Age! What is it good for? Absolutely nothing! (Apart from greasing the wheels of capitalist reproduction.) In this queer manifesto, Simon(e) van Saarloos weaves a wealth of militant sex-liberationist, afrofuturist, transfeminist and decolonial imaginaries into their anti-ageist sails, charting a confident course across contemporary society’s generational hang-ups as well as visiting, in some more personal moments, their own.
-Sophie Lewis, author of Abolish the Family: A Manifesto for Care and Liberation and Full Surrogacy Now: Feminism Against Family

Against Ageism: A Queer Manifesto starts with what it is not: it is not a socio-economic argument against ageism, celebrating “the elderly” as economically viable. Author Simon(e) van Saarloos is not interested in natural arguments about age, which portray different age groups as valuable because of assumed inherent qualities. Instead, this manifesto starts with an experience of childhood sexual abuse, and moves on to dissect the ways in which constructions of “age” and “youth” function to support and reproduce white supremacist patriarchy. The book includes two reproductions of works by painter Samantha Nye.

Simon(e) van Saarloos is the author of Take ‘em Down (Publication Studio Guelph) and Playing Monogamy (Publication Studio Rotterdam). They were the curator of the 2021 exhibition on Abundance (“We must bring about the end of the world as we know it” – Denise Ferreira da Silva) in Het HEM and are also the host of *The Asterisk Conversations podcast. Van Saarloos is currently a PhD candidate in the Rhetoric department at UC Berkeley.

Who determines what is remembered and commemorated, and why? How can we commemorate something that is both in the past and a daily reality? In Take 'Em Down, Simon(e) van Saarloos is inspired by the historically invisibilized lives of LGBT people and queers. They demonstrate the power of forgetting and wonder if and how it’s possible to live without a past. At the same time, Van Saarloos criticizes the way that a ‘white memory’—including their own—treats some stories as self-evident while other histories are erased.

"Amidst a global pandemic that has fundamentally changed our world, along with Black Lives Matter, Me Too, Topple Monuments Movements and ongoing struggles for LGBTQIA liberation, Simon(e) van Saarloos' Take 'Em Downasks us to reenvision monuments and acts of commemoration. They also champion forms of Queer forgetting as acts of resistance. They call upon the work of some of the greatest thinkers, scholars and writers Arendt, Orwell, Halberstam, Rankine, Moten, Hartman and more to raise critical issues around memory, mourning and social justice. In this text Saarloos joins their ranks in creating important new visions and challenges for our world. It’s a text demanding to be contemplated and shared widely."
Pamela Sneed, Author of Funeral Diva, City Lights 2020

Simon(e) van Saarloos is the author of Playing Monogamy (PS Rotterdam).  They were the curator of the 2021 exhibition on Abundance (‘We must bring about the end of the world as we know it’ – Denise Ferreira da Silva) in Het HEM and are also the host of *The Asterisk Conversations podcast. Van Saarloos recently started a PhD in the Rhetoric department at UC Berkeley.

Translation by Liz Waters.  Introduction by Pamela Sneed, New York-based poet, performer, visual artist, and educator.

Love is love, but not really. To recognise love as love we need comprehensible images. What are those contemporary images that help us identify love and how could we identify love differently, figuring it as less defined by safety procedures, measured commitment and feelings of ownership and entitlement? Playing Monogamy refuses to see personal relationships as safe havens where people can hide from the precarities of society, and instead proposes to make public life more intimate and romantic. 

Through a contemporary rereading of the cult of monogamy, van Saarloos playfully queers the way in which the structure of monogamy is upheld through social convention within Western contexts. Written for more of a lay audience, the book proposes an expanded and polyamorous engagement with intimacy and sexuality as a possible alternative. Originally written in Dutch and published by De Bezige Bij, Publication Studio is excited to bring this book to an English speaking audience for the very first time.  

Translated by Liz Waters, it includes a foreword by Leni Zumas, author of the US bestseller Red Clocks, and a revised preface by Simon(e) herself, addressing how she might approach writing about nonmonogamy differently four years after the book's first publication—and after many experiences in between.