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Cover of A Loose Thread of Red

Out Of Office

A Loose Thread of Red

Morgan Hickinbotham

€23.00

The first book in a series of four explores a connection between images taken as part of a larger series in Japan over one summer and one winter. Each book has been lovingly hand-constructed.

The presence of self doubt is deeply felt when trying to compile a collection of photographs that have endured an endless process of revision and recompilation.

Scouring every inch of each image to find microscopic relations between subject, composition and colour until eventually something shifts and that 'everything in its right place' feeling soothes the throbbing head.

It's not an easy thing to articulate. It's a sort of subterranean relationship between each frame, as if a mysterious past or conspiracy that links everything together is identified, but still not understood.

It's as if the book always intended to exist and that you had been entrusted with the task of giving it life. (As you had possibly already done before?)
There's a certain term of phrase for someone who does the same thing repeatedly and expects different results.

So what is it to the person who stares at the same collection of images over and over and starts to see something different?

After such intense scrutiny nearly all memory associated with the photograph deteriorates. All that remains are hazy fragments of the original memories that seem like they're trying to tell you something but can't quite remember what it was.

And sandwiched around those memories are the new ideas that you've completely made up to talk yourself into sending this all off to the printers and moving on with your life.

Poetry has never been my strong suit, all attempts to metaphorically circumvent feeling or intention merely end up being interpreted as either the metaphor itself or something else entirely.

So perhaps we can sum this up very simply.

This is a book about red things.

Red has a way of implying a behind the scenes existence, a warning, distance, communication.

Or maybe, just overdue.


19 pages, 26.9 x 19 cm, softcover, Out of Office (Melbourne)

Language: English

recommendations

Cover of Archive Dora Diamant #07

Editions L'Amazone

Archive Dora Diamant #07

Dora Diamant

Photography €18.00

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A self-taught photographer, Dora Diamant has left thousands of photos. The Dora Diamant Association, custodian of this archive, and Éditions L'Amazone have joined forces to bring them to life by devoting a series of publications to them. Each volume of the Dora Diamant Archive was created by a different person and is the result of a subjective selection and arrangement specific to its author.

Figurehead of the Parisian underground and queer nights, photographer, DJ, multimedia and polymorphic artist, Dora Diamant was the daughter of Pascal Doury.

Selected by Yamil Farah and Mélanie Matranga.

Cover of Toffe. édition générale : système de production d'actions graphiques

Unvisible éditions

Toffe. édition générale : système de production d'actions graphiques

Toffe (Christophe Jacquet)

toffe. édition générale
publication issue de reproduction générale,
système de production d'actions graphiques
développé en trois temps :
projection générale
dispositif multi-écran, pour la chaufferie
galerie de l'école supérieure des arts décoratifs de strasbourg
du 14 février au 23 mars 2003
présentation, édition générale
école nationale supérieure des beaux-arts d'alger
du 24 mai 2003
exposition, occurrence récente
diffusion, édition générale
galerie madé, paris
du 12 mai au 5 juin 2003

Cover of Play-White

K. Verlag

Play-White

Bianca Baldi

The racist term "play-white" comes from the apartheid era, when it connoted a black or mixed race person who lived as a white person: “So and so is a play-white.” South African artist Bianca Baldi draws from studies of biomimicry and her own family history, as well as literary precedents—such as Nella Larsen’s novel Passing (1929)—to reflect on racial passing and the instability of racial identities. Play-White alternates between layers of visualization and moments of discretion in order to explore questions of presence and evasion beyond their representation in black and white.

With contributions by Bianca Baldi, Mika Conradie, Shoniqua Roach, Amy Watson, and others; design by Katharina Tauer & Wolfgang Hückel in collaboration with K. Verlag.

Published 2021

Cover of Having a party (hope you will be there)

Damien & The Love Guru

Having a party (hope you will be there)

Mickael Marman

"Having a party (hope you will be there)", is a catalogue of an exhibition organized by Mickael Marman and D&TLG at CFAlive in Milan with artists from the black European diaspora, including original contributions, photos of the show, as well as a brand new intro text by Olamiju Fajemisin.

Cover of Fraitaxtsēs sores tsîn ge ra≠gâ – Ondjembo yo Null Vier

Archive Books

Fraitaxtsēs sores tsîn ge ra≠gâ – Ondjembo yo Null Vier

Ixmucané Aguilar

Photography €30.00

A complete documentation on a multimedia exhibition by Berlin-based artist Ixmucané Aguila, giving voice to voiceless descendants of victims of genocide in Namibia.

Genocide in Namibia is an especially sensitive matter—its history has at times been ignored, underestimated, or even denied outright. In the artistic documentary Fraitaxtsēs sores tsîn ge ra≠gâ – Ondjembo yo Null Vier, Ixmucané Aguilar has worked in close collaboration with Nama and OvaHerero people who vividly evoke memories and rituals of mourning caused by human loss and land dispossession under Imperial Germany's violent occupation.
From these personal encounters emerge portraits, visuals and narratives as documental fragments, consisting of living voices which insist on defending memory as an invocation to witness and never to remain passive in the face of social injustice. Rather than a linear collection of data referring to distant places and its distant past, this work engages with stories as chronicles calling to be recognised as pieces of humanity and time.

Alongside Aguilar's portraits, this publication also contains contributions by human rights attorney Wolfgang Kaleck and the curator of the work Tristan Pranyko, along with poetry by Namibian artists Nesindano Namises, Fritz Isak Dirkse and Prince Kamaazegi, and narratives, testimonies, chants and mourning rituals shared by OvaHerero and Nama people in present-day Namiba.

Published on the occasion of the eponymous exhibition at National Art Gallery of Namibia, Windhoek, in 2023

Ixmucané Aguilar (born 1983) is a Guatemalan Berlin-based visual artist/designer who, through multi-layered documentary photography, engages in extensive field research to put out installations and art publications to relay her work in an artistic language.