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Cover of Parapraxis 05: Economies

Parapraxis

Parapraxis 05: Economies

€25.00

Like Freud’s prototypical baby, we struggle over whether to keep our body together or to give it away. We all live these scenes of bodily loss. Freud and Marx both sing harmoniously: what we give up, we give under duress. We are not easy with what we’ve been tasked with, but the task has been the same since birth, doubled in the name of emancipation: first, there’s nothing less than to survive alienation and exploitation, then there’s staying alive for one another’s sake. Perhaps the storied antagonism between Freud and Marx turns on the difficulty of holding these tasks together, balanced on the knife’s edge that separates self-interest from collective liberation.

Capitalism does not produce itself all alone, no matter its disciplines and political-economic constraints on the reproduction of society. If Marx taught us anything, it’s that capitalism produces its own gravediggers, the proletariat—“the unreason of reason,” he quipped, where the dominant social order encounters its unconscious element. Through the bad exchange of capitalism comes a gothic reversal, from preconscious life to premature death, where workers end up burying themselves instead of the system that provides the grave plot. That exchange is felt internally, in a rift that cleaves open the self. Freud, for his part, helps us describe how political economy hammers our lives into unreasonable and reasonable shapes, imaginary and real, as countless and heterogeneous as the individual faces in a collective mass. For each and for all, we bring psychoanalysis to bear on the political-economic problems we suffer in common.

King Ketamine. Beyond the vibecession. Austere Mothers. Sick at Work. Money, Feces, Babies, Gifts. Essays by Juliana Spahr, Peter Coviello, Nicolás Medina Mora, Jyoti Rao, and Hannah Proctor. Images of Red Vienna from Wilhelm Reich’s camera, dispatches from Lebanon, and more.

Published in 2025 ┊ 265 pages ┊ Language: English

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Cover of Parapraxis 07: Romance

Parapraxis

Parapraxis 07: Romance

Periodicals €25.00

It is a particularly unlovely time to be thinking about romance. The heart can be fickle, indulgent, its matters distracting, impractical. But in the heavy boots of our undesirable present, seized by colliding catastrophes, we ask: how do we get out of here? Can the simple math of desire plus futurity break us free? Or is this just a barely veiled expression of our longing for avoidance? When we declare that love is the answer, we often forget the ambivalence of which psychoanalysis warns: love emerges in tandem with hate. It is neither the antidote to aggression nor the basis of a coherent social order. 

As a narrative structure, romance insists on the future. Whether it's with a new lover hoping to break the repetition of bad patterns, in emotional growth born of the analytic couple, or inside the tremulous energy of an insurgent crowd that makes yesterday seem historically distinct from tomorrow, romance threads time with the texture of meaning. Perhaps delusional, perhaps heroic in this audacious promise, romance must also always be a fantasy, an imagined structure that has not yet met its match in the present. While this fantasy is vital to our attachment to the world and each other, it can also provide the fuel for self-serving denial and disavowal. When we say that the youth are not fucking and that they don’t care about politics, these separate charges obscure the nature of their common cause. As the world attempts to disavow the death of the earth and the removal of its peoples, our sense of continuity flees; the receding horizon is not an open road, but a vanishing point. Whither romance? 

Dependent. Detached. Trauma Bonded. The Incest Lobby. Revolution Against Romance. Reading for Love and Labor. Surrealist Bedfellows. Mad Love. Essays by Nadia Bou Ali, hannah baer, Moon Charania, Davey Davis, Kaleem Hawa, Anna Kornbluh, Thomas Ogden, and more.

Cover of Parapraxis 06: Resistance

Parapraxis

Parapraxis 06: Resistance

Periodicals €25.00

In 1911, Sigmund Freud addressed his followers gathered at Nuremberg, where he restated the import of his practice: “the task of psychoanalysis lies not at all in the discovering of complexes, but in the dissolving of resistances.” A formal antipode to political resistance, psychoanalytic resistance dams up desire and obstructs traumatic knowledge. It is conservative, allergic to change, and aims for the kind of frictionless normativity against which the unconscious drives rail. Meanwhile, we associate political resistance with change itself, with a blockade that pushes for revolution—rather than a blockage that censors its very possibility. If we read Freud as urging his followers to help their patients move through their resistance, psychoanalysis is a project on the side of material and political reality by bringing patients out of isolation and into social struggles. However, psychoanalysis is often glossed in reverse: as a project of isolated relief for the stubborn individual.

