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Cover of Zoo Index - Reader (volume 1)

Self-Published

Zoo Index - Reader (volume 1)

Terezie Štindlová

€28.00

Zoo Index Reader examines the relevance and effect that zoos have in shaping our gaze towards non-human animals and by extension ourselves/each other.

Through a mixture of visual research into zoological space—in the form of an A-Z glossary—and written contributions on the history of menageries, the confinement and privatization of land, pets, zoo architecture, the "naturalization" of animals, and the role of zoos and animals in the history of cinema, among many other things, this first volume asks: Do we need zoos? What does a meaningful coexistence with animals look like? Why have we decided to give a balloon to an elephant?

With Terezie Štindlová, jacob lindgren, A+E Collective, Chanelle Adams, John Berger, Andrea Branzi, David Hancocks, Eliot Haworth, Institute for Postnatural Studies, Suzanne van der Lingen, Angelo Renna, Laurel Schwulst, Richard Weller.

Designed by Terezie Štindlová

recommendations

Cover of Angst

Self-Published

Angst

Benedikt Bock

Poetry €22.00

In 1942, butcher Heinrich Angst started to set up his own business in Zurich. Today, Angst AG operates the municipal abattoir and supplies catering businesses and butchers throughout the canton. Angst is a book documenting an installation with 50 used and framed sausage wrapping papers presented at Fondation Fernet Branca in Saint Louis, France. On the other hand the book is gathering 50 systemically relevant poems surrounding writing, everyday life as a dance with obligation and panic, a society without children, fear as a fundamental quality of life and hopefulness to bury fear together. 

Cover of The Lowell Re:Offering - Conjuring the Ghosts of Lowell

Self-Published

The Lowell Re:Offering - Conjuring the Ghosts of Lowell

Sonia Kazovsky

Periodicals €12.50

A poetic script, an apocalyptic newspaper, and a syntax of intersected historical narratives. An investigation of an archive of writings previously published in The Lowell Offering, a periodical issued between 1840-1845 by women factory workers in Lowell, Massachusetts.

Design by Daria Kiseleva

Cover of Koreografi

Self-Published

Koreografi

Ann-Christin Berg Kongsness

Performance €14.00

Koreografi / Choreography is a magazine initiated and edited by Solveig Styve Holte, Runa Borch Skolseg and Ann-Christin Berg Kongsness. The magazine consists of texts written by Nordic artists within the field of dance and choreography.

Cover of Lava Lines

Self-Published

Lava Lines

Naïmé Perrette

Lava Lines explores the life forms, contemporary myths and geopolitical powers that shape volcanic landscapes. It gathers poetry, role play's transcription, film scripts and visual works of several artists, to touch on collective memory, non-human agency and myth-making.

The art works presented in the publication are by Leïla Arenou, Francisca Khamis, Naïmé Perrette, Camille Picquot, Rachel Pimm, Francisca Khamis, Juliette Lizotte, Riar Rizaldi and Arif Kornweitz 

It also archives live performances/screenings by Francisca Khamis, Arif Kornweitz, Mika Oki, Chooc Ly Tan, Adán Ruiz, Ana Vaz, and Rieko Whitfield.

Cover of Riding In Silence & The Crying Dervish

Self-Published

Riding In Silence & The Crying Dervish

Mashid Mohadjerin

The work of Iranian-Belgian artist Mashid Mohadjerin (°1976, Teheran) is an intricate tapestry of personal and collective memory, weaving together photography, text, video, and archival material to explore themes of displacement, resistance, and identity.

Family chronicles merge with momentous political events and are set against the background of a broader history of the MENA-region. Mohadjerin uncovers invisible nuances hidden beneath the extraordinary and the familiar.

In Riding in Silence & The Crying Dervish (2025), Mashid Mohadjerin draws from the depths of her family history, unraveling the echoes of migration, forced departures, and the quiet endurance of those caught between worlds. The book builds on her previous work, Freedom is Not Free (2021), where she explored the role of women in movements of resistance across the MENA region. However, in this latest series, she turns her gaze towards the intersection of masculinity, political ideology, and displacement, examining how historical forces shape personal narratives in ways both visible and unseen.

Cover of Compost Reader vol. II

cthulhu books

Compost Reader vol. II

Institute for Postnatural Studies

Ecology €19.00

The Compost Reader series sees the world as an interconnected being, where all its parts relate to one another. Composting as a way of cultivating consciousness through questions instead of answers, and from uncertainty and doubt. Hydro-memories, a talking lion, sounds that live in a snail shell, a dry swamp, a herbal medicine witch girl, ephemeral queer performances, chemical-sensing tentacles, stone eaters, scriptures-fossil, heavy cheese-like lids, dolphins in traffic, blue humanities, and digital forensic public spaces are some of the matters fermenting in this Compost Reader.

