
Ursula Biemann
A notebook based on Ursula Biemann's latest film, Acoustic Ocean, an expedition to the depths of the Arctic Ocean in search of interspecies communications.
32 p, ills colour, 14 x 23 cm, pb, French/English
A notebook based on Ursula Biemann's latest film, Acoustic Ocean, an expedition to the depths of the Arctic Ocean in search of interspecies communications.
32 p, ills colour, 14 x 23 cm, pb, French/English
The text by Hiller navigates the boundaries between art, anthropology and psychoanalysis in relation to her installation at the Freud Museum in 1994 titled At the Freud Museum. Accompanying images included throughout from Book Works UK archive, the commissioner of the artwork and talks that this text is edited from.
In the fifth published title of the Decadent Editions series, Christine Smallwood explores Chantal Akerman’s adaptation of Marcel Proust’s The Prisoner, the fifth volume of In Search of Lost Time, in a text that moves elegantly between Akerman’s films, Proust’s novel, and Smallwood’s own life.
Slant is a mail art project and a publishing house. It invites artists, designers, writers and poets to express themselves through a common theme every two weeks. it has poetry as its beacon of reflection, keeping in mind that sometimes we must tell the truth slant in order to see our reality depicted.
First edition, approx. 240pp. 4-colors riso printed.
20 x 25,5cm, 200 copies. Coptic hand-made binding.
Softcover printed wraps. French and English texts.
Museum of Modern Art, New York
Since its debut as a consumer medium in the 1960s, video has shaped our opinions, our politics and our societies. On our phones and computer screens, walls and streets, it defines new spaces and experiences—spreading memes, lies, fervor, fact and fiction. In other words, video has transformed the world.
Featuring works from the collection of the Museum of Modern Art, New York, this illuminating exhibition catalog—MoMA's first major publication on video art in nearly 30 years—explores the ways in which artists have both championed and questioned video's promise, some hoping to create new networks of communication, democratic engagement and public participation, others protesting commercial and state control over information, vision and truth itself.
Lavishly illustrated essays by esteemed scholars and artists—including Ina Blom, Aria Dean, David Joselit, Pamela M. Lee, Glenn Ligon and Ravi Sundaram—highlight video's widely varied formats, contexts and global reach. Signals is a manual for understanding the present, an era in which video has pervaded all aspects of life.
Laure Cottin-Stefanelli, Peter Snowdon
Centré sur la mise en jeu du corps filmé et du corps filmant dans leurs pratiques cinématographiques respectives, la Conversation de Laure Cottin Stefanelli et Peter Snowdon a commencé par une présentation croisée de leurs films à Bozar en discussion avec Septembre Tiberghien et s'est cloturée par une exposition intitulée INNER SENSE - Bodies At Work, à la galerie de l'ERG de décembre 2018 à janvier 2019.