Alex Farrar’s book Wimper (the Dutch term for eyelash, or a potential misspelling of the English for ‘whimper’) presently held by the reader is an extension of an exhibition, which may be experienced in its own right, after the space has been vacated. It operates on the limits of material evidence by reprising a series of earlier prints entitled Behavioural Residues (second sweep), featuring barely perceptible images of single eyelashes spread throughout the texts and pages. Apart from their significance as intimate materials discarded by the body over time, such as hair or skin, they submit to the almost nothing of an aesthetics of disappearance, while lingering in a dialectics of misunderstanding that commits to a lack of closure.
Texts by Nicolas de Oliveira and Nicola Oxley, and David Price. Graphic design by studio Hendriksen, risograph printed by Alex Farrar in studio Hendriksen, Amsterdam, with the cover offset printed by ZwaanLenoirSchuring and bound by AGIA (The Netherlands) in a print run of 300 copies.
rile* is a bookshop and project space for publication and performance. rile* is into poetry, theory, choreography, artist writing and various other text based experiments. rile* organizes performances, meetings, launches, readings... rile* is the base word for silence in Láadan, a feminist constructed language developed by Suzette Haden Elgin in 1982. The language was included in her science fiction Native Tongue series. Láadan contains a number of words that are used to make unambiguous statements that include how one feels about what one is saying. According to Elgin, this is designed to counter language's limitations to those who are forced to respond I know I said that, but I meant this.
Our bookshop is open on Wednesday and Thursday from 11h to 17h, and from Friday to Sunday from 11h to 19h.
If you are interested to stock with us, get in touch, we are open for conversation and new friendships.
Hosted by Chloe Chignell & Sven Dehens
contact : email@example.com
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Site by Sven Dehens