GLEAN - Issue 3 (NL edition)
GLEAN ed.
De derde Nederlandstalige GLEAN editie.
Bijdrages over James Ensor, Jef Geys, Meggy Rustamova, Baloji, Christof Migone, Jacqueline Mesmaeker, Shanghai Biennale, Art's Birthday, en meer.
GLEAN ed.
De derde Nederlandstalige GLEAN editie.
Bijdrages over James Ensor, Jef Geys, Meggy Rustamova, Baloji, Christof Migone, Jacqueline Mesmaeker, Shanghai Biennale, Art's Birthday, en meer.
Contributions by: Nicole-Antonia Spagnola, Georgia Sagri, John Kelsey, Matthew Pang, Cathy Wilkes, Sarah Rapson, Nick Irvin, Gene Beery, Anne Dressen, Anne Pontégnie, Jacqueline Mesmaeker, Sara Deraedt, Anne Rorimer, Kari Rittenbach, Olga Balema, Maria Nordman, Louise Lawler, Julie Ault, Martin Beck, Adrian Morris, Matt Browning, John Miller, Envers Hadzijaj, Enzo Shalom, Bedros Yeretzian, Morag Keil, Helmut Draxler, Gianna Surangkanjanajai, Steve Cannon, Rae Armentrout, Zoe Hitzig, Pierre Guyotat, Lola Sinreich, Fanny Howe, Hélène Fauquet, Marie Angeletti, Richard Hawkins, Andy Robert, Alexander García Düttmann, Daniel Horn, El Hadji Sy, Henrik Olesen, Aurélien Potier, Richard John Jones, Stéphane Barbier Bouvet, Nora Schultz, Peter Fend, Megan Francis Sullivan, Jill Johnston, Sturtevant, Tonio Kröner, Bernard Bazile, Pierre Bal-Blanc, Jérome Pantalacci, Gérard Traquandi, Gladys Clover, Maria Wutz, Jimmie Durham, Richard Sides, Camilla Wills, Michael Callies, Steven Warwick, Matthew Langan-Peck, Dan Graham, Nina Könnemann, Hans Christian Dany, Valérie Knoll, Win McCarthy, Eleanor Ivory Weber, Anna Rubin, Heji Shin, Michèle Graf & Selina Grüter, Inka Meißner, Simone Forti, Morgan O’Hara, Angharad Williams, Ye Xe, Lily Van Der Stokker, Yuki Kimura, Peter Wächtler, Eva Steinmetz, Michael Van den Abeele, Marc Kokopeli, Bradley Kronz, Robert Grosvenor, Samuel Jeffery, Charlotte Houette, Adam Martin, Wade Guyton, Chloe Truong-Jones.
Edited by Marie Angeletti with Gianmaria Andreetta and Camilla Wills.
Printed in December 2022.
416 pages, Edition of 840.
© 2022 Claude Balls Int. / the author(s).
Starting from the position that the return of all colonially looted, pillaged, and stolen heritage should take place in full and without hesitation, Errant Journal No. 5 ‘Learning from Ancestors’ wishes to go beyond the question of ‘giving back’, and ask what is given back by whom and to whom, where, and how? In this now seemingly omnipresent discussion, who is speaking, and which voices are being listened to? To do this, as is reflected in the title of this issue, Errant proposes a shift in perspective away from dominant (Western) epistemic authorities to consider other ways of sensing and experiencing the world and let this guide us in the questions we have. This necessarily means that this issue is not just about objects and their return, not just about physical ‘things’ that can change hands and location. It is also an issue about repair, without which restitution could be meaningless.
Contributors: Ariella Aïsha Azoulay, Irene de Craen, Birago Diop, Adeola Enigbokan, Robin Gray, Tonderai Koschke, Aram Lee, Lifepatch, Albert Mwamburi, Zoé Samudzi, Dewi Sofia, Rolando Vázquez, Kaiya Waerea
F.R.DAVID is a typographical journal, dealing with the organisation of reading and writing in contemporary art practises. “Flurry” is the 15th issue (a best-of, of sorts) edited by Will Holder. “I realized very slowly over a period of time that the activity of framing a performance and the intentions that accumulate around that activity produce a certain anxious kind of mode, and I became bothered by the flurry of activity and how it tends to mask so many things.”
Emily Pope, Christiane Blattmann
For the Interjection Calendar each month Montez Press invites an artist, a writer, a poet or a doer of some sorts to say things. All 12 pieces have introspection and reflection in common. They are a subjective overview of writing in the expanded field of contemporary art and writing in the year 2019. This is the Interjection Calendar 2019, the fifth collection in this series.
With contributions by sabrina soyer, Lisa Robertson, Hatty Nestor, Adrianna Whittingham, Sondria, Claudia Pagès, Laetitia Paviani, Bella Milroy, Georgina Tyson, Son Kit, Alix Jean Vollum, Rene Matic and bleubaglife.
Find the last 12 PDF's on montezpress.com.
Like Freud’s prototypical baby, we struggle over whether to keep our body together or to give it away. We all live these scenes of bodily loss. Freud and Marx both sing harmoniously: what we give up, we give under duress. We are not easy with what we’ve been tasked with, but the task has been the same since birth, doubled in the name of emancipation: first, there’s nothing less than to survive alienation and exploitation, then there’s staying alive for one another’s sake. Perhaps the storied antagonism between Freud and Marx turns on the difficulty of holding these tasks together, balanced on the knife’s edge that separates self-interest from collective liberation.
Capitalism does not produce itself all alone, no matter its disciplines and political-economic constraints on the reproduction of society. If Marx taught us anything, it’s that capitalism produces its own gravediggers, the proletariat—“the unreason of reason,” he quipped, where the dominant social order encounters its unconscious element. Through the bad exchange of capitalism comes a gothic reversal, from preconscious life to premature death, where workers end up burying themselves instead of the system that provides the grave plot. That exchange is felt internally, in a rift that cleaves open the self. Freud, for his part, helps us describe how political economy hammers our lives into unreasonable and reasonable shapes, imaginary and real, as countless and heterogeneous as the individual faces in a collective mass. For each and for all, we bring psychoanalysis to bear on the political-economic problems we suffer in common.
King Ketamine. Beyond the vibecession. Austere Mothers. Sick at Work. Money, Feces, Babies, Gifts. Essays by Juliana Spahr, Peter Coviello, Nicolás Medina Mora, Jyoti Rao, and Hannah Proctor. Images of Red Vienna from Wilhelm Reich’s camera, dispatches from Lebanon, and more.
Casual Encountersz presents On The Rag, America’s Greatest Tabloid. Blending art and literature with sex, slime and sleaze, On The Rag emerges from LA's underground reading series Casual Encountersz to create a new media platform where the Ivory Tower and the gutter collide. On The Rag is a literary journal, gossip mag and conceptual art project all in one. Get off the apps…And get On The Rag!