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Cover of Postsensual Aesthetics: on the logic of the curatorial

The MIT Press

Postsensual Aesthetics: on the logic of the curatorial

James Voorhies

€26.00

In this original work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which reading and thinking are central to the aesthetic experience. Voorhies advances the theoretical framework of a "postsensual aesthetics," which does not mean we are beyond a sensual engagement with objects, but rather embraces the cognitive connections with ideas that unite art and knowledge production. Cognitive engagements with art often begin with publications conceived as integral to exhibitions, conveying the knowledge and research artists and curators produce, and continuing in time and space beyond traditional curatorial frames. The idea, and not just visual immediacy, is now art's defining moment.  

Voorhies reframes aesthetic criteria to account for the liminal, cognitive spaces inside and outside of the exhibition. Surveying a wide range of artists, curators, exhibitions, and related publications, he repositions the aesthetic theory of Theodor Adorno, and draws inspiration from Rosalind Krauss and Fredric Jameson, to describe a contemporary "logic of the curatorial." He demonstrates how, even as we increasingly expect to learn from contemporary art, we must avoid an instrumentalist and reductive view of art as a mere source of information. As Voorhies shows through an analysis of two major global exhibitions, dOCUMENTA (13) (artistic director Carolyn Christov-Bakargiev) and Documenta11 (artistic director Okwui Enwezor), and of Ute Meta Bauer's curatorial work at the Centre for Contemporary Art Singapore, it is imperative for artistic research to retain its unique role in the production of knowledge.

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Cover of Coups de putes

Hystériques & AssociéEs

Coups de putes

Molly Smith, Juno Mac

Non-fiction €23.00

Faut-il cautionner la prostitution pour soutenir les travailleuses du sexe ? Faut-il pénaliser les clients ? La prostituée est-elle le symbole de l'oppression des femmes ? Juno Mac & Molly Smith posent un regard nouveau sur ces questions souvent conflictuelles. Elles rejettent l'alternative entre condamnation et glorification du travail du sexe, et étendent leur propos à des problématiques plus larges : les frontières, l'exploitation, le sexisme et la suprématie blanche. En délaissant les symboles passionnés et en examinant les effets concrets des différents régimes législatifs, elles démontrent que la lutte des travailleuses du sexe est d'une importance capitale pour le mouvement social.

Cover of Wanting Something Completely Different – 111 Vignettes of Left-Wing Figures, Themes, Films, and Writers

Rab-Rab Press

Wanting Something Completely Different – 111 Vignettes of Left-Wing Figures, Themes, Films, and Writers

Jairus Banaji

Non-fiction €20.00

A collection (montage) of biographies and themes written by Jairus Banaji.
Wanting Something Completely Different discusses a range of political figures, themes, directors and writers in a series of brief, evocative descriptions ('vignettes') aimed at laying out a vision of a modern, cosmopolitan left that can think creatively about the world we live in. The political figures include both thinkers and activists from a wide range of backgrounds—from Frantz Fanon and the Palestinian novelist Ghassan Kanafani to the theologian Dietrich Bonhoeffer and the murdered Russian journalist Anna Politkovskaya. The themes range equally widely from the death of Walter Benjamin (reconstructed here from a remarkable documentary on the same theme) and the slaying of Pasolini to the work of British Marxist Perry Anderson, or the corrupt nature of India's leading corporate groups, or the outstanding contributions of Italian and U.S. Black feminists to feminist theory. And under the rubrics which discuss film and literature, there is the same striving for diversity and depth.

The vignettes collected in this Rab-Rab book first circulated on Facebook over some seven years or more and are reproduced here with a new introduction and extensive bibliographical references and notes.

Jairus Banaji is a historian and revolutionary Marxist activist. He received the Isaac and Tamara Deutscher Memorial Prize in 2011. His academic work has ranged widely across sources and languages, with major books on Late Antiquity and commercial capitalism as well as numerous papers and articles.

Cover of The Letters of Audre Lorde and Pat Parker 1974-1989

the87press

The Letters of Audre Lorde and Pat Parker 1974-1989

Julie R. Enszer

Poets Audre Lorde and Pat Parker first met in 1969; they began exchanging letters regularly five years later. Over the next fifteen years, Lorde and Parker shared ideas, advice, and confidence through the mail. They sent each other handwritten and typewritten letters and postcards often with inserted items including articles, money, and videotapes.

The Letters of Audre Lorde and Pat Parker 1974-1989 gathers this unique correspondence in which Lorde and Parker discuss their work as writers as well as the intimate details of their lives, including periods when each lived with cancer. These letters are a rare opportunity to glimpse inside the minds and friendship of two great twentieth century poets.

Introduction by Mecca Jamilah Sullivan.

Cover of Thirty-Odd Functions of Voice in the Poetry of Alice Notley

Ugly Duckling Presse

Thirty-Odd Functions of Voice in the Poetry of Alice Notley

Steven Zultanski

Poetry €15.00

Alice Notley has consistently peopled her poetry with the voices of those around her: kids, friends, husbands, strangers, and the dead. Thirty-Odd Functions of Voice in the Poetry of Alice Notley offers an array of interpretations of this technique. While not aspiring to completeness, and limiting its attention to one formal aspect of a single author's work, this poem-essay sketches relationships between intimate speech and literary language.

Cover of A Toast to St Martirià

Divided Publishing

A Toast to St Martirià

Albert Serra, Matthew Tree

A Toast to St Martirià is an improvised speech given by the cult Catalan filmmaker Albert Serra at the St Martirià fiesta in Banyoles, the town of his birth. Transmitting his subversive attitude and impulsive lust for life, it is a journey through his formative years and early relationships – established in the nightlife of his hometown – that have shaped his particular conception of cinema, art and life. ‘Cinema should be this, making perception of time and space more intense.’

Translated by Matthew Tree
Afterword by Alexander García Düttmann

The Catalan artist and filmmaker Albert Serra was born in 1975. His films usually depict European myths and literature. In 2001, he co-founded the production company Andergraun Films. His Honor of the Knights was selected by Cahiers du Cinéma as one of the ten best films of 2007. For Story of My Death, Serra was awarded the Golden Leopard at the Locarno Film Festival in 2013. For The Death of Louis XIV, Serra received the Prix Jean Vigo in 2016. Pacifiction was nominated for the Palme d’Or at the Cannes Film Festival in 2022.

Matthew Tree was born in London in 1958. He taught himself Catalan in 1979 and moved to Catalonia in 1984. Since then he has published nine works of fiction and non-fiction written in Catalan, and five written in English. He writes regular columns for Catalonia Today magazine in English and El Punt Avui newspaper in Catalan. He has translated works by Jordi Puntí, Maria Barbal, Monika Zgustová, Joel Joan, Marta Marín-Dòmine and Albert Serra, among others. Two of his English novels, Just Looking and Almost Everything, will appear in Catalan translation at the start of 2025.