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Cover of Letters on the Autonomy Project

Dead Letter Office

Letters on the Autonomy Project

Janet Sarbanes

€22.00

In the face of rising authoritarianism and on the heels of urgent struggle, autonomy calls to us. How might we excavate the theory and history of autonomous politics to arrive at new possibilities for radical democracy and the radical imaginary? How can we rethink the ways in which artistic autonomy is theorized and practiced beyond the shrunken horizon of liberal individualism? How might we understand political and artistic autonomies as linked, rather than diametrically opposed? And what role does radical pedagogy have to play in all of this?

Framed by the thought of Cornelius Castoriadis, and engaging with Marxist, Black Radical, and Feminist approaches to liberation, as well as movements such as Occupy, Black Lives Matter, Me Too, Letters on the Autonomy Projectunderstands autonomy to be the capacity of a society, a community or an individual to modify its form. As Castoriadis argues, the struggle for self-determination requires unlimited questioning of the way things are, but also that we do or make something new in light of this interrogation. Autonomy is thus equally a project for thought, for education, for politics, and for art.

Stylistically, these open letters, addressed inclusively to artists, activists, and academics, are modeled on the philosophical letters of Friedrich Schiller on the one hand and the revolutionary communiqués of the Zapatistas on the other. Performing a kind of writing-as-praxis, they seek to grasp the potential of our moment with reference to historical and contemporary instances of political autonomy, notions of artistic autonomy, and art practices that connect the two. They also look at the possibilities of educating for autonomy, which cannot itself be taught. If we are indeed living in a time of creative struggle to remake the whole of society, then an understanding of the autonomy project – and how theory, pedagogy, activism, and art might contribute to it – is of burning relevance.

Janet Sarbanes is the author of the short story collections Army of One and The Protester Has Been Released. 

Published in 2022 ┊ 198 pages ┊ Language: English

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Cover of Rage Assassine: Mettre Fin au Racisme

Éditions Divergences

Rage Assassine: Mettre Fin au Racisme

bell hooks

Avant que Black Lives Matter et #MeToo ne viennent secouer l’Amérique et le monde occidental, bell hooks montrait, dans cet essai incisif, que l’abolition du racisme et l’éradication du sexisme vont de pair. Sans le féminisme, la lutte antiraciste reste une affaire d’hommes. Sans l’antiracisme, le féminisme s’expose à servir de courroie aux logiques de domination raciale. L'autrice insiste sur le bien-fondé de la rage qui anime les masses populaires et la jeunesse noire et sur la nécessité d’en faire un moteur de changement social radical. Elle propose une théorie et une pratique révolutionnaires, dont la fin est une communauté solidaire fondée sur l’égalité réelle et la volonté de tou.te.s de travailler au changement.

Traduit de l'anglais par Ségolène Guinard.

GLORIA JEAN WATKINS, connue sous son nom de plume BELL HOOKS, née en 1952, est une intellectuelle, féministe, et militante étasunienne. Elle a publié plus de trente livres et de nombreux articles, et est apparue dans plusieurs films documentaires. Traduits dans de nombreuses langues, ses ouvrages sont considérés parmi les plus importants sur la question aux Etats-Unis et suscitent un réel engouement en France depuis quelques années. Les éditions divergences ont déjà traduit et publié trois de ses ouvrages dont La volonté de changer et A propos d'amour.

Cover of Routes/Worlds

Sternberg Press

Routes/Worlds

Elizabeth A. Povinelli

Elizabeth Povinelli's anthropology of the otherwise locates itself within forms of life that run counter to dominant modes of being under late settler liberalism. In these essays, she considers the emergence of new worlds and the extinguishment of old ones, seeking to develop a social imaginary that can sustain radical potentiality without turning a blind eye to our deep interdependence.

Cover of Palma Africana

Éditions B42

Palma Africana

Michael Taussig

Dans Palma africana, l’anthropologue australien Michael Taussig explore la production d’huile de palme en Colombie. Alors que cette dernière envahit tout, des chips au vernis à ongles, l’auteur examine les conséquences écologiques, politiques et sociales de cette exploitation.

Bien que la liste des horreurs induites par la culture du palmier à huile soit longue, nos terminologies habituelles ne permettent plus de rendre compte des réalités qu’elles décrivent. À travers cette déambulation anthropo-poétique au cœur des marécages colombiens, c’est donc la question du langage que l’auteur interroge. Comme William Burroughs, pour qui les mots sont aussi vivants que des animaux et n’aiment pas être maintenus en pages – Michael Taussig souhaite couper ces dernières, et les rendre à leur liberté.

Pensé à partir d’une vie d’exploration philosophique et ethnographique, Palma africana cherche à contrecarrer la banalité de la destruction du monde et offre une vision pénétrante de notre condition humaine. Illustré de photographies prises par l’auteur et écrit avec la verve expérimentale propre à l’anthropologue, ce livre est le Tristes Tropiques de Michael Taussig pour le XXIe siècle.

Traduit de l’anglais par Marc Saint-Upéry.

Cover of Crossings: Creative Ecologies of Cruising

Rutgers University Press

Crossings: Creative Ecologies of Cruising

Liz Rosenfeld, João Florêncio

It’s difficult to pinpoint the origins of cruising. While the term was used by men seeking casual encounters with other men in the parks and streets of New York City as early as the 1920s, historical records show the practice is much older. Cruising has existed for as long as anyone outside the dominant sex and gender systems has sought sexual encounters outside of sanctioned norms. This book offers a serious exploration of queer sex and sex cultures, exploring cruising as a mode of thinking with the body and communicating through sexuality. 

A creative dialogue between a queer artist and a queer academic reminiscing about and thinking with their cruising experiences, Crossings takes queer sex practices and cultures seriously as ways of knowing and world-making. The result is an erotic hybrid form hovering between scholarship and avant-garde experimentation, between critical manifesto and sex memoir. Here, the voices of each author, merged together in one, invite the reader to inhabit the erotic spacetime between self and other, the familiar and the strange, desire and pleasure, climax and release. That is, the spaces and temporalities of cruising itself. 

Cover of Anarchy – In a Manner of Speaking

Diaphanes

Anarchy – In a Manner of Speaking

David Graeber

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

David Graeber's influential thinking was always at odds with the liberal and left-wing mainstream. Drawing on his huge theoretical and practical experience as an ethnologist and anthropologist, activist and anarchist, Graeber and his interlocutors develop a ramified genealogy of anarchist thought and possible perspectives for 21st-century politics.

Diverging from the familiar lines of historical anarchism, and against the background of movements such as Occupy Wall Street and the Gilets Jaunes, the aim is to provide new political impulses that go beyond the usual schemata of unavoidableness. The spontaneous and swift-moving polylogue shows Graeber as a spirited, unorthodox thinker and radical activist for whom the group can always achieve more than the individual.

David Graeber (1961-2020) was an American anthropologist, anarchist, political activist, the author of several books, and a leading figure in the Occupy Wall Street movement. Until 2007 he was assistant and associate professor of anthropology at Yale University, until 2013 a reader for Social Anthropology at Goldsmiths, University of London, and until last a professor of anthropology at the London School of Economics.