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Cover of Exercises of Poetic Communication with Other Aesthetic Operators

axis axis

Exercises of Poetic Communication with Other Aesthetic Operators

Ernesto de Sousa

€35.00

Ernesto de Sousa (1921–1988) was a major and multifaceted figure from the Portuguese avant-garde—artist, poet, critic, essayist, curator, editor, filmmaker, and a promoter of experimental ideas and artistic expressions. 
Reflecting questions of hierarchy, authorship, and the complexity of framing or dividing within the multiple and complementary practices of Ernesto de Sousa—whose motto “Your Body is My Body, My Body is Your Body” serves as a poetic manifesto—this publication explores the various aspects of his oeuvre (visual, poetical, and theoretical) and his outstanding inventiveness of concepts.

The volume brings together a selection of works, unpublished archives and their translations, and theoretical texts by Ernesto de Sousa, including the first complete translation in English of «Orality, the future of art?» (1968). Richly illustrated, the book reunites an introductory text by Lilou Vidal, two new essays by Paula Parente Pinto and by José Miranda Justo along with a text by Hugo Canoilas.

"There was a time when bread was sacred; and in a general sense, all fabricated objects deserved the respect that resulted from (for the conscience of those who used them) concretely diving into their own motivations. Human gestures, like aesthetic objects, were inseparable from their relevant functions. Naturalism prompted us to look at natural and fabricated objects with a vision that was cosmic and indifferent at the same time. The objects, today, object. In the future, objects and gestures will perhaps clothe themselves once again in their lost dignity. The word love, a bit of bread, the letter A will stop being mortal accidents of daily life. Desacralized, they will once again be as decisive as the tiniest brushstroke the painter made on his canvas. And each of these brushstrokes will reveal the structure of the world. Life can then be compared to a vast work of art. Everything will be absolutely aesthetic.."
— Ernesto de Sousa

Contributors: Hugo Canoilas, Ernesto de Sousa, Tobi Maier, José Miranda Justo, Paula Parente Pinto, Lilou Vidal

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Lenz Press

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Tomaso Binga

Performance €45.00

This monograph explores the work and the artistic activities of Italian radical performer, poet, visual artist and feminist Tomaso Binga through a specific lexicon (Agora, Biographies, the Corporeal Nature of the Word, Correspondences, Geographies, Vaginal Value), and also features a selection of poems by the artist.

The volume explores the key passages of Tomaso Binga's artistic practice, and as such is divided into three macro areas. The first, purely textual, following institutional introduction by the President of the Fondazione Donnaregina per le arti contemporanee Angela Tecce, features texts by Eva Fabbris, Daria Khan, Quinn Latimer, Lilou Vidal, and Stefania Zuliani, as well as a conversation between the artist herself and Luca Lo Pinto. The second part brings together a series of short critical texts that offer an in-depth analysis of single works and small bodies of work by Tomaso Binga. These contents are further subdivided into six categories (Agora, Biographies, The Body of the Word, Correspondences, Geographies, Vaginal Value) with the aim of delving into the key areas of interest in Tomaso Binga's practice in chronological order. Critical contributions are thus provided by Marc Bembekoff, Barbara Casavecchia, Martina Cavalli, Chiara Costa, Anna Cuomo, Valérie Da Costa, Allison Grimaldi Donahue, Daria Khan, Émilie Notéris, Raffaella Perna, Antonello Tolve, and Andrea Viliani. The third and final part is dedicated to the artist's visual poems. Each poem is accompanied by an English translation, in several cases published here for the first time.

Embedded in the language of visual and sound poetry, the practice of Tomaso Binga (Bianca Pucciarelli Menna, born 1931 in Salerno) is based on an ironic, insightful questioning of the idea of gender. In her work, this theme is not only a generator of identity, but also a way of looking afresh at the social roles, rights and opportunities traditionally available to women. Her decision to work under a male pseudonym from 1971 onwards was intended to parody male privilege and to provoke a barbed reflection on the political dimension of what it is to be a woman. Her attitude has served as a key marker within the gender equality issues at the center of the debate raging amongst the younger generations.

Edited by Eva Fabbris, Lilou Vidal, Stefania Zuliani with Anna Cuomo.

Texts by Tomaso Binga, Eva Fabbris, Daria Khan, Quinn Latimer, Luca Lo Pinto, Lilou Vidal, Stefania Zuliani.

Cover of OEI #94-95 Geografier [Geographies]

OEI editör

OEI #94-95 Geografier [Geographies]

Jonas J. Magnusson, Cecilia Grönberg and 1 more

The new publication triangulates between geopoetics, geopolitics, and cultural geography; a 464 page issue with some 50 contributors as well as a large section on Swedish philosophical geographer Gunnar Olsson.

Cover of OEI #82-83 Art in the Age of Kleptomania

OEI editör

OEI #82-83 Art in the Age of Kleptomania

Jonas J. Magnusson, Cecilia Grönberg and 1 more

Periodicals €35.00

Aeron Bergman and Alejandra Salinas, co-editors at INCA Press (along with Irena Borić), are the guest-editors of this issue of OEI: it contains essays, artworks, and archival materials by 21 artists, theorists, writers, and artist-run spaces (mostly from the Americas).

