by University of Texas Press

Why Solange Matters
Stephanie Phillips
University of Texas Press - 19.00€ -  out of stock

Growing up in the shadow of her superstar sister, Solange Knowles became a pivotal musician in her own right. Defying an industry that attempted to bend her to its rigid image of a Black woman, Solange continually experimented with her sound and embarked on a metamorphosis in her art that continues to this day.

In Why Solange Matters, Stephanie Phillips chronicles the creative journey of an artist who became a beloved voice for the Black Lives Matter generation. A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solange Knowles's career but also how she and other Black women see themselves through the musician's repertoire. First, she traces Solange's progress through an inflexible industry, charting the artist's development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. Then, with A Seat at the Table and 2019's When I Get Home, Phillips describes how Solange embraced activism, anger, Black womanhood, and intergenerational trauma to inform her remarkable art.

Why Solange Matters not only cements the place of its subject in the pantheon of world-changing twenty-first century musicians, it introduces its writer as an important new voice.

How to Suppress Women's Writing
Joanna Russ
University of Texas Press - 20.00€ -  out of stock

Written in the style of a sarcastic and irreverent guidebook, How to Suppress Women's Writing explains how women are prevented from producing written works, not given credit when such works are produced, or dismissed or belittled for those contributions they are acknowledged to have made. Although primarily focusing on texts written in English, the author also includes examples from non-English works and other media, like paintings. Citing authors and critics like Suzy McKee Charnas, Margaret Cavendish, and Vonda McIntyre, Russ aims to describe the systematic social forces that impede widespread recognition of the work of female authors.

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