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Cover of This is NOT what i want to tell you

De Nieuwe Toneelbibliotheek

This is NOT what i want to tell you

Rimah Jabr

€12.50

In This is NOT what I want to tell you: she looks at the many attacks carried out by teenagers in Palestine in 2015 and 2016. The teens, all children aged between 10 and 15, were shot dead or sentenced to years in prison. The series of almost daily knife attacks by these lone wolves reflected the hopelessness and despair among the young people of Palestine. They wanted to send a message to the world, but were unable to convey this in ordinary language.

In Two Ladybugs the fates of three characters, a Belgian woman, a Palestinian girl and an Israeli soldier, are closely intertwined. The players don't feel comfortable in this new, strange world and they don't hide that from the public.

Broken Shapes: A young woman in a city that has been occupied for decades, on the day of her father’s funeral, discovers his architectural drawings. Overcome with grief, she slips into the dream worlds and imagined places that he created.

Rimah Jabr Rimah Jabr (Nablus, Palestine, 1980) is a theatre director, playwright, screenwriter and Ph.D. candidate in Theatre and Performance Studies at York University. She completed a master’s degree in theatre-making from the RITCS in Brussels. She wrote and directed several plays produced in Belgium, Canada, and Palestine. She actively collaborates with visual artists to craft unique performances. Her doctoral research is a performance ethnography research-creation with Palestinian Designers from Hebron, examining the impact of confinement on the creative process involved in set design. Broken Shapes is a collaborative project co-created by Toronto-based theatremaker Rimah Jabr and Brussels-based visual artist Dareen Abbas.

Published in 2024 ┊ 76 pages ┊ Paperback ┊ Language: English

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Cover of German Staatstheater

De Nieuwe Toneelbibliotheek

German Staatstheater

Rosie Sommers, Micha Goldberg

Performance €12.00

In GERMAN STAATSTHEATER, thirteen performers set up a world in which stress, ambition and absurdity follow each other at a rapid pace. The creators Rosie Sommers and Micha Goldberg are inspired by the monumental German state theatre: a tradition full of great emotions, huge player ensembles and serious dedication. They use that intensity as a springboard to investigate how workload and expectations put our bodies — and our society — under high voltage.

Rosie Sommers (°1995) is a theatre maker. She graduated from the KASK. Until 2022 she worked in Volksroom, an off-space for performance art (Anderlecht, Brussels) and is active in the music scene with the girls band Forsissies. Rosie worked with theatre makers such as Thomas Ryckewaert, Bosse Provoost, Amanda Piña, Phoebe Berglund, Benjamin Abel Meirhaeghe, Gaël Santisteva, Nathan Ooms, Anna Franziska Jaeger, Micha Goldberg, Sophia Rodríguez, Tomas Gonzalez, Igor Cardellin and De Warme Winkel.

Micha Goldberg (°1983) is a Norwegian performer and theatre maker. He studied physical theatre at the Accademia Teatro Dimitri in Switzerland and attended a master’s degree at the RITCS in Brussels. He worked with Sophia Rodriguez, Ivo Dimchev, Lea Moro, Rosie Sommers, Simon van Schuylenbergh, Jozef Wouters and Simon Baetens. In 2016 he founded Micha’s Amateur Theater Group (for professionals), who made a retrospective at the Batard festival as early as 2018. From 2013 to 2022 he was co-host of Volksroom (Brussels).

Cover of A Psalm for the Third Wind

Self-Published

A Psalm for the Third Wind

Damien Troadec

Book: 11.7 × 18 cm
Book and Glove: 13.5 × 31.5 cm

Presented in a monster glove

Three broken halves of one god walk a city that wants them dead
Their bodies speak in static hunger and rust
Something follows breathing through their mouths
Read it Bleed from it


In A Psalm for the Third Wind, a film script written from 3 perspectives, Damien Troadec is aiming to address in parallel narrative the struggle of having multiples inner voices and the danger of following their distinct desires. One question is raised without any light at the end of the tunnel, confronting the reader to a conflict : THE COMFORT OF MISERY OR THE PAIN OF CHANGE ?

Cover of exit ambition

Dostoyevsky Wannabe

exit ambition

Jake Reber

Poetry €7.50

Exit Ambition is a catalogue of practices, documents, videos, and other projects - virtual & actual. The book operates as an incomplete index of a series of installations, instructions, anti-plays, performance scores, descriptions, etc.

Jake Reber lives and works in Buffalo, NY, where he co-curates hystericallyreal.com.

Cover of Waking

Lingua Press

Waking

Bruce Leibig

Eight or more performers and instructors. Score.

Cover of The Flight of the Sparrow: Lingua 1 Poems and Other Theaters

Lingua Press

The Flight of the Sparrow: Lingua 1 Poems and Other Theaters

Lingua Press

A composition for one actor and tape, or two actors. Score. 1970

Cover of Noa & Snow – Poem #9

Bom Dia Books

Noa & Snow – Poem #9

Alix Eynaudi

This book/catalogue is published on the occasion of the final event of Noa & Snow, a gentle experiment between the everyday and the event, at the Volkskundemuseum, Vienna.

Publication Concept Alix Eynaudi, Goda Budvytytė
Design Goda Budvytytė
Printing Robstolk, Amsterdam
Edition 600 copies
Proofreading Bella Marrin

ENVELOPE Pattern design based on the Lila Dress and its signature cording by An Breugelmans

LE VESTIAIRE
Costumes & objects An Breugelmans Tapestries & trompe-l’oeil Cécile Tonizzo Weaves Lydia McGlinchey Photos taken inside of Jason Dodge’ show Cut a Door in the Wolf at Macro Museum by Carlotta Pierleoni Photos in Vienna Samuel Feldhandler

THEM, PROTEXTIONS
Han-Gyeol Lie, Mette Edvartsen, Lydia McGlinchey, Clara Amaral, Ujjwal Kanishka Utkarsh, Jennifer Lacey, Cécile Tonizzo, Sabina Holzer, Alice Chauchat, Jason Dodge, Joachim Hamou, Quim Pujol, Litó Walkey, Serena Lee, Mihret Kebede

PUBLIC MEDITATIONS
Anne Faucheret, Elizabeth Ward, Kirsty Bell, Tony Just, Sabina Holzer, Samuel Feldhandler, Frida Robles

TEXTURAGES Paula Caspão VIGNETTES Alix Eynaudi

Poster picture of Claire Lefèvre’s Grimoire/Giant Notebook/Bison Book Rasa Juškevičiūtė

INSTITUTE OF REST(S)
Alix Eynaudi, Paula Caspão, Quim Pujol
Back side A thread for Alix Eynaudi, woven as a table placement by Genė Janušauskaitė in 1936, out of the flax she had sawn and harvested herself. Photographed by Kristien Daem in 2022, after Aldona Malašauskienė revealed the placement to her son Raimundas.