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Cover of Hand Reading Studies

Kunstverein Amsterdam

Hand Reading Studies

Valentina Desideri

€25.00

For '​A Studio in Hand-Reading: Charlotte Wolff'​ Valentina Desideri transformed Kunstverein’s space into a Studio – a place that generates knowledge through different modes of being together. Throughout the exhibition, Desideri invited participants as well as visitors to gather for readings and in study.

The Studio – and its bar – were open for readings during Kunstverein’s regular opening hours and punctuated by weekly contributions to the study by the invited guests and artists. 'Handreading Studies​' picks up where the project left off, bringing together a variety of materials and publications that were generated in or reverberated from the Studio.

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Cover of The Alphabet Book

Kunstverein Amsterdam

The Alphabet Book

Maxine Kopsa, Ronja Andersen

In 1971, Michael Morris and Vincent Tarsov—founders of the Vancouver-based artist network Image Bank—invited Eric Metcalfe, Gary Lee Nova, Glenn Lewis and Paul Oberst to create their own, unique alphabet. NowForty years later, with the permission of the participating artists and the help of Image Bank, these historic silk-screened alphabets have finally been published together. The Alphabet Book is designed by Marc Hollenstein, who was inspired to reinitiate the alphabet publication project after having a conversation with Glenn Lewis during the opening of Lewis’ retrospective exhibition at Kunstverein back in 2014.

Cover of First Drafts #2: Canonically Speaking

Kunstverein Amsterdam

First Drafts #2: Canonically Speaking

Mila Lanfermeijer

Canonically Speaking is the second title to appear on the First Drafts imprint, a zigzag in Kunstverein Publishing’s output that’s dedicated to publishing completed manuscripts that would otherwise, for an array of reasons, not see the light of day in this rough early form.

Central to Canonically Speaking is the idea that (female) life is an inherently surrealist experience. In this spirit, the ‘absurd’ is embraced as a means to speak out on themes such as self-image, spirituality, mental health and work. While slipping between poetry, comprehensive list-making, knock knock jokes and intertextual references, forms of recital and misinterpretation often take place, whereby characters quote and repeat sentences and words from a large variety of sources, jumping from the health benefits of whale blubber to court transcripts of Bill Clinton's impeachment to the plasma that is released when microwaving two grapes side by side.

Cover of Tense (Silver Edition)

Kunstverein Amsterdam

Tense (Silver Edition)

Lucy Lippard

Tense is a never-realised publication, written and composed by Lucy Lippard and Jerry Kearns in 1984, that only now has been released in a very limited run on our imprint. The book accompanied the exhibition Top Stories, which took a closer look at the 29 issues of the prose periodical with the same title, founded in the late 1970s by Anne Turyn.

Top Stories was dedicated to fiction by emerging women artists and writers from that time. Tense was originally intended to become part of the series as well, but never made it to print. It was only recently – during the making of the exhibition at Amsterdam’s Kunstverein – that the original mock-up was retrieved from the editor’s archives and finally sent off to the printer.

Cover of Grace Crowley

Kunstverein Amsterdam

Grace Crowley

Riet Wijnen

Grace Crowley is a publication based on letters sent to the Australian artist and pioneer of modernist painting Grace Crowley (1890–1979) by friends, family and colleagues. Parts of those letters, which are now housed in the Art Gallery of New South Wales and the State Library of New South Wales archives in Sydney, were transcribed and categorised by Riet Wijnen in subsections such as ‘Marital Status’, ‘Teaching’, ‘Hosting’, ‘Eurasia’, ‘X’, ‘Being A Woman’, ‘War’, ‘$’ and ‘Making Work’. The result is an alternative biography constructed solely through a living set of relations.

Cover of The Lip Anthology: An Australian Feminist Arts Journal 1976–1984

Kunstverein Amsterdam

The Lip Anthology: An Australian Feminist Arts Journal 1976–1984

Vivian Ziherl

Lip Magazine was self-published by women in Melbourne from 1976 to 1984 and stood as a lightning rod for Australian feminist artistic practice throughout the Women’s Liberation era. The art and ideas expressed over Lip’s lifetime track groundbreaking moves in performance, ecology, social-engagement and labour politics—all at an intersection with local realities. Collecting and presenting the materials of Lip for the first time since their original appearance, The Lip Anthology, edited by Vivian Ziherl, privileges the range and dynamism of contesting feminisms that comprised the Lip project.

Designed by: Marc Hollenstein

Cover of fshshshshshsh

Estonian Academy of Arts / EKA GD MA

fshshshshshsh

Lieven Lahaye

Written by students of the Master of Contemporary Art program at the Estonian Academy of Arts during the Writing Practice course with Lieven Lahaye, February 2025. 

