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Cover of Just Us: An American Conversation

Graywolf Press

Just Us: An American Conversation

Claudia Rankine

€20.00

In Just Us, Claudia Rankine invites us into a necessary conversation about Whiteness in America. What would it take for us to breach the silence, guilt, and violence that arise from addressing Whiteness for what it is? What are the consequences if we keep avoiding this conversation? What might it look like if we step into it? "I learned early that being right pales next to staying in the room," she writes. 

This brilliant assembly of essays, poems, documents, and images disrupts the false comfort of our culture's liminal and private spaces—the airport, the theater, the dinner party, the voting booth—where neutrality and politeness deflect true engagement in our shared problems. Rankine makes unprecedented art out of the actual voices and rebuttals of others: White men responding to, and with, their White male privilege; a friend clarifying her unexpected behavior at a play; and women on the street expressing the political currency of dyeing their hair blond, all running alongside fact-checked notes and commentary that complement Rankine's own text, complicating notions of authority and who gets the last word. Funny, vulnerable, and prescient, Just Us is Rankine's most intimate and urgent book, a crucial call to challenge our vexed reality.

Claudia Rankine is a poet, an essayist, and a playwright. Just Us completes her groundbreaking trilogy, following Don't Let Me Be Lonely and Citizen. She is a MacArthur Fellow and teaches at New York University.

Language: English

recommendations

Cover of The Argonauts

Graywolf Press

The Argonauts

Maggie Nelson

Memoir €17.00

Maggie Nelson's The Argonauts is a genre-bending memoir, a work of autotheory offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. It binds an account of Nelson's relationship with her partner and a journey to and through a pregnancy to a rigorous exploration of sexuality, gender, and family. An insistence on radical individual freedom and the value of caretaking becomes the rallying cry for this thoughtful, unabashed, uncompromising book.

Cover of The Hormone of Darkness: A Playlist

Graywolf Press

The Hormone of Darkness: A Playlist

Tilsa Otta, Farid Matuk

Poetry €19.00

In Tilsa Otta’s The Hormone of Darkness, we find a queer, Latinx person who has lived through iterations of authoritarian rule, and who answers these conditions by creating poetry that doubles down on a life force that precedes and exceeds received notions of the poetic. Here poetry is bawdy, fabulist, and spiritual—in short, it is alive. Otta has created a heaven where readers can go after they die. 

Drawing from four volumes spanning Otta’s career, translator-poet Farid Matuk has curated a playlist we can dance and dream to, one that honors Otta’s drive toward liberation through both perreo in the club and transdimensional wandering among the stars.

We can go on like that forever
building paradise from our urges
out of our fetishes our loves our vices
How lucky
We’ll wait for you then
Don’t be too long
Bookmark the page
We’ll be Here
—From “The New Heaven”

Translated from the Spanish by Farid Matuk.

Cover of Regaining Unconsciousness: Poems

Graywolf Press

Regaining Unconsciousness: Poems

Harryette Mullen

Poetry €18.00

Harryette Mullen is one of contemporary poetry’s most influential voices, for her inventive language play, keen wit, formal experimentation, and pointed critique of American culture. In Regaining Unconsciousness, her first new collection in twelve years, Mullen confronts the imminent dangers of our present to sound an alarm for our future, to wake us out of our complicity and despondency: Can we, even still, find our way to our unconscious selves, beyond our capacity to harm, subdue, and consume? 

In eleven taut sections written in the eleventh hour of our collective being, these poems address climate change, corporate greed, racist violence, artificial intelligence, the pollution of our oceans, individualism at the cost of mutual wellness, and the consequences of not addressing these pressing issues. Mullen imagines, as we must, our apocalypse, and yet, in an astounding feat, she does so with playfulness and wry referentiality that make these poems surprisingly buoyant, funny, and readable. Our end may be inevitable, Mullen admits, but maybe we begin with gratitude.

Cover of The Slicks: On Sylvia Plath and Taylor Swift

Graywolf Press

The Slicks: On Sylvia Plath and Taylor Swift

Maggie Nelson

Essays €12.00

In The Slicks, Maggie Nelson positions culture-dominating pop superstar Taylor Swift and feminist cult icon Sylvia Plath as twin hosts of the female urge toward wanting hard, working hard, and pouring forth—and as twinned targets of patriarchy’s ancient urge to disparage, trivialize, and discipline creative work by women rooted in autobiography and abundance. 