Should psychoanalysis only succeed at rendering patients compliant in their cure? Is psychoanalysis a tool for nullifying political resistance? If so, Freud’s edict for the aim of psychoanalysis is now but an epitaph. It would be easy, then, to give up the ghost, to let psychoanalysis go. But why should psychoanalysis retreat from collective symptoms back into the consulting room for individual treatment—away from strikes, riots, and uprisings, and toward complacency and normativity, if not quite literally marriage and babies? Why should the clinic not dare to be in and of the world?

Feeling restless. Hunger tactics. Laughing in the face of fascism. Breaking through. Diagnosing revolution. Madness in the Maghreb. Essays by Fady Joudah, Jamieson Webster, Dylan Saba, Yasmin El-Rifae, Ussama Makdisi, Mary Turfah, Hannah Proctor, and more.

In Memory of Joshua Clover (1962-2025).

Cover of Search & Destroy: The Complete Archive

Inpatient Press

Search & Destroy: The Complete Archive

V. Vale, Cecily Chen and 1 more

Periodicals €28.00

The collected run of the groundbreaking and iconoclastic zine. 

From 1977 to 1979, Search & Destroy chronicled the birth of San Francisco's punk scene with an intensity and vision that transformed music journalism. Now, for the first time, every issue of this seminal publication has been collected and meticulously restored in one definitive volume. 

Launched with a $100 loan from Allen Ginsberg and Lawrence Ferlinghetti, Search & Destroy was the nerve center of West Coast punk culture. V. Vale and his motley cast of contributors struck a new form of guerrilla journalism with an aesthetic and attitude that was as raw and uncompromising as the music itself. 

Search & Destroy: The Complete Archive captures the texture and tension of a scene in flux through stark photography, radical design, and unfiltered interviews with legends such as William S. Burroughs, Throbbing Gristle, the Dead Kennedys, Suicide, and Negative Trend. This collected edition also features retrospective writing on the legacy of Search & Destroy, its influence on design and culture, and V. Vale's work as a publisher, researcher, and archivist.

V. Vale is an American editor, writer, interviewer, musician and SF Bay legend. He is the publisher and primary contributor to books and magazines published by his company, RE/Search Publications.

Cecily Chen is a writer and translator from Beijing, China. She is currently completing her PhD in English at the University of Chicago, where she writes about the “minor archive” of Asian American experimentalism, Marxist aesthetics, and gender and sexuality. You can find her writing at The Poetry Project, Entropy, and the tiny. She also edits poetry for Chicago Review.

Mitch Anzuoni is the founding editor of Inpatient Press and its translation imprint, Mercurial Editions. His writing has appeared in Harper's and Rhizome.

Cover of Let Them Rot

Divided Publishing

Let Them Rot

Alenka Zupančič

What is the relation between family misfortune and desire? Why must we bury the dead? What is to come for those unburied? How to distinguish the endless stream of graphic violence from violence that goes straight to the bone? How does language make up not only the law, but also unwritten laws?

In Let Them Rot Alenka Zupančič takes up the ancient figure of Antigone and finds a blueprint for the politics of desire. Not desire as consumption, enjoying what is offered, but desire’s oblivion to what came before. Such politics says: “No, this world must end and I will be the embodiment of that end.” This is not self-satisfied destruction for destruction’s sake; it is existence with consequences beyond the predictable. Zupančič asks: “Why desire?” And this question of desire, which may be the only question, takes the form of a no that is also an “I".

"Zupančič’s ideas are fresh, as if they hailed from some open air beyond the clutter of current theoretical quarrels. This brilliant account of Sophocles’s Antigone breaks new ground for philosophy, psychoanalysis, and political and feminist theory." — Joan Copjec, Brown University

"Writing my book on Antigone, I thought: “There we go, the subject is closed—let’s go to sleep.” And then along came Zupančič with her take and compelled me to rethink everything I did. In other words—and this is difficult for me to say—she is better than me here." — Slavoj Žižek

Alenka Zupančič is a Slovenian philosopher and social theorist. She is a professor of philosophy and psychoanalysis at the European Graduate School and a researcher at the Institute of Philosophy at the Slovene Academy of Sciences and Arts. She is the author of many books, including What Is Sex? (MIT Press, 2017), The Odd One In: On Comedy(MIT Press, 2008), and Ethics of the Real: Kant and Lacan (Verso, 2000).