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Cover of OEI #80/81 The Zero Alternative

OEI editör

OEI #80/81 The Zero Alternative

Tobi Maier, Cecilia Grönberg and 1 more

OEI #80-81 is not an anthological publication, and has no representative ambition. It is a montage-based publication trying, in as material a way as possible, to register, prolong, transform and reflect upon energies from the work of Portuguese artist Ernesto de Sousa and his fellows (Alberto Carneiro, Túlia Saldanha, Álvaro Lapa, Fernando Calhau, Lourdes Castro, Ana Vieira, Ana Hatherly, E.M. de Melo e Castro, António Barros...).

Ernesto de Sousa and his fellows defined themselves as aesthetic operators and worked as filmmakers, photographers, curators, critics, writers, folk art researchers, multimedia artists... OEI #80-81 also gathers texts on magazines such as Poesia Experimental, Operação, Nova, A Urtiga, and Alternativa; and works by artists from younger generations such as Isabel Carvalho, Paulo Mendes and Mariana Silva, in dialogue with that of de Sousa.

Cover of Ezio Gribaudo - The Weight of the Concrete

Grazer Kunstverein

Ezio Gribaudo - The Weight of the Concrete

Lilou Vidal, Tom Engels and 1 more

The Weight of the Concrete explores the legacy of the Turinese artist and publisher Ezio Gribaudo (1929–2022), examining his multifaceted oeuvre at the confluence of image and language. This publication, named after Il Peso del Concreto (1968)—a seminal work that featured Gribaudo’s early graphic creations alongside an anthology of concrete poetry edited by the poet Adriano Spatola (1941–88)—places Gribaudo’s work in conversation with approximately forty artists and poets from different generations, all of whom similarly engage with explorations of text, form, and visual expression.

Reflecting the editorial premise of Il Peso del Concreto, The Weight of the Concrete revisits the influential anthology, including archive material that documents its production, and reimagines it, pairing Gribaudo’s graphic work with a new selection of historical and contemporary concrete and experimental poetry.

At the heart of the volume is Gribaudo’s emblematic Logogrifi series, developed from the 1960s onward. The Logogrifi reveal his deep engagement with the art of bookmaking and fascination with industrial printing processes, relief matrices, typefaces, and language games.

In this new edition, the editors take the opportunity to revisit Gribaudo’s pioneering work, examining previously overlooked dimensions—gendered, geographical, and technological—and exploring contemporary associations beyond the original context. The book also includes essays that elucidate the poetic and political interplay between image, language, and materiality.

This publication is released following Ezio Gribaudo – The Weight of the Concrete, an exhibition held at the Grazer Kunstverein in Graz, Austria (2023–24), and at the Museion—Museum of Modern and Contemporary Art in Bolzano-Bozen, Italy (2024).

Edited by Tom Engels and Lilou Vidal
Published by Axis Axis and Grazer Kunstverein

Contributions by Anni Albers, Mirella Bentivoglio, Tomaso Binga, Irma Blank, Al Cartio, Paula Claire, CAConrad, Natalie Czech, Betty Danon, Constance DeJong, Mirtha Dermisache, Johanna Drucker, Bryana Fritz, Ilse Garnier, Liliane Giraudon, Susan Howe, Alison Knowles, Katalin Ladik, Liliane Lijn, Hanne Lippard, Sara Magenheimer, Françoise Mairey, Nadia Marcus, Giulia Niccolai, Alice Notley, Ewa Partum, sadé powell, N. H. Pritchard, Cia Rinne, Neide Dias de Sá, Giovanna Sandri, Mary Ellen Solt, Alice Theobald, Colleen Thibaudeau, Patrizia Vicinelli, Pascal Vonlanthen, Hannah Weiner, and Ruth Wolf-Rehfeldt

Essays by Alex Balgiu, Tom Engels, Nadia Marcus, Luca Lo Pinto, Mónica de la Torre, and Lilou Vidal

Cover of Psalmist Kaput

Cloak

Psalmist Kaput

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Through the harsh noise of reality, a signal appears. At first faint, but slowly, as we approach, it grows louder, more defined. Aerial photographs depict odd structures and garbled sounds, blurred images of decaying media, alien architecture. It calls out your name.

Psalmist Kaput lures the reader into a misama of fragmented speech, disembodied voices, deteriortating thresholds, and lo-res nightmares. Fusing text and image, it is a work undefinable and wholly its own.

Enter the exclusion zone, witness its monuments, and if you're able, find your way back out again. "Soon we will all be submerged."

Cover of #7 Schizm Magazine

Schizm Magazine

#7 Schizm Magazine

Emma Holmes

UPWARDLY/DOWNWARDS.

Contributions by Bob Ajar (NY), Jessica Bard (NY), Sam Basu (FR), Paul Birbil (NY), David Burrows (LND), John Chilver (LND), Lisa Conrad (CA), Nina Katchadourian (NY), James Chance (MEX), Jon Kinzel (NY), Roy Kortick (NY), Emily Kuenstler (CA), Cedar Lewisohn (LND), Drea Marks (MA), Francesca Mannoni (NY), & Elizabeth Tisdale (NY).

Schizm Magazine invites contemporary artists and writers to contribute pages in response to a theme which, as the title implies, engages with a paradoxical idea. Each issue combines archival material with original works and texts sent in by between ten to thirty contributors.

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