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Cover of FUKT #19 – The Storylines Issue

FUKT Magazine

FUKT #19 – The Storylines Issue

Björn Hegardt

€19.00

Founded in 1999 by artist Bjørn Hegardt, FUKT, which translates to “moist” or “damp” in Norwegian and Swedish, is an annual magazine for contemporary drawing based in Berlin and Oslo. Each issue comes with a unique cover by Ariane Spanier who also co-edits and designs the magazine. From issue 16 onwards, the FUKT team began organising each edition thematically: from The Sex Issue on Dirty Drawings to The Words Issue and Fukt The System Issue. 

The theme of the storyline in this edition has been interrogated in a number of ways, taking the reader on a journey from the mythical, to the sequential and the storyboard. For Hegardt, the thread that unites all of the featured artists is that “above all, they are people who create drawings with beautiful, surprising, funny or sad stories. Like always in our magazine, everything revolves around our beloved practice of drawing.

Artists: Adéla Marie Jirku, Bjørn Bjarre, Brian Rea, Byun Young Geun, Chris Ware, Colin Matthes, Danielle Morgan, Davor Gromilović, Emma Talbot, Gareth Fuller, Jana Gunstheimer, Johannes Høie, Maria Medem, Maria Paz, Marie-Louise Ekman, Miodrag Manojlović, Océane Moussé, Ori Toor, Sakubei Yamamoto, Shuvinai Ashoona, Toyin Ojih Odutola, WOSHIBAI, Yuichi Yokoyama, Xiyu Tomorrow

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Cover of Full Auto 3: The Title of This Work is to be Sketched

Self-Published

Full Auto 3: The Title of This Work is to be Sketched

Benjamin McMillan

Part documentation, part drawing tool, fa3 is a publication that contains the work done through full auto foundry, a workshop-based type foundry that explores how processes of automation and tool-assisted sketching can influence the design of typefaces.

Using analogue tools, participants of the workshops are encouraged to draw letterforms without thinking too much about what the letter should be. Absent-minded drawing and doodling replace thought-out design, leading to alphabets quickly (and sometimes slowly) emerging through the repetition of mark-making. The quality, in a traditional sense, of these letterforms becomes less important than the quantity of them and the marks that were drawn to produce them, this often leads to oddly inconsistent but exciting typefaces. Once the sketches that the participants produce are finished, they are scanned and go through a process of automated digitisation. Each typeface that is produced is available with an open-source license, free to download and free to manipulate.

fa3 is a publication that is both a collection of all the drawing tools that have been designed/used in workshops and a drawing tool itself. Using these pages as a traceable surface the reader/drawer can combine forms and patterns together with the goal of creating letters.

Cover of Sketchbook 1-10

Birthday, Felony & Fuss

Sketchbook 1-10

Antoinette d’Ansembourg

“Sketchbook 1-10” with Antoinette d’Ansembourg bundles a complete collection of pocket sketches created between 2020 and 2023, stretched across ten different notebooks. These sketches, despite their two-dimensionality, form the mainstay of her sculptural output, offering a glimpse into the intimate process behind her stately installations.

Cover of TYPP #8 — Blind Spot

Sint-Lucas School of Arts Antwerp

TYPP #8 — Blind Spot

Zeynep Kubat

Periodicals €12.00

The human eye is designed with a flaw that is common to all other vertebrates: we have a blind spot, the punctum caecum, a small patch on the inside of our boisterous orbs of vision with no photoreceptors. A blind spot can also be psychological or social. We tend to be biased towards situations or people we cannot fully ‘see through’. How can we enlighten our blind spots? What kind of artistic practices can inspire new readings of history, art, music, or even politics?

With contributions by Bent Vande Sompele, Pierre-Antoine Vettorello & Stella Nyanchama Okemwa, and Haseeb Ahmed.  Design by Ward Heirwegh. Chief Editor: Zeynep Kubat. Editorial Board: Mekhitar Garabedian, Caroline Dumalin, Saskia Van der Gucht, Paul Hendrikse.

Cover of Human Pelvis, Bitter Radish

Reliable Copy

Human Pelvis, Bitter Radish

Leone Contini

This publication features a project by Leone Contini looking into the canned food available during the war of Caporetto in 1917 and especially its iconography. It brings together an essay by the artist along with reproductions of a selection of his drawings.

Leone Contini (born 1976 in Florence) studied philosophy and cultural anthropology at the University of Siena. His research unrolls at the intersection of anthropology, aesthetics and politics and his mediums include lecture-performances, collective interventions in public spaces, textual and visual narratives, drawings. His research is focused on intercultural frictions, conflict and power relations, displacement, migrations and diasporas, aiming to investigate, to question and to re-shape identity patterns and power relations.

Cover of Errant Journal 6: Debt

Errant Journal

Errant Journal 6: Debt

Irene de Craen

Periodicals €20.00

Errant Journal No. 6 takes up the topic of debt in order to challenge the idea that it is something rational, natural or inevitable.

The contributions in the issue address the ways in which debt and its language hold power over us and organize obedience; from its role in geopolitics to its associations with shame and guilt through moral and religious connotations. Together they reveal how the personal is always connected to the structural. Crucially, the issue also features contributions that address ways of thinking about debt outside Western/neoliberal hegemony and introduce instances of resistance to the violence and inequality inherent to debt. We’ve made additional space in this issue to address the intensified struggle for Palestinian liberation and its relations to debt/guilt and finance.

Contributors: Ian Beattie, W.E.B. Du Bois, Sultan Doughan, Toon Fibbe, Ibrahim Kombarji, Levi Masuli, Jamie McGhee, Kristina Millona, Bahar Noorizadeh, Falke Pisano, Taring Padi, Dalia Wahdan