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Cover of Mary McCarthy: The Complete Fiction

Library of America

Mary McCarthy: The Complete Fiction

Mary McCarthy

€75.00

Seventy-five years ago Mary McCarthy provoked a scandal with her electrifying debut novel, The Company She Keeps (1942), announcing the arrival of a major new voice in American literature. A candid, thinly-veiled portrait of the late-1930s New York intellectual scene, its penetrating gaze and creative fusion of life and literature — mutual plagiarism, she called it—became the hallmark of McCarthy's fiction, which the Library of America now presents in full for the first time in deluxe collector's edition.

The Oasis (1949), a wicked satire about a failed utopian community, and The Groves of Academe (1952), a pioneering campus novel depicting the insular and often absurd world of academia, burnished her reputation as an acerbic truth-teller, but it was with A Charmed Life (1955), a searing story of small-town infidelity, that McCarthy fully embraced the frank and avant-garde treatment of gender and sexuality that would inspire generations of readers and writers.

In McCarthy's most famous novel, The Group (1963), she depicts the lives of eight Vassar College graduates during the 1930s as they grapple with sex, sexism, money, motherhood, and family. McCarthy's final two novels— Birds of America (1971), a coming of age tale of 19-year-old Peter Levi, who travels to Europe during the 1960s, and Cannibals and Missionaries (1979), a thriller about a group of passengers taken hostage on an airplane by militant hijackers—are both concerned with the state of modern society, from the cross-currents of radical social change to the psychology of terrorism.

Also included are all eight of McCarthy's short stories, four from her collection Cast a Cold Eye (1950), and four collected here for the first time. As a special feature, the second volume contains McCarthy's 1979 essay The Novels that Got Away, on her unfinished fiction.

Published in 2017 ┊ 2220 pages ┊ Language: English

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Cover of Issue № 6 - Winter–Spring 2026 / SENSING BODIES

DEARS

Issue № 6 - Winter–Spring 2026 / SENSING BODIES

Coming back to the body is rarely tranquil. Often it is turbulent, interrupting dominant narratives and entrenched meanings. It is the upset of being alive, and awake to it.

The fourteen texts in this new issue do not shy away from that turbulence. There is joy and there is pleasure, there is shame, pain, and liberation... Each text addresses this dense experience from a singular perspective, yet together they explore what emerges and becomes possible when sense-making and making sense(s) are re-anchored in the sensing practices of the body.

With texts by Valérie Hug, Marco Antonini, cassiane c. pfund, Elodie Olson-Coons, Ines Marita Schärer, Bernadette Kolonko, Jo Bahdo, Lotta Beckers, Melanie Jame Wolf, Samuel Brzeski, Madeleine Kaye, Nora Longatti, Rosanna Puyol Boralevi, Larissa Clement-Belhacel

editorial team: Delphine Chapuis Schmitz, Nicole Bachmann, Robert Steinberger, and Shelby Lee Stuart as invited editor

Cover of Grab Bag

Akashic Books

Grab Bag

Derek McCormack

Fiction €19.00

Cult novelist Dennis Cooper launches the third title of Little House on the Bowery, the Akashic series he is editing and promoting. 

Grab Bag is comprised of two interrelated novels, Dark Rides and Wish Book, from one of Canada’s most important young writers. Both books are set in the same small rural city, in different eras (1950s, 1930s), each characterized by McCormack’s spare and elliptical prose.

Cover of Pommes Girl / أحتفل بالحياة التي تحتفل بي

Kulte Editions

Pommes Girl / أحتفل بالحياة التي تحتفل بي

Rim Battal

Fiction €16.00

The story of a meeting between a woman and a man linked by music for one night, in a nuptial dance of bodies and words doomed to failure: an ode to desire by the Franco-Moroccan poetess.

Rim Battal (born 1987 in Casablanca, lives and works between Paris and Rabat since 2012) is a French artist and poet.

Edited by Yasmina Naji.
Translated into Arabic by Abdelilah Khattabi.

Cover of A Larger Reality

Winter Texts

A Larger Reality

Ursula K. Le Guin, Conner Bouchard-Roberts

A beautiful compilation of poems, stories, essays, talks, and illustrations by Ursula K. Le Guin. Edited and designed by Conner Bouchard-Roberts. 

With additional essays on Le Guin's thinking and craft by: adrienne maree brown, Isabelle Stengers, Moe Bowstern, Lola Milholland, Nisi Shawl, David Naimon, Mary Anne Mohanraj, Margaret Killjoy, Julie Phillips, and Harold Bloom.

This book serves as the companion publication to a gallery exhibition, of the same name, about Ursula’s life and work, showing at Oregon Contemporary Museum (from Nov 1st 2025 - Feb 8th 2026 in Portland, OR) curated by the Author’s son, Theo Downes-Le Guin.

Cover of Sea, Poison

New Directions Publishing

Sea, Poison

Caren Beilin

Fiction €16.00

Cumin Baleen is a forty-one-year-old writer living in Philadelphia—this city of hospitals—who works at the upscale grocery Sea & Poison and is navigating the onset of an autoimmune condition. To start a medication that may help, an eye exam is required and this leads to a nightmarish laser eye surgery. The laser shoots into her brain, making her language spare and her sentences clause-less, a vexing constraint that stalls her book on gynecological malpractice: she wants others, in the realm of our for-profit medical industry that "renders the Hippocratic Oath its opposite," to see poison.

Meanwhile, Cumin is kicked out of her boyfriend Mari's studio after he falls for Janine, their landlord, and starts renting a closet in Maron's bedroom—polyamorous Maron who is hooking up with Alix, whom Cumin lusts after. Disheveled from medicines and medical scams, Cumin declares, "I don't know what to say, I'm saying I have a cracked appearance. It's not a pity party, it's a character sketch. Insofar as you'll need to be looking at me, that your mind should fill me up with its own swaying cognitive and toxic reeds if we are to do this, your imagination should touch me with its ridiculous poison."

Caren Beilin's hypnotic and fractured story is at once an homage to Shusaku Endo's terrifying novel of human vivisection The Sea and Poison and the spirit of OuLipo, the pioneering French writing group that sought new literary potential through constraints.

Caren Beilin was born in Philadelphia in 1983. She is the author of the novel Revenge of the Scapegoat, which won the Vermont Book Award for Fiction. Her other books are Blackfishing the IUD, Spain, The University of Pennsylvania, and Americans, Guests, or Us. She lives in Cleveland and Philadelphia and teaches at Case Western Reserve University.