Cover of Le Chauffage #3 - Day Job

Le Chauffage

Le Chauffage #3 - Day Job

Francesca Percival, Felix Rapp and 1 more

Periodicals €20.00

The third issue of Le Chauffage is an inquiry into the relationship between the practices of artists/ writers and their day jobs. This subject stems from a question fundamental to the existing mandate of Le Chauffage: 'how do you keep warm?' and subsequently, 'how do you pay the bills?' As these perennial concerns occupy our everyday lives, we ask artists/writers to consider the influence that their day jobs, side hustles, creative or non- creative forms of employment have on their respective practices.

This issue tries to account for the significant ways in which complex economic realities come to shape the art we produce, look at, and discuss. How do we deal with limited time and resources? How do we reclaim and steal time back? How do our day jobs shape and influence what we make? How do we subvert the means of production of the workplace? Can the constraint of a day job also be a way to alleviate the pressure of professionalising?

With contributions by Daniel Bozhkov, Nathan Crompton Pippa Garner, Chauncey Hare Marisa Kriangwiwat Holmes, Garrett Lockhart, Jannis Marwitz Reba Maybury, Tiziana La Melia, Dan Miller, Ragen Moss, Jean Luc Moulène, Jean Katambayi Mukendi Paul Niedermayer, Sophie Nys, Megan Plunkett, Chris Reinecke, Jacquelyn Zong Li Ross On Gabrielle L Hirondelle Hill Margaux Schwarz, Eleanor Ivory Weber James Welling, Werker, The Wig.

Cover of In the Delirium of the Simulation: Baudrillard Revisited

becoming press

In the Delirium of the Simulation: Baudrillard Revisited

Achim Szepanski

Philosophy €15.00

Third edition featuring afterword by Alessandro Sbordoni & several appendices, including a new translation & edit of “Taylor Swift Does Not Exist”. 

This is a monumental and extensive work from someone who is arguably the most well-versed scholar of Baudrillard, Deleuze & Laruelle in the German-speaking world, Achim Szepanski, the original founder of Mille Plateaux, Force Inc Music Works and NON. This book is dedicated to Jean Baudrillard, who would be described by Achim as the most radical and advanced stimmung in Philosophy. Through this comprehensive and devouring analysis of Baudrillard’s work, the author presents a gripping account of their own philosophy; alongside his magnum opus Die Ekstasie der Spekulation, this book, In the Delirium of the Simulation, provides the strongest case for what might be called, in light of his passing, Szepanskism or Szepanskian Economics. 

From Finance, to non-philosophy and radical experimental music, Szepanski is an anomalous and unique theoretician with one hell of a history. 

CONTENTS:

  • Metabox of Terms: Simulation, Code, Hyperreality, Fractal, Seduction and Implosion 
  • Baudrillard's Maximisation Hypothesis: the System and the Other
  • Baudrillard & Marxism: Signs, Production and Money
  • Distinguishing the Consumer System (or Shopping Mall) from the Landfill
  • Baudrillard & the Financial Simulacrum
  • Excursus on Jonathan Beller's World Computer 
  • Hyperreality & Artificial Intelligence
  • Baudrillard & Quantum Theory
  • Afterword: Hyperculture by Alessandro Sbordoni
  • Appendix 1: Taylor Swift Does Not Exist
  • Appendix 2: Baudrillard: After the Orgy
  • Appendix 3: Imagination & Reality: Psychoanalysis vs Baudrillard
Cover of HOOT nr. 9 — Moyra Davey & Sophie T. Lvoff

GUFO

HOOT nr. 9 — Moyra Davey & Sophie T. Lvoff

Sophie T. Lvoff, Moyra Davey

Periodicals €12.00

The 9th HOOT pops up for the winter 2022-23, but the conception of this issue started well over a year ago at our beloved Plage Avant (Traduttore, traditore’s studio, Marseille). 

We met Sophie T. Lvoff at many openings and art related events in Marseille these last few years, having a practice that appears mainly as photography, Gufo got curious about all the processes that she uses which involve sound, installation, writing… and more. She welcomed us in her studio of the city of Marseille where she recently settled.

We found out about the “trompe-l’œil” of this iconic checkered table, witnessed the installations of translucid and colored objects evolving on the sunny wall, and looked through her photographic chamber it’s called a large-format camera, but this is funny… For this issue, Sophie suggested to interview another artist, Moyra Davey, who also works in photography and writing, and appeared to have shared experiences too.

The topics of everyday life, intimacy that images embody in both their works, take another dimension as soon as their thoughts, voices and writing expand and express the entirety of their gestures.

This issue is the first interview between two native English-speaking artists, who have ties to the French language from childhood.

The penpals are the main characters of that encounter where we are very welcome to join in their very generous conversations. This is only an excerpt of a long and well referenced correspondence.