Authors:
Filipa Ramos
Panamby
María Morata and Lorenzo Galgó
Marie Skousen
Natasha Thembiso Ruwona
Zachary Schoenhut
Pauline Ruffiot
alfonso borragán
Valeria Mata and Maxime Dossin
Esther Gatón
Cristóbal Olaya Meza
Paloma Contreras Lomas

Series Co-editors: Yuri Tuma, Gabriel Alonso

Cover of Alphabet Magazine #01

Self-Published

Alphabet Magazine #01

Thomas Lenthal, Donatien Grau

Poetry €28.00

The first issue of the magazine made by artists, founded by Donatien Grau and Thomas Lenthal. Contributions by Mathias Augustyniak, Naomi Campbell, Théo Casciani, Michael Chow, Pan Daijing, Es Devlin, Claire Fontaine, Edwin Frank, Theaster Gates, Nicolas Godin, Alejandro Jodorowsky, Hedi El Kholti, Michèle Lamy, Paul McCarthy, Ian McEwan, Eileen Myles, Marc Newson, Hans Ulrich Obrist, Diana Widmaier Picasso, Ariana Reines, Barbara Chase-Riboud, Julian Schnabel & Jason Momoa, Hanna Schygulla, Juergen Teller, Iké Udé, McKenzie Wark, Robert Wilson, Yohji Yamamoto.

Alphabet is the artists' magazine. Here, they run the show. They write, they make images, they select their own works, they interview the figures they admire, they tell us what we did not know about them nor could have ever fathomed about life. This magazine is conceived entirely to put them in the driver's seat, and to enable readers to become part of the unique vision of some of today's greatest luminaries.

It is a manifestation of the creative community, coming together from all fields, from all generations and threads of culture. Writers, musicians, designers, painters, sculptors, poets—artistic figures of every kind converse all the time in their lives, but they did not have a shared space for their editorial projects. This is it.

Everyone who finds their way into Alphabet has made a mark on life, art, and culture, in a way that signals their importance to the present. Some of the contributors may be world famous, others well respected, others on the way to becoming the legends they already are. Their relevance to culture is the same, and that is why they all belong here, in the endeavor of the creative community. There is no hierarchy of status, or domain, or apparent impact. Some of the greatest revolutions happen undercover. Some of the most established voices are still breaking ground. The magazine's premise is simple: the old opposition between pop and underground does not make sense anymore. There are many creative communities, each following its own rules, each inventing its own space. Here, wherever they come from, whatever their community, artists can exist together, with the same intention of changing, and improving, what life is; with the same belief that art matters more than anything else.

None of the contributors is here randomly. They keep life thrilling and exhilarating, challenge the perception of everything and anything. Their role in shaping every aspect of life can hardly be overstated. That is why they needed a place to elaborate their own alphabet, their way of ordering and structuring language, the world, and the fabric of life—a place of freedom, where everything would be done to highlight their visions, where the very design would be a shrine to their magic. Even the distribution of the magazine was conceived with artists—each contributor suggesting sites of their liking.

Alphabet is also the magazine of magazines. Here, readers find essays, fictions, poetry, visual projects, DIY methods, recommendations from those who know, even games and astrology—and an artist's alphabet, articulating an entire universe. Anything that has ever formed a section of a magazine could find its way here. Even the cover is conceived by an artist: it was conceived especially by the legendary Robert Wilson. Artists will rejuvenate what magazines are, and magazines will be kept forever young by and with them.

Founded by Donatien Grau and Thomas Lenthal, Alphabet is a bi-yearly art magazine. Not a magazine about art. It's a magazine made by artists. Each contribution like an œuvre, making it the ultimate collector piece. Each cover is designed, with the word Alphabet, by a different artist, initiating a cult series.

Cover of Archive Dora Diamant #05

Editions L'Amazone

Archive Dora Diamant #05

Dora Diamant

Photography €18.00

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A self-taught photographer, Dora Diamant has left thousands of photos. The Dora Diamant Association, custodian of this archive, and Éditions L'Amazone have joined forces to bring them to life by devoting a series of publications to them. Each volume of the Dora Diamant Archive was created by a different person and is the result of a subjective selection and arrangement specific to its author.

Figurehead of the Parisian underground and queer nights, photographer, DJ, multimedia and polymorphic artist, Dora Diamant was the daughter of Pascal Doury.

Selected by Clara Pacotte and Esmé Planchon.