A buoyant melding of popular culture and literary criticism, The Slicks is a captivating and unexpected assessment of two iconic female artists by one of the most revered and influential critics of her generation.

Cover of The Rose

Graywolf Press

The Rose

Ariana Reines

Poetry €17.00

Drawing on the history of “romance” as the troubadours knew it and the titular flower’s ancient allegories for sexuality and mystery, Reines plunges into feminine archetypes to explore masculine pain: “I have always liked helpless / & terrible men because they break my mind.” In these poems, inherited ideologies of gender performance are replaced with bold vulnerability: paradoxes of power and surrender transmute the speaker’s understanding of suffering, desire, and the soul.

The voice in The Rose is wry and bare, approaching the connection between erotic love and spirituality with humor. Investigating war, maternity, violent sensuality, and the role of language in magical acts, Reines is unafraid to uncover the “secret / & terrible shovelings / Of love,” and the result is a bloody and pulsing, sexy and unabashed bloom.

Cover of Ponk!

Nightboat Books

Ponk!

Marcus Clayton

A punk rock anti-memoir told through the eyes of a biracial Afrolatino punk academic. 

¡PÓNK! follows Moose, an alienated academic and lead guitarist for Pipebomb!, as he navigates through spaces in and out of South East Los Angeles: punk clubs, college classrooms, family gatherings, street protests, and euphoric backyard shows.Oscillating between autofiction, memoir, and lyric, Clayton blurs genres while articulating the layered effects of racism, trauma, immigration, policing, Black hair, performance, and toxic academic language to uncover how one truly becomes an "ally." Borrowing from the spatial lyricism of Claudia Rankine, the genre-bending storytelling of Alexander Chee, and the racial musings of James Baldwin, ¡PÓNK!'s narrative takes back punk rock and finds safe space in the mosh pit.

Cover of Tar Hollow Trans: Essays

University Press of Kentucky

Tar Hollow Trans: Essays

Stacy Jane Grover

Essays €22.00

"I've lived a completely ordinary life, so much that I don't know how to write a transgender or queer or Appalachian story, because I don't feel like I've lived one.... Though, in searching for ways to write myself in my stories, maybe I can find power in this ordinariness."

Raised in southeast Ohio, Stacy Jane Grover would not describe her upbringing as "Appalachian." Appalachia existed farther afield—more rural, more country than the landscape of her hometown.

Grover returned to the places of her childhood to reconcile her identity and experience with the culture and the people who had raised her. She began to reflect on her memories and discovered that group identities like Appalachian and transgender are linked by more than just the stinging brand of social otherness.

In Tar Hollow Trans, Grover explores her transgender experience through common Appalachian cultural traditions. In "Dead Furrows," a death vigil and funeral leads to an investigation of Appalachian funerary rituals and their failure to help Grover cope with the grief of being denied her transness. "Homeplace" threads family interactions with farm animals and Grover's coming out journey, illuminating the disturbing parallels between the American Veterinary Association's guidelines for ethical euthanasia and the World Professional Association for Transgender Health's guidelines for transgender care.

Together, her essays write transgender experience into broader cultural narratives beyond transition and interrogate the failures of concepts such as memory, metaphor, heritage, and tradition. Tar Hollow Trans investigates the ways the labels of transgender and Appalachian have been created and understood and reckons with the ways the ever-becoming transgender self, like a stigmatized region, can find new spaces of growth.

Cover of Désapprendre en traduisant – Une pratique critique et collective

Villa Arson

Désapprendre en traduisant – Une pratique critique et collective

Virginie Bobin

Essays €12.00

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

Virginie Bobin operates across research, curatorial and editorial practices, writing, pedagogy and translation, with a particular interest in performance, experimental forms of artistic research, the role of art, artists and art institutions in the public sphere, and formats that exceed that of the exhibition. Between 2009 and 2018, she has worked for various art centers and residency programs (Villa Vassilieff, Bétonsalon, Witte de With, Les Laboratoires d'Aubervilliers, Performa). She is a Doctor in Artistic Research (PhD-in-Practice, Academy of Fines Arts, Vienna, 2023), a professor in Art and Social Practices at ésadhar (Rouen, since 2024), and a co-founding member of the editorial and curatorial platform Qalqalah قلقلة. In addition to her contributions to various international journals, she has edited the collective publications Composing Differences (Les presses du réel, 2015), Republications (with Mathilde Villeneuve, Archive Books, 2015), and Bestiario de Lengüitas (with Mercedes Azpilicueta, k.verlag, 2024).