Frozen Tears II

In the fall of 2017, Obe Alkema got acquainted with the American poet Kevin Killian, first at the New Narrative conference at UC Berkeley, then at the Poets & Critics Symposium in Paris that was all about his poetry. A year and a half later, Alkema traveled back to Paris, this time as a participant of a writing residency. He was there to research the landscape of memory, but more than he expected and initially realized, Kevin’s death the previous month (June 2019) affected his return. Besides inevitable, mourning and remembering became obsessions for Alkema, as he shows in ‘My Kevin, Our Paris’, a memoir about Kevin Killian (1952–2019), but especially about his Kevin and their Paris.

A lyric essay written through Kathy Acker's evocative prose, public statements, and private archives.

A cover of Kathy Acker’s career and a study of the development of narrative in her books deftly tracing Acker’s interactions with a diverse palette of avant-gardisms, world letters, cultures, and theory. Martin follows Acker through New York’s downtown St. Mark’s Poetry Project scene, Black Mountain College, and the Beats, as Acker embarks on her own deconstructions of subjects autobiographical and historical, art procedurals, proto-conceptual writing, legacies, and spirits.

First published in 1994, Robert Glück’s Margery Kempe is one of the most provocative, poignant, and inventive American novels of the last quarter century.

The book tells two stories of romantic obsession. One, based on the first autobiography in English, the medieval Book of Margery Kempe, is about a fifteenth-century woman from East Anglia, a visionary, a troublemaker, a pilgrim to the Holy Land, and an aspiring saint, and her love affair with Jesus. It is complicated. The other is about the author’s own love for an alluring and elusive young American, L. It is complicated. Between these two Margery Kempe, the novel, emerges as an unprecedented exploration of desire, devotion, abjection, and sexual obsession in the form of a novel like no other novel.

Robert Glück’s masterpiece bears comparison with the finest work of such writers as Kathy Acker and Chris Kraus. This edition includes an essay by Glück about the creation of the book titled "My Margery, Margery's Bob."

Narrative/Prose issue, featuring a special section: I was writing, but it was drawing: a Renee Gladman mini-feature with work by Renee Gladman * Earl Jackson, Jr. * Bruna Mori * Alexis Almeida on Renee Gladman & Julie Carr * Lewis Freedman & Vanessa Thill on Renee Gladman & Mirtha Dermisache. as well as work by Isabel Waidner * sissi tax (translated by Joel Scott & Charlotte Theißen) * Susan Hefuna * Mira Mattar * Lital Khaikin * Maryam Madjidi (translated by Ruth Diver) * Omer Wasim & Saira Sheikh * Ilse Aichinger (translated by Christian Hawkey & Uljana Wolf) * Bronka Nowicka (translated by Katarzyna Szuster) * Maude Pilon (translated by Simon Brown) * Mehmet Dere * Syd Staiti * Jena Osman * Germán Sierra * Natani Notah * Julia Bloch on Bernadette Mayer * Robert Glück on Clarice Lispector * Rob Halpern on Bruce Boone & Dennis Cooper *Dylan Byron on/after Bruce Boone * Linda Bakke on Communal Presence: New Narrative Writing Today * Anna Fidler * Corey Zielinski on Bob Glück & Writers Who Love Too Much: New Narrative 1977-97 * Jackie Kirby on From Our Hearts to Yours: New Narrative as Contemporary Practice * David W. Pritchard on Kevin Killian * Dale Enggass on Simone White * Allison Cardon on Anne Boyer * Robert Balun on Leslie Kaplan * Marco Antonio Huerta on Omar Pimienta * Allison Grimaldi Donahue on Josué Guébo * Sara Florian on Lasana Sekou * Louis Bury on Allison Cobb * Hugo Gibson on Annie Ernaux.

Sticky Fingers' Fortune Teller features wisdom from McKenzie Wark, Octavia E. Butler, Kate Zambreno, bell hooks, Clarice Lispector, Eileen Myles, Kathy Acker, Johanna Hedva, Lou Sullivan, Audre Lorde, June Jordan, and Anne Boyer.⁣

A3, single colour risograph

TYPP is the community journal of Sint Lucas School of Arts in Antwerp. TYPP is partly a generator for the shared research of our advanced master students, and partly a platform for carefully selected contributions by tutors, students, alumni, guest lecturers and friends of SLA. TYPP is a stage where art and research from this community is shared with you, to enjoy, read, look, learn and get inspired. 

Each edition is carefully and freely designed by Ward Heirwegh. 

PRESCRIPTIONS is a transcription of a handwritten manuscript, dated to approximately 1650, containing a wide range of medicinal and magical remedies. Currently housed in the Cornell University Witchcraft Collection, it is assumed this practical handbook was a reference for healing, midwifery, and other medical/magical advice. Recipes and instruction cover various methods of purging, ointments for swellings, fevers, and pain reduction, lotions for venereal disease, advice for childbirth, and dilemmas such as “worms in the ear.” Accompanying these medicinal prescriptions are a series of magical prescriptions: charms, rituals, and spells recorded to fortify the ailing body, induce amorous desire, or seek revenge.

With its mix of Latin words, Early Modern English parlance, colloquial plant names, apothecary weights, and archaic medical terms, the recipes can at first appear opaque, but with sustained engagement one can begin to decipher the logics and structures within the writer(s)' shorthand. The original manuscript, in having its own detailed glossary, index, and citations, exhibits a meticulous cataloging of knowledge and resources, and reveals an earnest desire to hold onto the integrity and sanctity of the body in the face of 'many evils.'

The transcription is accompanied by a glossary of terms, an explanation of the various apothecary measurements used, and expanded citations of the medicinal/magical treatises that were abbreviated within the original text.

In Edge Theory, Darian Razdar examines the slippery chasm between self and other. Contaminating theory with poetry and vice-versa, this brief and sexy treatise unspools the ever-shifting nature of relationality through a prism of intertextual references, tautologies, double-negations, and double-entendres. Accompanied by eclectic artwork by Alicia Nauta, Edge Theory is a cerebral and sensual exploration of the contours of desire.