From interdisciplinary writer and performer Jacob Wren comes Polyamorous Love Song, a novel of intertwined narratives concerning the relationship between artists and the world. Shot through with unexpected moments of sex and violence, readers will become acquainted with a world that is at once the same and opposite from the one in which they live. With a diverse palette of vivid characters - from people who wear furry mascot costumes at all times, to a group of New Filmmakers that devises increasingly unexpected sexual scenarios with complete strangers, to a secret society that concocts a virus that only infects those on the political right - Wren's avant-garde Polyamorous Love Song (finalist for the 2013 Fence Modern Prize in Prose) is great.

If Our Wealth Is Criminal Then Let's Live with the Criminal Joy of Pirates collects two short stories and an essay by Jacob Wren. In the first story, 'The Infiltrator, ' certain ongoing, rarely mentioned, difficulties for the activist Left are explored with unlikely candour. In 'Four Letters from an Ongoing Series, ' the postal service becomes an unwitting accomplice to the gatekeepers of potential culture. Finally, in the essay 'Like a Priest Who Has Lost Faith, ' questions of art and emptiness shift focus in relation to the agency that at all times surrounds us.

Authenticity is a Feeling: My Life in PME-ART is a compelling hybrid of history, memoir, and performance theory. It tells the story of the interdisciplinary performance group PME-ART and their ongoing endeavour to make a new kind of highly collaborative theatre dedicated to the fragile but essential act of "being yourself in a performance situation."