Contributions by Bob Bicknell-Knight, Giulio Cusinato, Anastasiia Krapivina, Tonya Kroplya, Fausta Noreikaite, Rosa-Maria Nuutinen, Nora Schmelter

Designed by Alina Scharnhorst and Sunny Lei (EKA GD MA)

Cover of Alphabet Magazine #01

Self-Published

Alphabet Magazine #01

Thomas Lenthal, Donatien Grau

The first issue of the magazine made by artists, founded by Donatien Grau and Thomas Lenthal. Contributions by Mathias Augustyniak, Naomi Campbell, Théo Casciani, Michael Chow, Pan Daijing, Es Devlin, Claire Fontaine, Edwin Frank, Theaster Gates, Nicolas Godin, Alejandro Jodorowsky, Hedi El Kholti, Michèle Lamy, Paul McCarthy, Ian McEwan, Eileen Myles, Marc Newson, Hans Ulrich Obrist, Diana Widmaier Picasso, Ariana Reines, Barbara Chase-Riboud, Julian Schnabel & Jason Momoa, Hanna Schygulla, Juergen Teller, Iké Udé, McKenzie Wark, Robert Wilson, Yohji Yamamoto.

Alphabet is the artists' magazine. Here, they run the show. They write, they make images, they select their own works, they interview the figures they admire, they tell us what we did not know about them nor could have ever fathomed about life. This magazine is conceived entirely to put them in the driver's seat, and to enable readers to become part of the unique vision of some of today's greatest luminaries.

It is a manifestation of the creative community, coming together from all fields, from all generations and threads of culture. Writers, musicians, designers, painters, sculptors, poets—artistic figures of every kind converse all the time in their lives, but they did not have a shared space for their editorial projects. This is it.

Everyone who finds their way into Alphabet has made a mark on life, art, and culture, in a way that signals their importance to the present. Some of the contributors may be world famous, others well respected, others on the way to becoming the legends they already are. Their relevance to culture is the same, and that is why they all belong here, in the endeavor of the creative community. There is no hierarchy of status, or domain, or apparent impact. Some of the greatest revolutions happen undercover. Some of the most established voices are still breaking ground. The magazine's premise is simple: the old opposition between pop and underground does not make sense anymore. There are many creative communities, each following its own rules, each inventing its own space. Here, wherever they come from, whatever their community, artists can exist together, with the same intention of changing, and improving, what life is; with the same belief that art matters more than anything else.

None of the contributors is here randomly. They keep life thrilling and exhilarating, challenge the perception of everything and anything. Their role in shaping every aspect of life can hardly be overstated. That is why they needed a place to elaborate their own alphabet, their way of ordering and structuring language, the world, and the fabric of life—a place of freedom, where everything would be done to highlight their visions, where the very design would be a shrine to their magic. Even the distribution of the magazine was conceived with artists—each contributor suggesting sites of their liking.

Alphabet is also the magazine of magazines. Here, readers find essays, fictions, poetry, visual projects, DIY methods, recommendations from those who know, even games and astrology—and an artist's alphabet, articulating an entire universe. Anything that has ever formed a section of a magazine could find its way here. Even the cover is conceived by an artist: it was conceived especially by the legendary Robert Wilson. Artists will rejuvenate what magazines are, and magazines will be kept forever young by and with them.

Founded by Donatien Grau and Thomas Lenthal, Alphabet is a bi-yearly art magazine. Not a magazine about art. It's a magazine made by artists. Each contribution like an œuvre, making it the ultimate collector piece. Each cover is designed, with the word Alphabet, by a different artist, initiating a cult series.

Cover of rosa rosa rosae rosae

Self-Published

rosa rosa rosae rosae

Pauline Hatzigeorgiou

Produced in conjunction with the exhibition that took place at Maison Pelgrims (10/9-23/10/2021), the book presents original interventions by the artists of the rosa rosae rosae project : Alicia Jeannin, Alicja Melzacka, Angela Detanico & Rafael Lain, Annaïk Lou Pitteloud, Audrey Cottin, buren, Charlie Usher, Eleanor Ivory Weber, Eva Giolo, Henry Andersen, Jan Vercruysse, Maíra Dietrich, Marc Buchy, Maxime Jean-Baptiste, Niels Poiz, Oriol Vilanova, Sabir (Lucie Guien, Amélie Derlon Cordina, Sophie Sénécaut / Perrine Estienne,  Kevin Senant, Maud Marique, Pauline Allié, Carole Louis), Slow Reading Club, Sofia Caesar, Surya Ibrahim, Yiannis Papadopoulos, Yoann Van Parys

Edited by Pauline Hatzigeorgiou / SB34
Graphic design by Tipode Office
The book was produced with the support of Fédération Wallonie-Bruxelles (aide à l'édition) and Région Bruxelles-Capitale (Image de Bruxelles)