All That's Left to You

A collection (montage) of biographies and themes written by Jairus Banaji.
Wanting Something Completely Different discusses a range of political figures, themes, directors and writers in a series of brief, evocative descriptions ('vignettes') aimed at laying out a vision of a modern, cosmopolitan left that can think creatively about the world we live in. The political figures include both thinkers and activists from a wide range of backgrounds—from Frantz Fanon and the Palestinian novelist Ghassan Kanafani to the theologian Dietrich Bonhoeffer and the murdered Russian journalist Anna Politkovskaya. The themes range equally widely from the death of Walter Benjamin (reconstructed here from a remarkable documentary on the same theme) and the slaying of Pasolini to the work of British Marxist Perry Anderson, or the corrupt nature of India's leading corporate groups, or the outstanding contributions of Italian and U.S. Black feminists to feminist theory. And under the rubrics which discuss film and literature, there is the same striving for diversity and depth.

The vignettes collected in this Rab-Rab book first circulated on Facebook over some seven years or more and are reproduced here with a new introduction and extensive bibliographical references and notes.

Jairus Banaji is a historian and revolutionary Marxist activist. He received the Isaac and Tamara Deutscher Memorial Prize in 2011. His academic work has ranged widely across sources and languages, with major books on Late Antiquity and commercial capitalism as well as numerous papers and articles.

A Map of Absence presents the finest poetry and prose by Palestinian writers over the last seventy years. Featuring writers in the diaspora and those living under occupation, these striking entries pay testament to one of the most pivotal events in modern history – the 1948 Nakba.

This unique, landmark anthology includes translated excerpts of works by major authors such as Mahmoud Darwish, Ghassan Kanafani and Fadwa Tuqan alongside those of emerging writers, published here in English for the first time. Depicting the varied aspects of Palestinian life both before and after 1948, their writings highlight the ongoing resonances of the Nakba.

An intimate companion for all lovers of world literature, A Map of Absence reveals the depth and breadth of Palestinian writing.

The devastating final work by Brazil’s greatest modern writer, The Hour of the Star tells the haunting tale of Macabéa—a typist who lives in the slums of Rio—underfed, sickly, and unloved, yet inwardly free.

Translated from the Portuguese by Benjamin Moser. With a contribution by Paulo Gurgel and Valente Colm Tóibín.

The Hour of the Star, Clarice Lispector's consummate final novel, may well be her masterpiece. Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life's unfortunates. Living in the slums of Rio de Janeiro and eking out a poor living as a typist, Macabéa loves movies, Coca-Cola, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly, and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid realization that for all her outward misery, Macabéa is inwardly free. She doesn't seem to know how unhappy she should be. Lispector employs her pathetic heroine against her urbane, empty narrator—edge of despair to edge of despair—and, working them like a pair of scissors, she cuts away the reader's preconceived notions about poverty, identity, love, and the art of fiction. In her last novel she takes readers close to the true mystery of life, and leaves us deep in Lispector territory indeed.

Full of wit, music, and a rollicking cast of characters, The Villain’s Dance shows Fiston Mwanza Mujila is back with a bang.

Zaire. Late nineties. Mobutu’s thirty-year reign is tottering. In Lubumbashi, the stubbornly homeless Sanza has fallen in with a trio of veteran street kids led by the devious Ngungi. A chance encounter with the mysterious Monsieur Guillaume seems to offer a way out . . . Meanwhile in Angola, Molakisi has joined thousands of fellow Zairians hoping to make their fortunes hunting diamonds, while Austrian Franz finds himself roped into writing the memoirs of the charismatic Tshiamuena, the “Madonna of the Cafunfo Mines.” Things are drawing to a head, but at the Mambo de la Fête, they still dance the Villain’s Dance from dusk till dawn.

Un fabuleux recueil – le premier publié en français – de poèmes et récits de l'autrice argentine Cecilia Pavón, préfacé par Chris Kraus (écrivaine dont Pavón a par ailleurs traduit des livres en espagnol).

« Cette traduction n'aurait pu voir le jour si je n'avais pas développé pendant quelques temps une obsession quasi malsaine pour l'Argentine. Cherchant à Buenos Aires les traces de lieux proches de Shanaynay que j'avais co-dirigé à Paris, je découvris au hasard sur internet l'existence d'un espace nommé Belleza y Felicidad et dirigé par Fernanda Laguna et Cecilia Pavón. Bien avant l'émergence de l'artist-run space en Europe, les deux femmes créèrent un lieu associant art et littérature. Lors d'un voyage à Buenos Aires, j'eus l'opportunité de rencontrer Cecilia Pavón qui lors d'une conversation sur l'écriture et la poésie, me proposa de traduire Licorice Candies en français. Sa poésie fut autant révélatrice qu'émancipatrice, à la fois par sa singularité et sa simplicité. Elle écrit ce qu'elle voit et ce qu'elle vit. Elle parle de certains quartiers de Buenos Aires, de ses amis, d'elle, d'un vélo qu'elle a perdu, de Timo. Il me semble qu'elle écrit comme elle parle d'amour, d'erreurs et de sexe ». Marion Vasseur Raluy, traductrice

The first collection of texts published in French by the Argentinian artist and poet.

Preface by Chris Kraus.

Translated from the English and Spanish by Marion Vasseur Raluy, Rosanna Puyol Boralevi and Mona Varichon.

Myth Lab: Theories of Plastic Love is a genre-defiant sex-trip to post-human dimensions. If C.G Jung, magic-mushroom shaman Terence McKenna and Camille Paglia (Sexual Personae) had a three-way while binging on George Bataille and undergoing Hormone Replacement Therapy, their baby might be the erotic cocktail of Myth Lab. Its extreme theme is nothing less than the fate of the species.

“Brilliant and wild, Jack Skelley’s Myth Lab is a manifesto of exuberance disguised as a sci-fi sex test-center for the invention of communal futures. Skelley’s a mad scientist, scholar and poet.” - Chris Kraus, author of After Kathy Acker
 
“In Myth Lab, Jack Skelley adroitly molds an “Einsteinian elasticity between objects and ether” to the “clitoverse.”  If this formulation seems too vast, just think about a) the last time you felt good about power and b) all the ways to say yes to pleasure as a source of liberation. In conducting a “cosmologic psychoanalysis,” Myth Lab thrillingly hot wires our neurons to an endless mirror stage reflective of our own instinctual nature.” - Kim Rosenfield, author of Phantom Captain
 
"An explosion of clit-cock-and-pop-culture worship. Skelley’s eroto-celestial universe fights back not only against the denial of desire – “also known as fuckheadocracy and market forces” – but against death itself."  - Francesca Lia Block, author of Weetzie Bat
 
"A hallucinatory book that straddles gender studies, science-fiction, and cultural criticism (to name but three of many genres). Ever eager to use a newfound Skelley-ism, I urge everyone to read Myth Lab and be “Kardashian'd” with love (i.e buy it now, it's great)." - Susan Finlay, author of The Jacques Lacan Foundation
 
"In Jack Skelley’s Myth Lab, something weird and beautiful is forged in the crucible of infinite horny grief. It’s an epic, delirious descent into the inferno, navigating the concentric circles of romance and desire as literary malady, TikTok psyop, benevolent cosmological principle, and more. Simultaneously a quest, a physics experiment and an elegy. I loved following its narrator - a tender, erotomanic, Blakean particle - seeking and finding visionary head." - Daisy Lafarge, author of Love Bug