he manages to domesticate larger-than-life figures, including Zanzibari-born singer-songwriter Freddie Mercury and Nigerian-born photographer Rotimi Fani Kayode. Simultaneously pondered and elastic, Serubiri’s poetry lures these figures – and the reader – into an atmosphere that is only as expansive as the interior landscapes he delineates with each succeeding poem. With this he expresses his own doubts and path, from memories of his native Uganda to New York City, through a psychology of decisions and life choices. 

Serubiri Moses is a Ugandan curator and author based in New York City. He currently serves as faculty in Art History at Hunter College and visiting faculty at the Center for Curatorial Studies, Bard College. He previously held positions at New York University and the New Centre for Research and Practice, and delivered lectures at Williams College, Yale University, University of Pittsburgh, The New School, basis voor aktuelle kunst, and University of the Arts Helsinki. As a curator, he has organized exhibitions at museums including MoMA PS1, New York; Kunst-Werke Institute for Contemporary Art, Berlin; and the Hessel Museum, Bard College, NY. He previously held a research fellowship at the University of Bayreuth; received his MA in Curatorial Studies at Bard College; and is an alumni of the Àsìkò International Art Programme. He serves on the editorial team of e-flux journal. He has published poetry in the online journals Jalada and Badilisha Poetry Exchange, as well as in print in journals Kwani? 7, Kwani? 8, and READ: A Journal of Inter-Translation (2022). His poetry has been reviewed online in The New Inquiry. THE MOON IS READING US A BOOK is his first book of poetry. 

Cover of Telling the Truth as It Comes Up: Selected Talks & Essays 1991-2018

The Song Cave

Telling the Truth as It Comes Up: Selected Talks & Essays 1991-2018

Alice Notley

Poetry €27.00

An Expert Array of Talks & Essays by One of Our Greatest Living Poets.

One of our greatest living poets, Alice Notley, the author of more than 40 books of poetry, has delivered an expert array of talks and essays over the last three decades.

The publication offers a significant contribution to literature, reimagining the possibilities of writing in our time and the complicated business of how and why writers devote their lives to their craft. Whether she is writing about other poets—Ed Dorn, Allen Ginsberg, Homer, bpNichol, Douglas Oliver, or William Carlos Williams—noir fiction, the First Gulf War, dreams and what they're for, or giving us insight into her own work, Notley's observations are original, sobering, and always memorable. This collection often eschews the typical style of essay or lecture, resisting any categorization, and is consciously disobedient to academic structures in form. The results are thrilling new modes of thinking that may change the ways we read and write.

Cover of Wrong Norma

New Directions Publishing

Wrong Norma

Anne Carson

Poetry €18.00

Published here in a stunning edition with images created by Carson, several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like The New Yorker and The Paris Review.

As Carson writes: “Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantánamo, Flaubert, snow, poverty, Roget’s Thesaurus, my Dad, Saturday night. The pieces are not linked. That’s why I’ve called them ‘wrong.’”

Cover of Presence Detection System

Hiding Press

Presence Detection System

Nora Fulton

Poetry €16.00

Presence Detection System is a collection of presence detection systems written between 19015 and 19017 by my mother’s daughter. Its composition was marked by the many things we came to violently disagree about, and it was thought, back then, that an abandonment of comparison could be the only way out. For example, we disagreed and disagree about whether to call what we call ourselves ‘misprisions.’ We disagreed and disagree about where to drape our lone antimacassar, how to clean it, who made it, etc. We disagreed and disagree about what is and isn’t an instance of gambling, which itself is, my mother would joke, “a kind of wager labour.” We even disagreed and disagree about love, even though we experience it, talk about it, act upon it and theorize it in exactly the same way.

Nora Collen Fulton is a poet living in Montreal. Her first book, Life Experience Coolant, was published by Bookthug. Presence Detection System is her second collection of poems, and her third, Thee Display, is forthcoming next year through the Documents Series, co-produced by the Center for Expanded Poetics and Anteism Books. She currently occupies herself with doctoral studies; her research attempts to apply debates in philosophy regarding the relationship between ontology and mathematics to the ontological stakes of trans studies.

Cover of Ik hier jij daar

Uitgeverij Jurgen Maas

Ik hier jij daar

Ghayath Almadhoun

Poetry €19.00

'In de poëzie kunnen twee verschillende werelden elkaar ontmoeten, door gedichten kunnen we zonder ID denkbeeldige grenzen overschrijden en in dezelfde denkbeeldige ruimte verblijven. Maar is die ruimte wel dezelfde? Kunnen we losbreken uit onze rollen van slachtoffer en medeplichtige? Kunnen gedichten ons leren ons te identificeren met ongevoelde pijn? Wat spreekt er uit onze ontmoeting op papier?' - Anne Vegter

'Een dichter moet egoïstisch zijn, moet een eenzame wolf zijn, maar soms ontmoeten eenzame wolven elkaar in de wouden en jagen ze samen. Twee dichters, één boek: niet noodzakelijkerwijs om iets nieuws te bouwen, maar om de muren af te breken die ons tegenhouden wanneer we naar de andere oever willen oversteken. De Steen van Rosetta, die ervoor zorgt dat we het ongelezene lezen.' - Ghayath Almadhoun

Ghayath Almadhoun (1979) werd geboren in het Palestijnse vluchtelingenkamp Yarmouk in Damascus als zoon van een Palestijnse vader en een Syrische moeder. Hij studeerde Arabische literatuur aan de Universiteit van Damascus en werkte als cultureel journalist. Sinds 2008 woont hij in Stockholm. In Nederland verscheen in 2014 zijn lovend besproken dichtbundel 'Weg van Damascus'. Anne Vegter woont en werkt in Rotterdam. Van haar hand verschenen onder andere de verhalenbundels 'Ongekuiste versies' en 'Harries hoofdingang' en de dichtbundels 'Aandelen en obligaties', 'Spamfighter' en 'Eiland berg gletsjer'. Haar werk werd meermaals bekroond. De afgelopen vier jaar was ze Dichter des Vaderlands. De gedichten van Ghayath Almadhoun zijn uit het Arabisch vertaald door Djûke Poppinga.

Cover of DIK Fagazine #14 Vienna Issue

DIK Fagazine

DIK Fagazine #14 Vienna Issue

Karol Radziszewski, Fanny Hauser

Periodicals €22.00

Issue #14 takes a look at the city of Vienna throughout the past 150 years and its specific geography as a bridge between East and West, connecting queer histories and figures from different countries including Austria, Hungary, Albania, Poland, and Serbia.

DIK Fagazine is the first arts publication from Central and Eastern Europe with a focus on homosexuality and masculinity. Founded in 2005 by artist Karol Radziszewski, the magazine combines queer archival research with contemporary art contributions.